Rhetoric & Technical Communication
Rhetoric & Technical Communication
Toscano, Aaron, Ph.D., Associate Professor, Dept. of English

Resources and Daily Activities

  • Conference Presentations
    • Critical Theory/MRG 2023 Presentation
    • PCA/ACA Conference Presentation 2022
    • PCAS/ACAS Presentation 2021
    • SEACS 2021 Presentation
    • SEACS 2022 Presentation
    • SEACS 2023 Presentation
    • South Atlantic MLA Conference 2022
  • Dr. Toscano’s Homepage
  • ENGL 2116-014: Introduction to Technical Communication
    • February 13th: Introduction to User Design
    • February 15th: Instructions for Users
      • Making Résumés and Cover Letters More Effective
    • February 1st: Reflection on Workplace Messages
    • February 20th: The Rhetoric of Technology
    • February 22nd: Social Constructions of Technology
    • February 6th: Plain Language
    • January 11th: More Introduction to Class
    • January 18th: Audience & Purpose
    • January 23rd: Résumés and Cover Letters
      • Duty Format for Résumés
      • Peter Profit’s Cover Letter
    • January 25th: More on Résumés and Cover Letters
    • January 30th: Achieving a Readable Style
      • Euphemisms
      • Prose Practice for Next Class
      • Prose Revision Assignment
      • Revising Prose: Efficiency, Accuracy, and Good
      • Sentence Clarity
    • January 9th: Introduction to the Class
    • Major Assignments
    • March 13th: Introduction to Information Design
    • March 15th: More on Information Design
    • March 20th: Reporting Technical Information
    • March 27th: The Great I, Robot Analysis
  • ENGL 4182/5182: Information Design & Digital Publishing
    • August 21st: Introduction to the Course
      • Rhetorical Principles of Information Design
    • August 28th: Introduction to Information Design
      • Prejudice and Rhetoric
      • Robin Williams’s Principles of Design
    • Classmates Webpages (Fall 2017)
    • December 4th: Presentations
    • Major Assignments for ENGL 4182/5182 (Fall 2017)
    • November 13th: More on Color
      • Designing with Color
      • Important Images
    • November 20th: Extra-Textual Elements
    • November 27th: Presentation/Portfolio Workshop
    • November 6th: In Living Color
    • October 16th: Type Fever
      • Typography
    • October 23rd: More on Type
    • October 2nd: MIDTERM FUN!!!
    • October 30th: Working with Graphics
      • Beerknurd Calendar 2018
    • September 11th: Talking about Design without Using “Thingy”
      • Theory, theory, practice
    • September 18th: The Whole Document
    • September 25th: Page Design
  • ENGL 4183/5183: Editing with Digital Technologies
    • August 24th: Introduction to the Class
    • August 31st: Rhetoric, Words, and Composing
    • Major Assignments for ENGL 4183/5183 (Fall 2022)
      • Rhetoric of Fear
    • November 16th: Voice and Other Nebulous Writing Terms
      • Finding Dominant Rhetorical Appeals
    • November 2nd: Rhetorical Effects of Punctuation
    • November 30th: Words and Word Classes
    • November 9th: Cohesive Rhythm
    • October 12th: Choosing Adjectivals
    • October 19th: Choosing Nominals
    • October 26th: Stylistic Variations
    • October 5th: Midterm Exam
    • September 14th: Verb is the Word!
    • September 21st: Coordination and Subordination
    • September 28th: Form and Function
    • September 7th: Sentence Patterns
  • ENGL 4275: Rhetoric of Technology
    • April 13th: Authorities in Science and Technology
    • April 15th: Articles on Violence in Video Games
    • April 20th: Presentations
    • April 6th: Technology in the home
    • April 8th: Writing Discussion
    • Assignments for ENGL 4275
    • February 10th: Religion of Technology Part 3 of 3
    • February 12th: Is Love a Technology?
    • February 17th: Technology and Gender
    • February 19th: Technology and Expediency
    • February 24th: Semester Review
    • February 3rd: Religion of Technology Part 1 of 3
    • February 5th: Religion of Technology Part 2 of 3
    • January 13th: Technology and Meaning, a Humanist perspective
    • January 15th: Technology and Democracy
    • January 22nd: The Politics of Technology
    • January 27th: Discussion on Writing as Thinking
    • January 29th: Technology and Postmodernism
    • January 8th: Introduction to the Course
    • March 11th: Writing and Other Fun
    • March 16th: Neuromancer (1984) Day 1 of 2
    • March 18th: Neuromancer (1984) Day 2 of 2
    • March 23rd: Inception (2010)
    • March 25th: Writing and Reflecting Discussion
    • March 30th & April 1st: Count Zero
    • March 9th: William Gibson’s Neuromancer (1984)
  • ENGL 6166: Rhetorical Theory
    • April 12th: Knoblauch. Ch. 4 and Ch. 5
    • April 19th: Jacques Derrida’s Positions
    • April 26th:  Feminisms and Rhetorics
    • April 5th: Knoblauch. Ch. 3 and More Constitutive Rhetoric
    • February 15th: Isocrates (Part 2)
    • February 1st: Aristotle’s On Rhetoric Books 2 & 3
      • Aristotle’s On Rhetoric, Book 2
      • Aristotle’s On Rhetoric, Book 3
    • February 22nd: St. Augustine’s On Christian Doctrine [Rhetoric]
    • February 8th: Isocrates (Part 1)-2nd Half of Class
    • January 11th: Introduction to Class
    • January 18th: Plato’s Phaedrus
    • January 25th: Aristotle’s On Rhetoric Book 1
    • March 15th: Descartes, Rene, Discourse on Method
    • March 1st: Knoblauch. Ch. 1 and 2
    • March 22nd: Mary Wollstonecraft
    • March 29th: Second Wave Feminist Rhetoric
    • May 3rd: Knoblauch. Ch. 6, 7, and “Afterword”
    • Rhetorical Theory Assignments
  • ENGL/COMM/WRDS: The Rhetoric of Fear
    • February 14th: Fascism and Other Valentine’s Day Atrocities
    • February 21st: Fascism Part 2
    • February 7th: Fallacies Part 3 and American Politics Part 2
    • January 10th: Introduction to the Class
    • January 17th: Scapegoats & Conspiracies
    • January 24th: The Rhetoric of Fear and Fallacies Part 1
    • January 31st: Fallacies Part 2 and American Politics Part 1
    • Major Assignments
    • March 7th: Fascism Part 3
  • LBST 2212-124, 125, 126, & 127
    • August 21st: Introduction to Class
    • August 23rd: Humanistic Approach to Science Fiction
    • August 26th: Robots and Zombies
    • August 28th: Futurism, an Introduction
    • August 30th: R. A. Lafferty “Slow Tuesday Night” (1965)
    • December 2nd: Technological Augmentation
    • December 4th: Posthumanism
    • November 11th: Salt Fish Girl (Week 2)
    • November 13th: Salt Fish Girl (Week 2 con’t)
    • November 18th: The Hitchhiker’s Guide to the Galaxy (Part 1)
      • More Questions than Answers
    • November 1st: Games Reality Plays (part II)
    • November 20th: The Hitchhiker’s Guide to the Galaxy (Part 2)
    • November 6th: Salt Fish Girl (Week 1)
    • October 14th: More Autonomous Fun
    • October 16th: Autonomous Conclusion
    • October 21st: Sci Fi in the Domestic Sphere
    • October 23rd: Social Aphasia
    • October 25th: Dust in the Wind
    • October 28th: Gender Liminality and Roles
    • October 2nd: Mary Shelley’s Frankenstein
    • October 30th: Games Reality Plays (part I)
    • October 9th: Approaching Autonomous
      • Analyzing Prose in Autonomous
    • September 11th: The Time Machine
    • September 16th: The Alien Other
    • September 18th: Post-apocalyptic Worlds
    • September 20th: Dystopian Visions
    • September 23rd: World’s Beyond
    • September 25th: Gender Studies and Science Fiction
    • September 30th: Mary Shelley’s Frankenstein
    • September 4th: Science Fiction and Social Breakdown
      • More on Ellison
      • More on Forster
    • September 9th: The Time Machine
  • LBST 2213-110: Science, Technology, and Society
    • August 22nd: Science and Technology from a Humanistic Perspective
    • August 24th: Science and Technology, a Humanistic Approach
    • August 29th: Collins & Pinch’s The Golem (Science), Ch. 2
    • August 31st: Collins & Pinch’s The Golem (Science), Ch. 3 and 4
    • December 5th: Video Games and Violence, a more nuanced view
    • November 14th: Boulle, Pierre. Planet of the Apes. (1964) Ch. 27-end
    • November 16th: Shelley, Mary. Frankenstein. 1818. Preface-Ch. 8
    • November 21st: Shelley, Mary. Frankenstein. 1818. Ch. 9-Ch. 16
    • November 28th: Shelley, Mary. Frankenstein. Ch. 17-Ch. 24
    • November 30th: Violence in Video Games
    • November 7th: Boulle, Pierre. Planet of the Apes Ch. 1-17
    • November 9th: Boulle, Pierre. Planet of the Apes, Ch. 18-26
    • October 12th: Lies Economics Tells
    • October 17th: Brief Histories of Medicine, Salerno, and Galen
    • October 19th: Politicizing Science and Medicine
    • October 24th: COVID-19 Facial Covering Rhetoric
    • October 26th: Wells, H. G. Time Machine. Ch. 1-5
    • October 31st: Wells, H. G. The Time Machine Ch. 6-The End
    • October 3rd: Collins & Pinch’s The Golem at Large (Technology), Ch. 7 and Conclusion
    • September 12th: Collins & Pinch’s The Golem (Science), Ch. 7 and Conclusion
    • September 19th: Collins & Pinch’s The Golem at Large (Technology), Prefaces and Ch. 1
    • September 26th: Collins & Pinch’s The Golem at Large (Technology), Ch. 2
    • September 28th: Collins & Pinch’s The Golem at Large (Technology), Ch. 5 and 6
    • September 7th: Collins & Pinch’s The Golem (Science), Ch. 5 and 6
  • New Media: Gender, Culture, Technology (Spring 2021)
    • April 13th: Virtually ‘Real’ Environments
    • April 20th: Rhetoric/Composition Defines New Media
    • April 27th: Sub/Cultural Politics, Hegemony, and Agency
    • April 6th: Capitalist Realism
    • February 16: Misunderstanding the Internet
    • February 23rd: Our Public Sphere and the Media
    • February 2nd: Introduction to Cultural Studies
    • January 26th: Introduction to New Media
    • Major Assignments for New Media (Spring 2021)
    • March 16th: Identity Politics
    • March 23rd: Social Construction of Gender and Sexuality
    • March 2nd: Foundational Thinkers in Cultural Studies
    • March 30th: Hyperreality
    • March 9th: Globalization & Postmodernism
    • May 4th: Wrapping Up The Semester
      • Jodi Dean “The The Illusion of Democracy” & “Communicative Capitalism”
      • Social Construction of Sexuality
  • Science Fiction in American Culture (Summer I–2020)
    • Assignments for Science Fiction in American Culture
    • Cultural Studies and Science Fiction Films
    • June 10th: Interstellar and Exploration themes
    • June 11th: Bicentennial Man
    • June 15th: I’m Only Human…Or am I?
    • June 16th: Wall-E and Environment
    • June 17th: Wall-E (2008) and Technology
    • June 18th: Interactivity in Video Games
    • June 1st: Firefly (2002) and Myth
    • June 2nd: “Johnny Mnemonic”
    • June 3rd: “New Rose Hotel”
    • June 4th: “Burning Chrome”
    • June 8th: Conformity and Monotony
    • June 9th: Cultural Constructions of Beauty
    • May 18th: Introduction to Class
    • May 19th: American Culture, an Introduction
    • May 20th: The Matrix
    • May 21st: Gender and Science Fiction
    • May 25th: Goals for I, Robot
    • May 26th: Isaac Asimov’s I, Robot
    • May 27th: Hackers and Slackers
    • May 30th: Inception
  • Teaching Portfolio
  • Topics for Analysis
    • A Practical Editing Situation
    • American Culture, an Introduction
    • Efficiency in Writing Reviews
    • Feminism, An Introduction
    • Fordism/Taylorism
    • Frankenstein Part I
    • Frankenstein Part II
    • Futurism Introduction
    • How to Lie with Statistics
    • Isaac Asimov’s “A Cult of Ignorance”
    • Langdon Winner Summary: The Politics of Technology
    • Marxist Theory (cultural analysis)
    • Oral Presentations
    • Oratory and Argument Analysis
    • Our Public Sphere
    • Postmodernism Introduction
    • Protesting Confederate Place
    • Punctuation Refresher
    • QT, the Existential Robot
    • Religion of Technology Discussion
    • Rhetoric, an Introduction
      • Analyzing the Culture of Technical Writer Ads
      • Rhetoric of Technology
      • Visual Culture
      • Visual Perception
      • Visual Perception, Culture, and Rhetoric
      • Visual Rhetoric
      • Visuals for Technical Communication
      • World War I Propaganda
    • The Great I, Robot Discussion
      • I, Robot Short Essay Topics
    • The Rhetoric of Video Games: A Cultural Perspective
      • Civilization, an Analysis
    • The Sopranos
    • Why Science Fiction?
    • Zombies and Consumption Satire
  • Video Games & American Culture
    • April 14th: Phallocentrism
    • April 21st: Video Games and Neoliberalism
    • April 7th: Video Games and Conquest
    • Assignments for Video Games & American Culture
    • February 10th: Aesthetics and Culture
    • February 17th: Narrative and Catharsis
    • February 24th: Serious Games
    • February 3rd: More History of Video Games
    • January 13th: Introduction to the course
    • January 20th: Introduction to Video Game Studies
    • January 27th: Games & Culture
      • Marxism for Video Game Analysis
      • Postmodernism for Video Game Analysis
    • March 24th: Realism, Interpretation(s), and Meaning Making
    • March 31st: Feminist Perspectives and Politics
    • March 3rd: Risky Business?

Contact Me

Office: Fretwell 255F
Email: atoscano@uncc.edu
Science Fiction in American Culture (Summer I–2020) » May 26th: Isaac Asimov’s I, Robot

May 26th: Isaac Asimov’s I, Robot

Overview

  • Isaac Asimov
  • I, Robot
  • Chapter-by-Chapter Notes

Isaac Asimov (1920-1992)

Isaac Asimov was a rather prolific writer, who authored nearly 500 books, which is incredible. He is most known for his science fiction, but he wrote many general audience guides to science, linguistics, history, and (some) humor. He even wrote “Tales of The Black Widowers,” a mystery series. I have always found a detective nature to his science fiction, especially in I, Robot. Think of this novel as a series of vignettes, brief semi-related episodes that each offer a view of a particular troublesome robot function. Overall, the stories lead to an inevitable (or is it evitable) conflict.

I use this novel in my Introduction to Technical Communication courses because Asimov’s stories offer ample opportunity to think about the role of technology in society. As you read, try to relate Asimov’s science fiction technology with contemporary technologies–cell phones and computers are good choices.

Retro SciFi

I like to watch old science fiction shows and films that project into the future. There was a prevailing view that we’d all be traveling in flying cars by the year 2000. We don’t have flying cars, but we are on the verge of viable self-driving vehicles. Asimov writes about the science of his day, but he also projects that science into the future. As a scientist himself (he received a PhD in Chemistry), he would have had access to, at least, cutting edge discussions of science. Asimov tells readers in his autobiography that he was well aware of the significance of harnessing the power of the atom for nuclear energy–for both civil and military purposes. In fact, a professor of his at Columbia University, Harold Urey, was working on the Manhattan Project during WWII. Asimov recounts a story where Prof. Urey claimed

how pained he was that he could do nothing to help the war effort. Asimov pointed out innocently that perhaps the enriched uranium kept at Columbia may have had something to do with the war effort. Urey reddened and changed the subject (Strickland, 126)

The Allies knew the Germans were pursuing atomic weapons, so those working on the project were nervous about letting others know they were working on it (Even people working and living around Oak  Ridge, TN in the early 1940s had no idea the military was enriching uranium for atomic weapons). Asimov didn’t know exactly what research was taking place (at his own university), but he was definitely aware of the potential of atomic energy. I mention this because, as you no doubt noticed, small atomic devices appear to power technologies in Asimov’s future of I, Robot. This is retro scifi: the past’s view of the future. Remember, though, good science fiction isn’t about predicting the future. Instead, it’s about considering one’s moment in time and extrapolating on that moment by putting it into a future, speculative setting. Asimov and other science fiction writers project an assumption of what technology will be like in the future based on prevalent, promising contemporary technologies.

Chapter-by-Chapter Discussion

Below I’ve added the Appendix from the article I wrote on using I, Robot in the technical writing classroom. The following breakdown is for Chapters 1-8. Although the article is for other technical writing teachers, it provides a way for readers to interpret the novel and draw comparisons to contemporary technologies.

Appendix 1. Robot/human vignettes

The following examples match the first eight chapters in Asimov’s I, Robot; of course, they are not exhaustive. Also, the examples may appear to stress a tools approach, but as moments for discussion, these examples can easily be incorporated into critical technological awareness or critical literacy. Although the examples stress ethics in technical writing, I hope readers experiment with the multiple topics that may arise from the following situations.

  1. Robot marketing. I, Robot helps students to consider how they would sell twenty-first-century technology. Obviously, the text allows for a reading of the audience, and in this case, Asimov’s audience is that of the hyper-industrial future. Space exploration is not merely for expanding humanity’s knowledge of the galaxy; it is for colonizing far-off places and extracting valuable resources. A New-Historical approach would capitalize on the mercantile, neo-colonial nature of such a world system and offer critiques of globalization. The discussion may even highlight differences between a manufacturing economy and an information economy.
  2. Labor issues surrounding robots. Because robots are ultra-efficient in the novel, humans almost banned their use on Earth (Asimov, p. 35). Because our contemporary technologies continue to put jobs in jeopardy, students may benefit from examining how robots are used mainly for jobs humans cannot do. By looking at contemporary
    labor disputes regarding illegal immigration, the novel may be compared to political positions in favor of allowing undocumented workers to obtain visas—these workers do jobs that Americans will not—and positions contrary to allowing undocumented workers to acquire jobs in the United States. Furthermore, the practice of outsourcing
    manufacturing to lower-paying countries (e. g., sweatshops) may provide an interesting parallel to the novel’s “outsourcing” to robots. Such a conversation may spur students to think about the precarious nature of technical jobs that “disappear” because of either automation or a cheaper labor source.
  3. QT, the existential robot. A rather peculiar robot named QT or “Cutie” is able to rationalize his existence as superior to that of humans. Because he feels that his kind is bigger, faster, and stronger than humans, he reasons that the “Creator” must have made him in His own image and not the weaker humans (Asimov, p. 63). Because QT does his job well enough, the humans decide not to disassemble him; instead, they allow the peculiar robot to go about believing that he is superior even though that condition is a minor nuisance for the robot engineers. Alan Cooper (2004) calls users who accept minor nuisances of technology apologists: An apologist learns to work
    around software bugs because she or he accepts that one must bend to the rules of technology (p. 30). This may lead to more discussion on user friendly versus user-centered designs in documentation. After all, what service are technical communicators doing if they assume their audience will conform to their expectations? Audience analysis is fundamental to all communication courses, and a more humanist approach would adapt documentation to users instead of conditioning users to just “deal with” the idiosyncratic problems that arise with software or other technologies.
  4. Redhead stereotypes. Interestingly, the future of I, Robot still portrays redheads as ill-tempered individuals. From Judas Iscariot to the redheaded robot engineer Mike Donovan, popular culture portrays redheads as ill-tempered or simply suspect (Roach, 2005). Because science and technology are often considered truth and not socially
    constructed “beliefs,” Donovan’s attitude helps foster discussions about how experts’ attitudes may affect how they carry out their work. Scientists and engineers are often considered cold, calculated, objective professionals, so Donovan’s disposition, even though a stereotype, helps humanize the experts. Too often science and technology
    are thought to be purely objective, practical endeavors devoid of human subjectivity. The politics of science and technology are well known (Latour, 1987; Winner, 1986). A discussion on the role of scientists’ and engineers’ attitudes goes well with ethical discussions that arise when scientists and engineers have to bow to the pressures
    of management. For example, the often-cited instance of “when Jerald Mason asked Robert Lund to ‘take off his engineer’s hat and put on his manager’s hat”’ and approve the Challenger’s ill-fated launch to conform to managerial wishes (Walzer & Gross, 1994, p. 425) supports the idea that attitudes (or, simply, human factors) affect technological policy decisions.
  5. Views of women in engineering and science. When the engineers are confronted with a robot that tells the humans what they want to hear, Dr. Calvin is tricked into believing that an object of her affection, Milton Ashe, is attracted to her. An analysis of women in science is quite appropriate at this point because Asimov portrays Dr. Calvin as an
    asexual being for most of the novel; however, after she is lied to about Ashe’s affection (p. 118), Dr. Calvin begins “using lipstick . . . [r]ouge, powder, and eyeshadow, too” (p. 121). Her new cosmetic look, combined with the fact that Dr. Calvin never marries, seems to suggest that a woman either has her job or her man—never both. Although such sexist ideology might be refuted as outdated, we cannot ignore that women are overwhelmingly underrepresented in “physical science, engineering, [and] technology field[s]” (Burger, Creamer, & Meszaros, 2007, p. 6). Discussions on gender are important in technical writing to begin addressing barriers to women entering these careers. Also, drawing on a humanist rationale, the class discussion may help introduce students to feminist critiques of gender, topics that traditionally get left out of science and engineering courses but are integral to humanities courses. Although Dr. Calvin has a prominent role in the novel—she is the narrator—she inhabits a subtle stereotypical role: In the universe of hard-science engineers, Dr. Calvin is a “soft” robopsychologist. That persona reinforces the stereotypes surrounding women’s understanding of emotions but not cold logic or facts—the supposed realm of male science and engineering.
  6. Government support of technology and war. Even though the world is at peace in Asimov’s novel, the military still invests in research and development. The first law of robotics, a governing principle impressioned into the “brains” of all robots, states “a robot may not injure a human being, or, through inaction, allow a human being to come to harm” (Asimov, p. 44-45). In order to do a job that the military wants, a few robots are not impressioned with the first law (Asimov, p. 140). Class discussion can begin with observations on how technologies such as the Internet, or Humvees (later sold commercially as Hummers), began as military applications before becoming consumer
    products. Besides the possible military-industrial complex critique, this particular vignette supports discussion on ethics when one non-first-law-impressioned robot gets loose and mixes in with the fully-impressioned robots. Dr. Calvin says to destroy all of the robots because it is too dangerous to have a non-first-law-impressioned robot on
    the loose. However, at thirty thousand dollars per robot (in 1940s dollars), a cost-benefit analysis has to be done, begging the question, “When exactly do you take the metaphorical Ford Pinto off the market?” Classes should use this example to explore the ethics of both technology and documentation of technologies. Who’s responsible for harmful technologies?
  7. Scientific and technological races. A rival company wants to sabotage U.S. Robot’s “brain robot” in order to keep the firm from coming up with a secret to creating the Hyperatomic Drive, an [interstellar] engine that, if created, “will be the biggest thing in the world” according to a company manager (Asimov, p. 179). The brain robot is a supercomputer that does calculations faster than any other robot, and the brain robot can think. The rival company’s brain computer has failed, which puts them back “six years at least to build another [super robot]” (Asimov, p. 176). Because competition is so fierce, the rival company wants to slow U.S. Robots down. This scenario allows for a fruitful discussion examining competition in technology and science. After all, why do
    we call Watson and Crick’s work on DNA “the race for the double helix” or the United States and the Soviet Union’s attempts to travel into outer space “the space race” after Sputnik? With growing litigation and concern for intellectual property violations—whether they be downloading MP3 audio files or cannibalizing another firm’s proprietary software code—discussions on workplace ethics are germane to any technical writing course. The way that the rival company tries to sabotage U.S. Robot’s brain is an interesting example of ethics and withholding information.
  8. The fallacy of machine predictability. At the novel’s conclusion, the reader learns that the robots “run the show.” Although utopia is not quite reached, Asimov’s world does look good. More accurately, though, the good is really from a modernist perspective that believes “science and technology” lead humanity on “the path of human progress and efficiency” (Wilson, 2001, p. 73). If robots—beings that think in mathematic formulae—can run the world, what does that say about our society? Is life so predictable that one can punch in numbers and get perfect results? Hardly. Science and technology are not perfect, but the ideology of the industrialized world insists that science and technology will solve our problems. This is not to say science and technology have not improved life; instead, the discussion should explore the social values and practices that stem from holding the view of technological panacea. Are all technologies equally valuable? Technologies need to be analyzed just like we analyze communication—from the surface level to the systemic level. A pacemaker “update” is a bit more significant than a software update when we think of the pacemaker’s direct benefit for human life. Then again, software updates do make our lives easier if they fix bugs or improve functionality. Introducing this topic may also support critical discussions on planned obsolescence—the dominant model for most, if not all, software.

The above excerpt should be plenty of information for interpreting on I, Robot. Make sure you do your Canvas post about I, Robot before Friday, 5/29 at 11:00 pm.

Works Cited

Asimov, Isaac. I, Robot. New York: Spectra-Bantam. (Original work published 1950 by Gnome Press)

Burger, Carol J., Creamer, Elizabeth G.,& Meszaros, Peggy S. (Eds.). Reconfiguring the Firewall: Recruiting Women to Information Technology Across Cultures and Continents. Wellesley, MA: A K Peters, 2007.

Cooper, Alan. The Inmates are Running the Asylum: Why High Tech Products Drive Us Crazy and How to Restore the Sanity. Indianapolis: Sams, 2004.

Latour, Bruno. Science in Action: How to Follow Scientists and Engineers through Society. Cambridge, MA: Harvard University Press, 1987.

Roach, Marion. The Roots of Desire: The Myth, Meaning, and Sexual Power of Red Hair. New York: Bloomsbury, 2005.

Strickland, Jeffrey. The Men of Manhattan: Creators of the Nuclear Era. Lulu.com, 2011.

Toscano, Aaron. “Using I, Robot in the Technical Writing Classroom: Developing a Critical Technological Awareness.” Computers and Composition, vol. 28, no. 1, 2011, pp. 14-27.

Walzer, Arthur E., & Gross, Alan. “Positivists, Postmodernists, Aristotelians, and the Challenger Disaster.” College English, vol. 56, no. 4, 1994, pp. 420–433.

Wilson, Greg. “Technical Communication in Late Capitalism: Considering a Postmodern Technical Communication Pedagogy. Journal of Business and Technical Communication, vol. 15, no. 2, 2001, pp. 72–99.

Winner, Langdon. The Whale and the Reactor: A Search for Limits in the Age of High Technology. Chicago: The University of Chicago Press, 1986.

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