Peer Reviewed Essay in Edited Volume: “Searching for (A) Home in the Rubble: The Heimkehrer-Flaneur in Wolfgang Staudte’s Die Mörder sind unter uns,” Domesticity under Siege: Threatened Spaces of the Modern Home. Eds. Mark Taylor, Georgina Downey, and Terry Meade. London et. al. Bloomsbury Visual Arts, 2023. 125-147.
Translation, with Susanne Gomoluch: Alexander Kluge. “The Indestructability of the Political,” “The Chronicle of Pangaea.” Kong’s Finest Hour: A Chronicle of Connections. (Revised and Expanded Edition) London, New York, Calcutta: Seagull Books, 2021, pp. 133-164, 207-300.
Peer Reviewed Essay in Edited Volume: “Poetry of an Alien: Black Tape, Silo Nation, and the Historiography of German Hip-Hop’s Alte Schule,” Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Ed. Kirkland A. Fulk. New York: Berghahn, 2020. 84-105.
Peer Reviewed Essay in Edited Volume: “Nosferatu’s Daughters: Radical Feminism, Lesbo-Vampirism, and Fluid Identities in Dennis Gansel’s Wir sind die Nacht,” Vampire Films Around the World: Essays on the Cinematic Undead of Sixteen Cultures, Ed. James Aubrey. Jefferson: McFarland, 2020. 64-77.
Book Review: Bryan Turnock. Studying Horror Cinema in: The Journal of the Fantastic in the Arts, Vol. 21, No.1. 2020, 158-160.
Book Review: Stefan Bronner, Björn Weyand (Eds.). Christian Krachts Weltliteratur: Eine Topographie in: German Studies Review, Vol. 42, No. 3. 2019, 651-653.
Book Review (“Referat”): “Ralf Schnell. Heinrich Böll und die Deutschen,” in: Germanistik 59. 3-4. 2018, 1001.
Peer Reviewed Article: “‘An der Kernstelle der Existenz’: Techno, Intoxication, and the Limits of Literary Representation in Rainald Goetz’s Rave,” in: Colloquia Germanica, 50.2. 2017, 229-247. (Published in 2019)
Translation, with Susanne Gomoluch: Alexander Kluge. “The Chronicle of Pangaea.” Kong’s Finest Hour: A Chronicle of Connections. Milan: Fondazione Prada, 2017, pp. 197-306. Excerpts reprinted in: Lerner, Ben; Alexander Kluge. The Snows of Venice: The Lerner-Kluge Container. Leipzig: Spector Books, 2018, 145, 149, 253.
Peer Reviewed Article: “The State vs. Buttgereit and Ittenbach: Censorship and Subversion in German No-Budget Horror Film,” in: Journal of the Fantastic in the Arts, Vol. 27, No. 3, 2016, 435-451.
Peer Reviewed Article: “Beyond Weimar Expressionism and Agfacolor: Literary Representations of Rubble Space in Heinrich Böll’s Der Engel schwieg,” in: Monatshefte, 108.2 Summer 2016, 185-201.
Peer Reviewed Essay in Edited Volume: “Shapers, Portals, and Exotic Matter: Living Fiction and Augmented Reality in Google’s Ingress,” The Role-Playing Society, Eds. Andrew Byers, Francesco Crocco, Jefferson: McFarland, 2016, 234-255.
Living Fiction and Augmented Realities
Book Review: “Christopher Pavsek; The Utopia of Film: Cinema and Its Futures in Kluge, Godard, and Tahimik,” Vermischte Nachrichten: Alexander Kluge Jahrbuch (1/2014), Vienna: V&R Press, 2014, 281-284.
Peer Reviewed Article: “The West German Student Movement and Its Afterlife: The Ghosts of ’68 in Rolf Dieter Brinkmann’s Westwärts 1 & 2: Gedichte,” in: Textpraxis 8 (1.2014).
Peer Reviewed Article: “Walking the Corridors of Mass Media: Rolf Dieter Brinkmann’s 1973-1974 Cologne Tape Recordings and the Poetics of Disruption,” in: Seminar, Volume 50, No. 2. 2014, 216-230.