
{"id":153,"date":"2018-03-13T15:11:31","date_gmt":"2018-03-13T15:11:31","guid":{"rendered":"http:\/\/pages.charlotte.edu\/kai-werbeck\/?page_id=153"},"modified":"2022-10-04T17:00:27","modified_gmt":"2022-10-04T17:00:27","slug":"publications","status":"publish","type":"page","link":"https:\/\/pages.charlotte.edu\/kai-werbeck\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>Peer Reviewed Essay in Edited Volume: &#8220;Searching for (A) Home in the Rubble: The <em>Heimkehrer<\/em>-Flaneur in Wolfgang Staudte&#8217;s\u00a0<em>Die M\u00f6rder sind unter uns<\/em>,&#8221; <em>Domesticity under Siege: Threatened Spaces of the Modern Home<\/em>. Eds. Mark Taylor, Georgina Downey, and Terry Meade. London et. al. Bloomsbury Visual Arts, 2023. 125-147.<\/p>\n<p>Translation, with Susanne Gomoluch: Alexander Kluge. &#8220;The Indestructability of the Political,&#8221; \u201cThe Chronicle of Pangaea.\u201d <em>Kong\u2019s Finest Hour: A Chronicle of Connections<\/em>. (Revised and Expanded Edition) London, New York, Calcutta: Seagull Books, 2021, pp. 133-164, 207-300.<\/p>\n<p>Peer Reviewed Essay in Edited Volume: \u201cPoetry of an Alien: <em>Black Tape<\/em>, Silo Nation, and the Historiography of German Hip-Hop\u2019s <em>Alte Schule<\/em>,\u201d <em>Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational<\/em>. Ed. Kirkland A. Fulk. New York: Berghahn, 2020. 84-105.<\/p>\n<p>Peer Reviewed Essay in Edited Volume: \u201cNosferatu\u2019s Daughters: Radical Feminism, Lesbo-Vampirism, and Fluid Identities in Dennis Gansel\u2019s <em>Wir sind die Nacht<\/em>,\u201d <em>Vampire Films Around the World: Essays on the Cinematic Undead of Sixteen Cultures<\/em>, Ed. James Aubrey. Jefferson: McFarland, 2020. 64-77.<\/p>\n<p>Book Review: Bryan Turnock. <em>Studying Horror Cinema<\/em> in: <em>The Journal of the Fantastic in the Arts<\/em>, Vol. 21, No.1. 2020, 158-160.<\/p>\n<p>Book Review: Stefan Bronner, Bj\u00f6rn Weyand (Eds.). <em>Christian Krachts Weltliteratur: Eine Topographie<\/em> in: <em>German Studies Review<\/em>, Vol. 42, No. 3. 2019, 651-653.<\/p>\n<p>Book Review (&#8220;Referat&#8221;): &#8220;Ralf Schnell. <em>Heinrich B\u00f6ll und die Deutschen,&#8221; <\/em>in:<em> Germanistik<\/em> 59. 3-4. 2018, 1001.<\/p>\n<p>Peer Reviewed Article: \u201c\u2018An der Kernstelle der Existenz\u2019: Techno, Intoxication, and the Limits of Literary Representation in Rainald Goetz\u2019s <em>Rave<\/em>,\u201d in: <em>Colloquia Germanica<\/em>, 50.2. 2017, 229-247. (Published in 2019)<\/p>\n<p>Translation, with Susanne Gomoluch: Alexander Kluge. \u201cThe Chronicle of Pangaea.\u201d <em>Kong\u2019s Finest Hour: A Chronicle of Connections<\/em>. Milan: Fondazione Prada, 2017, pp. 197-306. Excerpts reprinted in: Lerner, Ben; Alexander Kluge. <em style=\"font-size: inherit\">The Snows of Venice: The Lerner-Kluge Container<\/em><span style=\"font-size: inherit\">. Leipzig: Spector Books, 2018, 145, 149, 253.<\/span><\/p>\n<p>Peer Reviewed Article: \u201cThe State vs. Buttgereit and Ittenbach: Censorship and Subversion in German No-Budget Horror Film,\u201d in: <em>Journal of the Fantastic in the Arts<\/em>, Vol. 27, No. 3, 2016, 435-451.<\/p>\n<p>Peer Reviewed Article: \u201cBeyond Weimar Expressionism and <em>Agfacolor<\/em>: Literary Representations of Rubble Space in Heinrich B\u00f6ll\u2019s\u00a0<em>Der Engel schwieg<\/em>,\u201d in: <em>Monatshefte<\/em>, 108.2 Summer 2016, 185-201.<\/p>\n<p>Peer Reviewed Essay in Edited Volume: \u201cShapers, Portals, and Exotic Matter: Living Fiction and Augmented Reality in Google\u2019s <em>Ingress<\/em>,\u201d\u00a0<em>The Role-Playing Society<\/em>, Eds. Andrew Byers, Francesco Crocco, Jefferson: McFarland, 2016, 234-255.<\/p>\n<p><a href=\"http:\/\/pages.charlotte.edu\/kai-werbeck\/wp-content\/uploads\/sites\/285\/2019\/10\/4-Werbeck-Chapter-in-Edited-Volume-Living-Fiction-and-Augmented-Realities-4.pdf\">Living Fiction and Augmented Realities<\/a><\/p>\n<p>Book Review: \u201cChristopher Pavsek; <em>The Utopia of Film: Cinema and Its Futures in Kluge, Godard, and Tahimik<\/em>,\u201d\u00a0<em>Vermischte Nachrichten: Alexander Kluge Jahrbuch\u00a0<\/em>(1\/2014), Vienna: V&amp;R Press, 2014, 281-284.<\/p>\n<p>Peer Reviewed Article: \u201cThe West German Student Movement and Its Afterlife: The Ghosts of \u201968 in Rolf Dieter Brinkmann\u2019s <em>Westw\u00e4rts 1 &amp; 2: Gedichte<\/em>,\u201d in: <em>Textpraxis<\/em>\u00a08 (1.2014).<\/p>\n<p>Peer Reviewed Article: \u201cWalking the Corridors of Mass Media: Rolf Dieter Brinkmann\u2019s 1973-1974 Cologne Tape Recordings and the Poetics of Disruption,\u201d in: <em>Seminar<\/em>, Volume 50, No. 2. 2014, 216-230.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peer Reviewed Essay in Edited Volume: &#8220;Searching for (A) Home in the Rubble: The Heimkehrer-Flaneur in Wolfgang Staudte&#8217;s\u00a0Die M\u00f6rder sind unter uns,&#8221; Domesticity under Siege: Threatened Spaces of the Modern Home. Eds. Mark Taylor, Georgina Downey, and Terry Meade. London et. al. Bloomsbury Visual Arts, 2023. 125-147. Translation, with Susanne Gomoluch: Alexander Kluge. &#8220;The Indestructability [&hellip;]<\/p>\n","protected":false},"author":525,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[3],"class_list":["post-153","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/users\/525"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/comments?post=153"}],"version-history":[{"count":33,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/153\/revisions"}],"predecessor-version":[{"id":344,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/153\/revisions\/344"}],"wp:attachment":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/media?parent=153"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/coauthors?post=153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}