{"id":46,"date":"2015-01-24T18:08:08","date_gmt":"2015-01-24T18:08:08","guid":{"rendered":"http:\/\/pages.charlotte.edu\/kai-werbeck\/?page_id=46"},"modified":"2022-10-18T16:29:00","modified_gmt":"2022-10-18T16:29:00","slug":"scholarly-presentations","status":"publish","type":"page","link":"https:\/\/pages.charlotte.edu\/kai-werbeck\/scholarly-presentations\/","title":{"rendered":"Scholarly Presentations and Invited Lectures"},"content":{"rendered":"

\u201cThe Massacre Will be Televised: Splatter Theory, Avant-Garde Horror, and the Cutting up of the Heuchelmaschine<\/em>\u00a0in\u00a0Das deutsche Kettens\u00e4genmassaker,\u201d\u00a0<\/em>German Studies Association 46th Conference, Houston, TX, September 15th-18th, 2022<\/p>\n

“The Thing that Eludes Us: John Carpenter, Horror’s Abject, and the Hermeneutics of Cold War Cinema,” Southeastern Association of Cultural Studies Annual Conference, Charlotte, NC, February 26th-27th, 2021 (online)<\/p>\n

\u201cMysterious Caverns, Desolate Mountains, and Haunted Castles: The Gothic in German Postwar Horror Cinema,\u201d German Studies Association 44th Conference, Washington, DC, October 1st-4th, 2020 (online)<\/p>\n

\u201cWest German Gothic Cinema: Repressed Horrors in Harald Reinl\u2019s Die Schlangengrube und das Pendel <\/em>(The Torture Chamber of Dr. Sadism), Southeastern Association of Cultural Studies Annual Conference, Charlotte, NC, February 7th-8th, 2020<\/p>\n

\u201cBlood and Soil: The Representation of National Space in Contemporary German Vampire Films,\u201d Pacific Ancient and Modern Language Association 107th<\/sup> Conference, San Diego, CA, November 14th<\/sup>-17th<\/sup>, 2019<\/p>\n

\u201cBerlin\u00a0Under\u00a0Siege: Spatial Allegory in Marvin Kren’s Zombie Film Rammbock<\/em>,\u201d German Studies Association 43rd<\/sup> Conference, Portland, OR, October 5th<\/sup>-8th<\/sup>, 2019<\/p>\n

\u201cNecromancers, Nightmares, and Neo-Nazis: 21st-Century German Horror Cinema,\u201d Sewanee: The University of the South, Sewanee, TN, March 5th, 2019<\/p>\n

\u201cThe City of Bits: Augmented Reality Games and Mediated Modes of Experience,\u201d Philological Association of the Carolinas Annual Conference, Charleston, SC, February 22nd-23rd, 2019<\/p>\n

\u201cWest German Exploitation Cinema,\u201d German Studies Association 42nd Conference (part of the GSA Seminar on Popular Culture in 20th-Century Germany), Pittsburgh, PA, September 27th-30th, 2018<\/p>\n

\u201cCinematic Space as National Metaphor in Harald Reinl\u2019s Der Frosch mit der Maske<\/em>,\u201d Philological Association of the Carolinas Annual Conference, Charleston, SC, February 23rd-24th, 2018<\/p>\n

\u201cUndead Queens of Berlin: Vampirism and Gender Politics in Dennis Gansel\u2019s\u00a0Wir sind die Nacht<\/em>,\u201d Pacific Ancient and Modern Language Association 115th Conference, Honolulu, HI, November 10th-12th, 2017<\/p>\n

“8-Bit-Nazis and C64-Killers: Racism and Violence in West German 1980s Homebrew Programming,” German Studies Association 41st<\/span>\u00a0Conference, Atlanta, GA, October 5th-8th, 2017<\/p>\n

\u201cThe Holocaust Drama as Caper Movie: Hollywood Tropes in Wolfgang Murnberger\u2019s Mein bester Feind<\/em>,\u201d Philological Association of the Carolinas Annual Conference, Charlotte, NC, April 8-9, 2017<\/p>\n

\u201cExotic Dancers, Hunchbacked Nurses, and Mad Scientists: Gender Roles in Victor Trivas\u2019 Die Nackte und der Satan<\/em>,\u201d German Studies Association 40th<\/sup> Conference, San Diego, CA, September 29-October 2, 2016<\/p>\n

\u201c\u2019Eine Zensur findet nicht statt\u2019: Horror Cinema and Regulatory Media Politics in Postwar Germany,\u201d Philological Association of the Carolinas Annual Conference, Charlotte, NC, March 18-19, 2016<\/p>\n

“City of the Living Dead: Post-Wall Berlin in German Genre Cinema,” German Studies Association Conference, Washington, DC, October 1-4, 2015<\/p>\n

\u201cTales from the Dark Side: The Transgression of Boundaries in Olaf Ittenbach\u2019s The Burning Moon<\/em>,\u201d Northeast Modern Language Association Annual Conference, Toronto, ON, April 30-May 3, 2015<\/p>\n

\u201cGraffiti in Berlin: A Research Report,\u201d German Studies Association Conference (part of the GSA Seminar on New Directions in Sub-, Pop, and Lowbrow Culture), Kansas City, MS, September 18-21, 2014<\/p>\n

\u201cThe Return of the Corpse: The Relation of Art and Censorship in J\u00f6rg Buttgereit\u2019s Underground Splatter NekRomantik 2<\/em>,\u201d Popular Culture Association Annual Conference, Chicago, IL, April 16-19, 2014<\/p>\n

\u201cWriting the City: Graffiti and Urban Space in Florian Gaag\u2019s Whole Train<\/em>,\u201d 67th<\/sup> Kentucky Foreign Language Conference, Lexington, KY, April 10-12, 2014<\/p>\n

\u201cFloating in the Streets: Walking Post-Wall Berlin in Rainald Goetz\u2019s Abfall f<\/em>\u00fc<\/em>r alle.\u201d <\/em>German Studies Association 37th<\/sup> Conference, Denver, CO, October 3-6, 2013<\/p>\n

\u201c1968 and Its Discontents: The Aesthetic Retaking of Urban Space in Westw\u00e4rts 1 & 2<\/em>.\u201d Northeast Modern Language Association Annual Conference, Boston, MA, March 21-24, 2013<\/p>\n

\u201cAesthetic Terrorism: The Standstill of Shock in the Instant Photography of Rolf Dieter Brinkmann.\u201d German Studies Association 36th<\/sup> Annual Conference, Milwaukee, WI, October 4-7, 2012<\/p>\n

\u00a0<\/strong>\u201cThe Afterlife of Expressionism: Cinematic References in Heinrich B\u00f6ll\u2019s Der Engel schwieg<\/em>.\u201d Carolina-Duke Works in Progress Symposium: Chapel Hill, NC, February 7, 2012<\/p>\n

\u201c\u2019An der Kernstelle der Existenz\u2019: Rainald Goetz, Night Clubs, and Experimental Writing.\u201d South Atlantic Modern Language Association Conference, Atlanta, GA. November 4-6, 2011<\/p>\n

\u201cThe Mobility of Morality: The Renegotiation of Time in Wolfgang Staudte\u2019s Die M\u00f6rder sind unter uns<\/em>.\u201d German Studies Association 35th Annual Conference, Louisville, KY, September 22-25, 2011<\/p>\n

\u201cRe-enchanting Berlin: The Intersection of Modernity and Myth in Tanja D\u00fcckers\u2019s Spielzone.<\/em>\u201d 64th<\/sup>\u00a0Annual Kentucky Foreign Language Conference, Lexington, KY. April 14-16, 2011<\/p>\n

\u201cA Wor(l)d or Two Away from the Real: The Aesthetics of Repetition in Rolf Dieter Brinkmann\u2019s W\u00f6rter Sex Schnitt.<\/em>\u201d South Atlantic Modern Language Association Conference, Atlanta, GA. November 5-7, 2010<\/p>\n

\u201cWhat Happens in Vegas Might Not Happen: The Literary City as Utopian Space in Hunter S. Thompson\u2019s Fear and Loathing in Las Vegas.<\/em>\u201d The Society for Utopian Studies 35th<\/sup> Annual Meeting: \u201cCivil Rights, Social Justice, and the Midwest,\u201d Milwaukee, WI. October 28-31, 2010<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cThe Massacre Will be Televised: Splatter Theory, Avant-Garde Horror, and the Cutting up of the Heuchelmaschine\u00a0in\u00a0Das deutsche Kettens\u00e4genmassaker,\u201d\u00a0German Studies Association 46th Conference, Houston, TX, September 15th-18th, 2022 “The Thing that Eludes Us: John Carpenter, Horror’s Abject, and the Hermeneutics of Cold War Cinema,” Southeastern Association of Cultural Studies Annual Conference, Charlotte, NC, February 26th-27th, 2021 […]<\/p>\n","protected":false},"author":525,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"coauthors":[3],"class_list":["post-46","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/users\/525"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":24,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":347,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/pages\/46\/revisions\/347"}],"wp:attachment":[{"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/media?parent=46"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/pages.charlotte.edu\/kai-werbeck\/wp-json\/wp\/v2\/coauthors?post=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}