
{"id":1532,"date":"2013-05-31T00:41:46","date_gmt":"2013-05-31T00:41:46","guid":{"rendered":"http:\/\/pages.charlotte.edu\/katherine-stephenson\/?page_id=1532"},"modified":"2013-11-20T15:51:27","modified_gmt":"2013-11-20T15:51:27","slug":"week-9","status":"publish","type":"page","link":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/theoretical-approaches-to-sexuality\/weekly-work\/week-9\/","title":{"rendered":"Week 9"},"content":{"rendered":"<p><strong>POLITICS OF SEX AND THE BODY: RACE<\/strong><\/p>\n<blockquote><p>Revolutionary feminism does not focus on the failures of men, but rather on the violence of patriarchy and the pain of sexist exploitation and oppression. It calls out sexual abuse to transform the space of the erotic so that sexual pleasure can be sustained and ongoing, so that female agency can exist as an inalienable right. Revolutionary feminism embraces men who are able to change, who are capable of responding mutually in a subject-to-subject encounter where desire and fulfillment are in no way linked to coercive subjugation.<\/p><\/blockquote>\n<p><strong>&#8212;bell hooks, <em>Outlaw Culture: Resisting Representations<\/em> (81)<\/strong><\/p>\n<p><strong>Required Readings and Viewings<\/strong><br \/>\nhooks \u201cCultural Criticism and Transformation\u201d Part 1: \u201cWhy Study Popular Culture?\u201d [YouTube \u201cPts. 1 &amp;2\u201d] at:<br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=KLMVqnyTo_0&amp;mode=related&amp;search\">http:\/\/www.youtube.com\/watch?v=KLMVqnyTo_0&amp;mode=related&amp;search<\/a> 9:23 <a href=\"http:\/\/www.youtube.com\/watch?v=OQ-XVTzBMvQ&amp;feature=related\">http:\/\/www.youtube.com\/watch?v=OQ-XVTzBMvQ&amp;feature=related<\/a> 8:41<br \/>\nEnd, Part 1: \u201cEnlightened Witness,\u201d Beginning, Part 2: \u201cDoing Cultural Criticism: Constructed Narrative\u201d [YouTube \u201cPt. 3\u201d] at:<br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=I0whHz7PLGY&amp;feature=related\">http:\/\/www.youtube.com\/watch?v=I0whHz7PLGY&amp;feature=related<\/a> 6:36<br \/>\nPart 2: \u201cDoing Cultural Criticism: Spike Lee, Hollywood\u2019s Fall-Guy\u201d [YouTube \u201cPt. 6\u201d] at:<br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=I0whHz7PLGY&amp;feature=related\">http:\/\/www.youtube.com\/watch?v=I0whHz7PLGY&amp;feature=related<\/a> 6:07<br \/>\nhooks <em>Outlaw Culture: Resisting Representations<\/em>, Ch. 4 \u201dSeduction and Betrayal: The Crying Game Meets The Bodyguard\u201d (53-62), Ch. 6 \u201cTalking Sex: Beyond the Patriarchal Phallic Imaginary\u201d (73-81), Ch. 10 \u201cSeduced By Violence No More\u201d (109-113)(<a href=\"http:\/\/moodle.uncc.edu\">Moodle<\/a>)<br \/>\nRichard Delgado and Jean Stefancic <em>Critical race theory: an introduction<\/em>, Introduction (1-14) at: <a href=\"http:\/\/books.google.com\/books?id=rh12xOYncbQC&amp;printsec=frontcover&amp;dq=critical%2Brace%2Btheory&amp;hl=en&amp;ei=QmCWTrzgOISUtwevvvDpAw&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=1&amp;ved=0CDIQ6AEwAA#v=onepage&amp;q&amp;f=false%20\">http:\/\/books.google.com\/books?id=rh12xOYncbQC&amp;printsec=frontcover&amp;dq=critical+race+theory&amp;hl=en&amp;ei=QmCWTrzgOISUtwevvvDpAw&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=1&amp;ved=0CDIQ6AEwAA#v=onepage&amp;q&amp;f=false <\/a><br \/>\nCritical Race Theory <a href=\"http:\/\/www.youtube.com\/watch?v=CB27vqknETk\">http:\/\/www.youtube.com\/watch?v=CB27vqknETk<\/a><br \/>\nCollins <em>Black Sexual Politics<\/em>, Introduction &#8220;No Turning Back&#8221; (1-21), Ch. 1 &#8220;Why Black Sexual Politics?&#8221; (25-52) (<a href=\"http:\/\/moodle.uncc.edu\">Moodle<\/a>)<br \/>\nSeidman et al. <em>New Sexuality Studies<\/em> Part 7: Sexual regulation and inequality, Ch. 41 \u201cSecret sex and the down low brotherhood\u201d (299- 302), Ch. 55 \u201cSexual and racial violence and American masculinity\u201d (396-402); Part 5: Sexual institutions and sexual commerce, Chs. 27-28 (195-207)<br \/>\nSullivan <em>A Critical Introduction to Queer Theory<\/em>, Ch. 4 \u201cQueer Race\u201d (57-80) (<a href=\"http:\/\/moodle.uncc.edu\">Moodle<\/a>)<\/p>\n<p><strong>Additional Resources <\/strong><br \/>\nFilm: <a href=\"http:\/\/www.imdb.com\/title\/tt0107468\/\">M. Butterfly<\/a> (David Cronenberg 1993)<br \/>\n<a href=\"documents\/Week9_journal.doc\">Sample journal entry 1<\/a> Note: File Note Found<br \/>\n<a href=\"documents\/Week9_journal.doc\">Sample journal entry 2<\/a> Note: File Note Found<\/p>\n<p><strong>Due This Week<a name=\"due\"><\/a><\/strong><br \/>\nWeekly journal entry including main points from readings, to be submitted electronically, and observations about your own sexuality and understanding of sexuality, to be kept in a private journal.<br \/>\n<a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2013\/05\/GSRace.doc\">Homework Questions<\/a><br \/>\nAbstract, outline, and annotated bibliography of paper due (1st deadline; final deadline Oct. 26)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>POLITICS OF SEX AND THE BODY: RACE Revolutionary feminism does not focus on the failures of men, but rather on the violence of patriarchy and the pain of sexist exploitation and oppression. It calls out sexual abuse to transform the space of the erotic so that sexual pleasure can be sustained and ongoing, so that [&hellip;]<\/p>\n","protected":false},"author":64,"featured_media":0,"parent":1440,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1532","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2WAwc-oI","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/1532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/comments?post=1532"}],"version-history":[{"count":2,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/1532\/revisions"}],"predecessor-version":[{"id":1688,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/1532\/revisions\/1688"}],"up":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/1440"}],"wp:attachment":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/media?parent=1532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}