{"id":358,"date":"2012-11-30T20:40:39","date_gmt":"2012-11-30T20:40:39","guid":{"rendered":"http:\/\/pages.charlotte.edu\/katherine-stephenson\/?page_id=358"},"modified":"2016-04-24T02:49:41","modified_gmt":"2016-04-24T02:49:41","slug":"syllabus","status":"publish","type":"page","link":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/syllabus\/","title":{"rendered":"Syllabus"},"content":{"rendered":"<p><ul class=\"list-pages\"><li class=\"page_item page-item-356\"><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/course-description\/\">Course Description<\/a><\/li>\n<li class=\"page_item page-item-358\"><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/syllabus\/\">Syllabus<\/a><\/li>\n<li class=\"page_item page-item-362\"><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/reading-list\/\">Reading List<\/a><\/li>\n<li class=\"page_item page-item-360\"><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/authors-information\/\">Authors Information<\/a><\/li>\n<li class=\"page_item page-item-873\"><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/books\/\">Books<\/a><\/li>\n<\/ul>[Use Firefox as your browser for full functionality on this page.]<\/p>\n<div style=\"float: right;text-align: right\"><strong><br \/>\n<\/strong><\/div>\n<p><strong>FRENCH WOMEN WRITERS IN TRANSLATION<\/strong><br \/>\n<strong>Sex, Identity, and Literature<\/strong><br \/>\nSpring 2016<br \/>\nFREN4050,090 FRAN 3003,090 ENGL4050,095 WGST4228,001 ENGL5050,096 FREN5050,090 MALS6000,009 WGST5050,095<br \/>\nW 5:30-8:15, COED 202<br \/>\nKatherine Stephenson<br \/>\nCOED 441 \u00a0Main LACS office phone: 704.687.8754<br \/>\nOffice Hours: 1:30-2:00 TR, 4:50-5:20 TWR &amp; by appt.<br \/>\n<a href=\"mailto:ksstephe@email.uncc.edu\">ksstephe@uncc.edu<br \/>\n<\/a><a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation\/\">http:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation<\/a><br \/>\nLast update Apr. 23, 2016<\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"width: 60px\">Jan. \u00a0 13<\/td>\n<td>Introduction to course; John Cudden, &#8220;The Institutionalization of Literature,&#8221; \u00a0(935-937); Ruth Robbins, <i>Literary Feminisms<\/i>, Introduction (1-17)<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Jan. \u00a0 20<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Jan. \u00a0\u00a021<\/td>\n<td><i>A Frozen Woman<\/i> (1-113)<br \/>\nRuth Robbins, <i>Literary Feminisms<\/i>, Introduction (1-17), Afterword (259-66)<br \/>\nDiana Holmes, Introduction\u00a0 (ix-xviii),\u00a0Ch. 1: \u201cWomen in French Society 1849-1914\u201d (3-25), Ch. 6: \u201cWomen in French Society 1914-1958\u201d (107-124), Ch. 10: \u201cWomen in French Society 1958-1994\u201d (193-215)<br \/>\nBrenda J. Allen, <i>Difference Matters: Communicating Social Identity<\/i>, &#8220;Gender Matters&#8221; (41-63)<br \/>\n<b>Last day to add, drop, change grade type to P\/F or Audit<br \/>\n<strong>Deadline for graduate students to apply for May 2016 graduation<\/strong><br \/>\n<\/b><\/td>\n<\/tr>\n<tr>\n<td>Jan.\u00a0\u00a0 27<\/td>\n<td><i>A Frozen Woman<\/i> (113-192)<br \/>\nDiana Holmes, Ch. 13: \u201cFeminism and Realism: Christiane Rochefort and Annie\u00a0 Ernaux\u201d (246-65)<br \/>\nMichael Sheringham, &#8220;<a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/11\/Annie-Ernaux-homing-in-on-herself-_-TLS.pdf\" rel=\"\">Annie Ernaux, homing in on herself<\/a>,&#8221; <em>The Times Literary Supplement<\/em> 1\/11\/16<br \/>\nRita Felski, <i>Literature After Feminism<\/i>, \u201cPlots\u201d (95-133)<br \/>\nAtack and Powrie, <i>Contemporary French Fiction By Women<\/i>, Introduction (1-11)<br \/>\nRye and Worton, <i>Women&#8217;s Writing in Contemporary France<\/i>, Introduction (1-26)<br \/>\nGraduate Readings and Presentations:<br \/>\nLoraine Day, &#8220;Class, sexuality and subjectivity in Annie Emaux&#8217;s <i>Les Armoires vides<\/i>,&#8221; (41-55), in Atack and Powrie, <i>Contemporary French Fiction By Women<br \/>\n<\/i>Colin Davis and Elizabeth Fallaize, <i>French Fiction in the Mitterrand Years<\/i>, Ch. 6, &#8220;Love stories: Annie Ernaux&#8217;s <i>Passion simple<\/i>&#8221; (123-143)<br \/>\n<strong>Deadline for undergraduates to apply for May 2016 graduation<\/strong><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><strong>Language, the Body, Sexuality&#8230;<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Feb.\u00a0\u00a0 3<\/td>\n<td><i>The Lover<\/i> (l-56, line 9)<br \/>\nDiana Holmes, Ch. 11: &#8220;Ecriture f\u00e9minine: The Theory of a Feminine Writing&#8221; (216-230); Ch. 12: \u201cDefining a Feminine Writing\u201d (231-45)<br \/>\nGraduate Readings and Presentations:<br \/>\nColin Davis and Elizabeth Fallaize, <em>French Fiction in the Mitterrand Years<\/em>, Ch. 1, &#8220;The Story of her life: Marguerite Duras&#8217;s <em>L&#8217;Amant<\/em>&#8221; (18-37)<br \/>\nKathleen Hulley,\u00a0 \u201cContaminated Narratives: The Politics of Form and Subjectivity in Marguerite Duras\u2019s <em>The Lover<\/em>\u201d\u00a0 (30-50)<\/td>\n<\/tr>\n<tr>\n<td>Feb. \u00a0\u00a010<\/td>\n<td><i>The Lover<\/i> (56, line 10-117)<br \/>\nAlan Riding, \u201cBiography Refashions Duras&#8217;s &#8216;Heroic&#8217; Stature,\u201d\u00a0<em>International Herald Tribune<\/em> Nov. 28-29, 1998<br \/>\nGraduate Readings and Presentations:<br \/>\nTrista Selous, &#8220;Marguerite and the mountain,&#8221; (84-95), in Atack and Powrie, <em>Contemporary French Fiction By Women<\/em><\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><strong>Fairy Tale and Myth<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Feb.\u00a017<\/td>\n<td><em>Rose Mellie Rose<\/em> (1-120)<br \/>\n<em>Rose M\u00e9lie Rose<\/em> Structure (<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<br \/>\nDiana Holmes, Ch. 14: \u201cAn Open Conclusion: Women\u2019s Writing Now\u201d (266-78)<br \/>\nMarie Redonnet and Jordan Stump, Interview,\u00a0 <em>Forever Valley<\/em> (class handout)<br \/>\nJordan Stump, \u201cAt the Intersection of Self and Other: Marie Redonnet&#8217;s <em>Splendid Hotel<\/em>, <em>Forever Valley<\/em>, and <em>Rose M\u00e9lie Rose<\/em>\u201d (267-73)<br \/>\nJordan Stump, \u201cSeparation and Permeability in Marie Redonnet\u2019s Triptych\u201d (105\u201119)<br \/>\nGraduate Readings and Presentations:<br \/>\nElizabeth Fallaize, \u201cFilling in the Blank Canvas; Memory, Inheritance, and Identity in Marie Redonnet&#8217;s <em>Rose Melie Rose<\/em>\u201d<br \/>\n<strong>Graduate students: <a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/11\/FWWpaper.doc\">Paper<\/a> topic due<\/strong> (<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<\/td>\n<\/tr>\n<tr>\n<td>Feb.\u00a024<\/td>\n<td><em>Rose Mellie Rose<\/em> (cont.)<br \/>\n<em>Rose M\u00e9lie Rose<\/em> Structure (<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<br \/>\nDiana Holmes, Ch. 14: \u201cAn Open Conclusion: Women\u2019s Writing Now\u201d (266-78)<br \/>\n<em>Pig Tales<\/em> (1-62)<br \/>\nSample analysis of <em>Pig Tales<\/em> (<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<br \/>\n<a href=\"http:\/\/www.igrs.sas.ac.uk\/centre-study-contemporary-womens-writing\">Centre for the Study of Contemporary Women&#8217;s Writing<\/a> web site on Darrieussecq [<a href=\"http:\/\/www.igrs.sas.ac.uk\/centre-study-contemporary-womens-writing\/languages\/french\/marie-darrieussecq\">http:\/\/www.igrs.sas.ac.uk\/centre-study-contemporary-womens-writing\/languages\/french\/marie-darrieussecq<\/a>]: Biography<br \/>\nInterview by Becky Miller and Martha Holmes (December 2001) on Marie Darrieussecq Web Site (<a href=\"http:\/\/darrieussecq.arizona.edu\/en\/about\">http:\/\/darrieussecq.arizona.edu\/en\/about<\/a>)\u00a0[See \u201cInterviews\u201d on top frame]<br \/>\nKatherine Stephenson, \u201cSurviving to Tell the Tale\u201d\u00a0(<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<\/td>\n<\/tr>\n<tr>\n<td>Mar. 2<\/td>\n<td><em>Pig Tales<\/em> (62-151)<br \/>\nInterview by Amy Concannon and Kerry Sweeney (March 2004) on Marie Darrieussecq Web Site (<a href=\"http:\/\/darrieussecq.arizona.edu\/en\/about\">http:\/\/darrieussecq.arizona.edu\/en\/about<\/a>)\u00a0[See \u201cInterviews\u201d on top frame]<br \/>\n<a href=\"http:\/\/www.complete-review.com\/reviews\/darsecqm\/truismes.htm\">&#8220;Marie Darrieussecq, <em>Pig Tales,<\/em>&#8221; <em>The Complete Review<\/em><\/a> [See \u201cLinks,\u201d\u00a0<em>Pig Tales<\/em>, \u201cArticle at SPIKE\u201d and other reviews]<br \/>\nShirley Ann Jordan, <em>Contemporary French Women&#8217;s Writing<\/em>, Ch. 2 \u201cChanging Bodies and Changing Identities: Monsters, Mothers and Babies in the Writing of Marie Darrieussecq\u201d (75-89, 104-11)<br \/>\nGraduate Readings and Presentations:<br \/>\nShirley Jordan, \u201cSaying the unsayable: identities in crisis in the early novels of Marie Darrieussecq\u201d (142-153), Ch. 10 in Rye and Worton, <em>Women&#8217;s Writing in Contemporary France<\/em><\/td>\n<\/tr>\n<tr>\n<td>Mar. 7-11<\/td>\n<td>\u00a0 \u00a0 \u00a0 Spring Recess<\/td>\n<\/tr>\n<tr>\n<td>Mar.\u00a016<\/td>\n<td><em>The Book of Nights<\/em> (Prologue, Books I &amp; II (3-86)<br \/>\n<a href=\"http:\/\/www.godine.com\/books\/titles\/0879239751.html\">Godine Publisher\u2019s book ad<br \/>\n<\/a><a href=\"http:\/\/en.wikipedia.org\/wiki\/Sylvie_Germain\">Wikipedia article on Sylvie Germain<br \/>\n<\/a><a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/12\/GermainChar.doc\"><em>The Book of Nights<\/em> Cast of Characters<\/a><br \/>\n<em>The Book of Nights<\/em> <a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/12\/GermainCharNotesI_II.doc\">Notes on Characters I &amp; II<\/a><br \/>\nTales from the Reading Room: &#8220;Sylvie Germain:\u00a0Introduction&#8221; at<br \/>\n<a href=\"http:\/\/litlove.wordpress.com\/sylvie-germain-introduction\/\">http:\/\/litlove.wordpress.com\/sylvie-germain-introduction\/<\/a>\u00a0and &#8220;The Sunday Salon 3:\u00a0Magical Realism&#8221;\u00a0at\u00a0<a href=\"https:\/\/litlove.wordpress.com\/2007\/11\/25\/the-sunday-salon-3\/\" target=\"_blank\">https:\/\/litlove.wordpress.com\/2007\/11\/25\/the-sunday-salon-3\/<\/a><br \/>\nWinder, \u201cLove and death on the forest floor: \u2018Days of Anger\u2019\u201d at\u00a0<a href=\"http:\/\/www.independent.co.uk\/voices\/book-review--love-and-death-on-the-forest-floor-days-of-anger---sylvie-germain-tr-christine-donougher-dedalus-899-pounds-1406673.html\">http:\/\/www.independent.co.uk\/voices\/book-review\u2013love-and-death-on-the-forest-floor-days-of-anger\u2014sylvie-germain-tr-christine-donougher-dedalus-899-pounds-1406673.html<\/a><a href=\"\/\/litlove.wordpress.com\/sylvie-germain-introduction\/&lt;\/a\"><br \/>\n<\/a><a href=\"https:\/\/scholarblogs.emory.edu\/postcolonialstudies\/2014\/06\/21\/magical-realism\/\">Moore&#8217;s Magical Realism Page, Emory University<\/a><\/td>\n<\/tr>\n<tr>\n<td>Mar. 21<\/td>\n<td><em><strong>Last day to drop class(es) with a &#8220;W&#8221;<\/strong><\/em><\/td>\n<\/tr>\n<tr>\n<td>Mar.\u00a023<\/td>\n<td><em>The Book of Nights<\/em> (Books III &amp; IV (87-201)<br \/>\n<em>The Book of Nights<\/em> <a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/12\/GermainCharNotesIII_V.doc\">Notes on Characters III-V<\/a><br \/>\nWikipedia article on Napoleon_III \u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Napoleon_III\">http:\/\/en.wikipedia.org\/wiki\/Napoleon_III<br \/>\n<\/a>Wikipedia article on Flanders \u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Flanders\">http:\/\/en.wikipedia.org\/wiki\/Flanders<br \/>\n<\/a>Wikipedia on Alsace-Lorraine <a href=\"http:\/\/en.wikipedia.org\/wiki\/Alsace-Lorraine\">http:\/\/en.wikipedia.org\/wiki\/Alsace-Lorraine<br \/>\n<\/a>Hypertext <em>Book of Hours<\/em> <a href=\"http:\/\/medievalist.net\/hourstxt\/home.htm\">http:\/\/medievalist.net\/hourstxt\/home.htm<\/a><br \/>\nChambers&#8217; 1869 <em>The Book of Days<\/em> <a href=\"http:\/\/www.thebookofdays.com\/\">http:\/\/www.thebookofdays.com\/<br \/>\n<\/a><a href=\"http:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/12\/Symbolism-of-the-number-7.doc\">Symbolism of the number 7<\/a><br \/>\n<strong>Abstract and outline of <a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/11\/FWWpaper.doc\">Paper<\/a> with annotated bibliography due<\/strong><br \/>\n(<a href=\"http:\/\/moodle2.uncc.edu\/\">Moodle2<\/a>)<\/td>\n<\/tr>\n<tr>\n<td>Mar. 30<\/td>\n<td><em>The Book of Nights<\/em> (Book V, Epilogue (203-263)<br \/>\nMarie-H\u00e9l\u00e8ne Boblet-Viart, \u201cFrom Epic Writing to Prophetic Speech: <em>Le Livre des Nuits<\/em> and <em>Nuit d&#8217;Ambre<\/em>\u201d<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\"><strong>Francophone Women&#8217;s Voices<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Apr.\u00a06<\/td>\n<td><em>So Vaste the Prison<\/em>: \u201cThe Silence of Writing,\u201d Parts One and Two (11-167)<br \/>\n\u201cAssia Djebar (Fatima-Zohra Imalayne) ,\u201d <em>Twentieth-Century Arabic Writers<\/em>. <em>Dictionary of Literary Biography 2009<\/em> (52-57)<br \/>\nDavid Coward, \u201cAssia Djebar: An Overview,\u201d <em>Contemporary Literary Criticism \u00a0 2011<\/em> (133-35)<br \/>\nMildred Mortimer, \u201cAssia Djebar&#8217;s Algerian Quartet,\u201d (102-17)<br \/>\nJane Hiddleston, \u201cFeminism and the Question of &#8216;Woman&#8217; in Assia Djebar\u2019s <em>Vaste est la prison<\/em>\u201d (91-104)<br \/>\nSusannah Drissi, \u201cThe Quest for Body and Voice in Assia Djebar&#8217;s <em>So Vast the Prison<\/em>\u201d (1-8)<br \/>\nJoyce Lazarus, \u201cWriting as Resistance: Assia Djebar\u2019s <em>Vaste est la prison<\/em>\u201d\u00a0(83-95)<br \/>\nRachid Aadnani, \u201cLanguage as Transgression: Archeology and Writing in Assia Djebar&#8217;s<em> Vaste est la Prison<\/em>\u201d (137-46)<br \/>\nAnne Donadey, \u201cBetween Amnesia and Anamnesis,\u201d (111-16)<\/td>\n<\/tr>\n<tr>\n<td>Apr.\u00a013<\/td>\n<td><em>So Vaste the Prison<\/em>: Parts Three and Four (169-359)<br \/>\nDjebar, \u201cAnamnesis in the Language of Writing,\u201d (179-89)<br \/>\n\u201cAssia Djebar 1936-\u201d <em>Contemporary Literary Criticism 2004<\/em> (1-3, 27, 31-39, \u00a0 39-48, 48-50, 107-8)<br \/>\nAnne Donadey, \u201cThe Multilingual Strategies of Postcolonial Literature: Assia Djebar&#8217;s Algerian Palimpsest\u201d (27-36)<br \/>\nAdlai Murdoch, \u201cWoman, Postcoloniality, Otherness: Djebar\u2019s Discourses of Histoire and Alg\u00e9rianit\u00e9,\u201d (15-33)<br \/>\nZahia Smail Salhi, \u201cBetween the languages of silence and the woman\u2019s word: \u00a0 gender and language in the work of Assia Djebar,\u201d (79-101)<br \/>\n<strong>Partial rough draft of paper due<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Apr.\u00a020<\/td>\n<td><em>Persepolis<\/em> (1-153)<br \/>\nManuela Costantino, \u201cMarji: Popular Commix Heroine Breathing Life into the Writing of History,\u201d (429-447)<br \/>\nHillary Chute, \u201cThe Texture of Retracing in Marjane Satrapi&#8217;s <em>Persepolis<\/em>,\u201d (92-110)<br \/>\nRocio Davis, \u201cA Graphic Self: Comics as Autobiography in Marjane Satrapi&#8217;s <em>Persepolis<\/em>,\u201d (264-279)<br \/>\nGraduate Readings and Presentations:<br \/>\nAnn Miller, \u201cMarjane Satrapi&#8217;s <em>Persepolis<\/em>: Eluding the Frames\u201d (38-52)<br \/>\nGillian Whitlock, \u201cAutographics: The Seeing &#8216;I&#8217; of the Comics,\u201d (965-979)<br \/>\nTheresa Tensuan, \u201cComic Visions and Revisions in the work of Lynda Barry and Marjane Satrapi,\u201d (947-964)<\/td>\n<\/tr>\n<tr>\n<td>Apr.\u00a027<\/td>\n<td><em>Persepolis<\/em> (155-341)<br \/>\nBabak Elahi, \u201cFrames and Mirrors in Marjane Satrapi&#8217;s <em>Persepolis<\/em>,\u201d (312-325)<br \/>\nTyphaine Leservot, \u201cOccidentalism: Rewriting the West in Marjane Satrapi&#8217;s <em>Persepolis<\/em>,\u201d (115-130)<br \/>\nStacey Weber-F\u00e8ve, \u201cFraming the &#8216;Minor&#8217; in Marjane Satrapi and Vincent Paronnaud&#8217;s <em>Persepolis<\/em>,\u201d (321-328)<br \/>\nAmy Malek, \u201cMemoir as Iranian Exile Cultural Production: A Case Study of Marjane Satrapi&#8217;s <em>Persepolis<\/em>,\u201d (353-380)<br \/>\n<strong>Review:<\/strong><br \/>\nRye and Whorton, <em>Women&#8217;s Writing in Contemporary France<\/em>, Conclusion (222- 25)<br \/>\nJean H. Duffy, \u201cLiminality and Fantasy in Marie Darrieussecq, Marie NDiaye and\u00a0Marie Redonnet,\u201d (901-928)<br \/>\nDebra Kelly, \u201cThe appeal to memory: Marguerite Duras and Assia Djebar, from \u00a0the urgent narrative to the &#8216;monumental&#8217; text,\u201d (60-72)<br \/>\nBotson and Plastas, \u201cHomeland In\/Security: A Discussion and Workshop on Teaching Marjane Satrapi&#8217;s _Persepolis_\u201d (1-14) [transversalism 2-3]<br \/>\n[optional: Fran\u00e7oise Lionnet, Afterword, <em>Francophonie, <\/em>Postcolonial Studies, and Transnational Feminisms (258-69)]<\/td>\n<\/tr>\n<tr>\n<td>May\u00a04<\/td>\n<td>Reading Day<br \/>\n<strong>Graduate students: Paper due<\/strong><\/td>\n<\/tr>\n<tr>\n<td>May\u00a011<\/td>\n<td><a href=\"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-content\/uploads\/sites\/221\/2012\/11\/FWW-final-exam-S16.doc\" rel=\"\">Final Exam<\/a> (Wednesday, 5:00-7:30)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Use Firefox as your browser for full functionality on this page.] FRENCH WOMEN WRITERS IN TRANSLATION Sex, Identity, and Literature Spring 2016 FREN4050,090 FRAN 3003,090 ENGL4050,095 WGST4228,001 ENGL5050,096 FREN5050,090 MALS6000,009 WGST5050,095 W 5:30-8:15, COED 202 Katherine Stephenson COED 441 \u00a0Main LACS office phone: 704.687.8754 Office Hours: 1:30-2:00 TR, 4:50-5:20 TWR &amp; by appt. ksstephe@uncc.edu http:\/\/pages.charlotte.edu\/katherine-stephenson\/courses\/french-women-writers-in-translation [&hellip;]<\/p>\n","protected":false},"author":64,"featured_media":0,"parent":258,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-358","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2WAwc-5M","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/comments?post=358"}],"version-history":[{"count":57,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/358\/revisions"}],"predecessor-version":[{"id":2469,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/358\/revisions\/2469"}],"up":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/pages\/258"}],"wp:attachment":[{"href":"https:\/\/pages.charlotte.edu\/katherine-stephenson\/wp-json\/wp\/v2\/media?parent=358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}