{"id":23,"date":"2013-03-08T17:24:45","date_gmt":"2013-03-08T17:24:45","guid":{"rendered":"http:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/?page_id=23"},"modified":"2022-08-18T23:51:24","modified_gmt":"2022-08-18T23:51:24","slug":"publications","status":"publish","type":"page","link":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p><strong>Book-in-Progress<\/strong><\/p>\n<ul>\n<li><em>Jezebel in the Landscape:\u00a0Tirso de Molina&#8217;s\u00a0<\/em>La\u00a0mujer que manda en casa (<em>The Woman who Rules the Roost<\/em>).\u00a0<strong>\u00a0<\/strong><\/li>\n<\/ul>\n<p><strong>Interviews with Theater Directors<\/strong><\/p>\n<ul>\n<li>\u201cTirso\u2019s <em>Damned by Despair<\/em> at London\u2019s National Theatre: An Interview with Bijan Shebani.\u201d <em>Comedia Performance<\/em> 10.1 (2013): 195-226. Print.<\/li>\n<li>&#8220;<em>Cardenio<\/em>, or Cervantes and Shakespeare Re-Imagined: An Interview with Gregory Doran.&#8221;\u00a0 <em>Comedia Performance<\/em> 9.1 (2012): 199-277. Print.<\/li>\n<li>&#8220;Calder\u00f3n&#8217;s <em>Dream<\/em> on the London Stage: A Conversation with Jonathan Munby.&#8221; <em>Comedia Performance<\/em> 8.1 (2011): 201-225. Print.<\/li>\n<li>&#8220;The Landscapes of Love in <em>Valor, agravio y mujer<\/em>: An Interview with Hugo Medrano.&#8221; <em>Comedia Performance<\/em> 5.1 (2008): 154-68. Print.<\/li>\n<\/ul>\n<p><strong>Articles and Book Chapters<\/strong><\/p>\n<ul>\n<li>\u201cCelia Is the Subplot of <em>El condenado por desconfiado<\/em>.\u201d <em>Reading and Writing Subjects in Medieval and Golden Age Spain: Essays in Honor of Ronald E. Surtz<\/em>. Eds. Christina Lee and\u00a0 Jos\u00e9 Luis Gasta\u00f1aga Ponce de Le\u00f3n. Newark, DE: Juan de la Cuesta, 2016. https:\/\/www.academia.edu\/28729638\/Reading_and_Writing_Subjects_in_Medieval_and_Golden_Age_Spain_Essays_in_Honor_of_Ronald_E_Surtz<\/li>\n<li>\u201cThree Productions of\u00a0<em>El condenado por desconfiado<\/em>: The Devil\u2019s Polymorphism in Our Time.\u201d\u00a0<em>Prismatic Reflections on Spanish Golden Age Theater: Essays in Honor of Matthew D. Stroud<\/em>. Eds. Gwyn E. Campbell and Amy R. Williamsen. New York: Peter Lang, 2016. 265-274. https:\/\/www.peterlang.com\/document\/1051689<\/li>\n<li>\u200b\u201cEnse\u00f1ar los jardines de Teresa de Jes\u00fas.\u201d\u00a0<em>Symposium: Santa Teresa y el mundo teresiano del barroco<\/em>. Ed. Francisco Javier Campos y Fern\u00e1ndez de Sevillas. Instituto Escurialense de Investigaciones Hist\u00f3ricas y Art\u00edsticas, Real Centro Universitario Escorial-Mar\u00eda Cristina, San Lorenzo de El Escorial, Spain, 2015.\u00a0237-250. 15 Sept. 2015 &lt;<a href=\"http:\/\/www.rcumariacristina.com\/centro-universitario\/instituto-escurialense\/search\">http:\/\/www.rcumariacristina.com\/centro-universitario\/instituto-escurialense\/search<\/a>&gt;24 Nov. 2015.<\/li>\n<li>\u201cThe New World in Lope de Vega\u2019s Columbus and Saint Christopher: <em>El nuevo mundo descubierto por Crist\u00f3bal Col\u00f3n.\u201d A Companion to Early Modern Hispanic Theater.<\/em> Ed. Hilaire Kallendorf. Leiden, Renaissance Society of American Texts and Studies 2. Leiden, The Netherlands: Brill, 2014. 185-215. Print. https:\/\/brill.com\/view\/book\/9789004263017\/B9789004263017_013.xml<\/li>\n<li>\u201cEl jard\u00edn monstruoso de <em>La venganza de Tamar<\/em>\u201d <em>La Biblia en el teatro espa\u00f1ol<\/em>. Eds. Francisco Dom\u00ednguez Matito and\u00a0 Juan Antonio Mart\u00ednez Berbel. Vigo [Spain]: Academia del Hispanismo, 2012. 625-633. Print.<\/li>\n<li>&#8220;Dramatizing Dorotea: Cervantes&#8217;s Plucky Heroine in the RSC&#8217;s <em>Cardenio<\/em>.&#8221;\u00a0 <em>Comedia Performance<\/em> 9.1 (2012): 162-88. Print.<\/li>\n<\/ul>\n<ul>\n<li>\u201cThe Real and Mystical Gardens of Teresa of \u00c1vila.\u201d <em>A New Companion to Hispanic Mysticism<\/em>. Ed. Hilaire Kallendorf. Leiden, The Netherlands: Brill, 2010. 323-342. Print.<\/li>\n<li>&#8220;The Paradisal Geography of <em>La mujer que manda en casa<\/em>.&#8221;\u00a0<em>Bulletin of the Comediantes<\/em> Vol. 60.2 (2008): 41-55. Print.<\/li>\n<li>&#8220;The P\u00edcaro as Guide to the Academic Essay.&#8221; <em>Approaches to Teaching <\/em>Lazarillo de Tormes<em> and the\u00a0Picaresque Tradition<\/em>. Ed. Anne J. Cruz.\u00a0 New York: Modern Language Association of America, 2008.\u00a0103-107. Print.<\/li>\n<li>&#8220;Dramatizing Garden Imagination in Baroque Spain.&#8221;\u00a0<em>Gardens and Imagination: Cultural History and Agency. <\/em>Ed. Michel Conan. Dumbarton Oaks Colloquium on the History of Landscape Architecture, 30. Washington, D. C.:\u00a0Dumbarton Oaks Research Library and Collection, 2008.\u00a0224-42. Print.<\/li>\n<li>&#8220;The Trickster Crow Redeemed in Tirso\u2019s <em>La mujer que manda en casa<\/em>.&#8221; <em>Romance Quarterly<\/em>. 55.2 (2008): 96-108. Print.<\/li>\n<li>&#8220;Staging El\u00edas in the Wilderness in <em>La mujer que manda en casa<\/em>.&#8221; <em>Comedia Performance <\/em>2.1 (2005): 113-45. Print.<\/li>\n<li>&#8220;The Call of the Natural World in <em>Los ba\u00f1os de Argel&#8221;<\/em>\u00a0<em>Bulletin of Comediantes, 56.2 (2004): 345-66. Print.<br \/>\n<\/em><\/li>\n<li>&#8220;The Toothsome Mouth in <em>El m\u00e9dico de su honra<\/em>.&#8221; <em>Bulletin of the Comediantes <\/em>55.1 (2003): 95-119. Print.<\/li>\n<li>&#8220;<em>La gran sultana<\/em>: Transformations in Secret Speech.&#8221; <em>Cervantes<\/em> 16.1 (1996): 74-90. Print.<\/li>\n<\/ul>\n<p><strong>Translations (from the French)<\/strong><\/p>\n<p>Mohammed El Fa\u00efz. &#8220;The Garden Strategy of\u00a0 the Almohad Sultans and Their Successors (1157-1900).&#8221; Translated by Maryrica Ortiz Lottman. <em>Middle East Garden Traditions: Unity and Diversity; Questions, Methods and Resources in a Multicultural Perspective<\/em>. Dumbarton Oaks Colloquium on the History of Landscape Architecture, 31. Ed. Michel Conan. (Washington, D. C.: Dumbarton Oaks Research Library and Collection, 2007).\u00a0 Distributed by Harvard UP. pp. 97-111. Print.<\/p>\n<p>Mohammed El Fa\u00efz. &#8220;Marrakech: An Ecological Miracle and Its Wanton Destruction\u00a0 (1071-2000 AD).&#8221; Translated by Maryrica Ortiz Lottman. <em>Gardens, City Life and Culture: A World Tour<\/em>. Ed. Michel Conan and Chen Whangheng. Dumbarton Oaks Studies in Garden and Landscape History. Washington D.C.: Dumbarton Oaks Research Library and Collection, 2008. 193-201.\u00a0The Chinese translation of this English-language volume was published by Wuhan University Press in 2007 (ISBN 7-307-05235-O\/TU.64). Print.<\/p>\n<p><strong>SELECTED CONFERENCES (All are refereed.)<\/strong><\/p>\n<ul>\n<li>\u201cCannibalism as Connubial Bliss and More in Tirso\u2019s\u00a0<em>La mujer que manda en casa<\/em>.\u201d<strong>\u00a0<\/strong>Annual Meeting of the Modern Languages Association (MLA). Austin, TX. Jan. 6-10, 2016.<\/li>\n<li>\u201cPerforming\u00a0<em>La gran sultana<\/em>\u00a0in the United Kingdom.\u201d Play and Display in the Early Modern Hispanic World. Princeton Univeristy, Princeton NJ. May 15-16, 2015.<\/li>\n<li>\u201cStaging the Mediterranean World of Shakespeare and Cervantes.\u201d Annual Meeting of the Modern Languages Association (MLA). Vancouver, Canada. Jan. 8-11, 2015<\/li>\n<li>\u200b\u201cCelia Is the Subplot of <em>El condenado por desconfiado<\/em>.\u201d Symposium in Honor of Ronald E. Surtz. Princeton University, Princeton NJ. 12 October 2013.<\/li>\n<li>\u201cEquestrian Virility in the RSC\u2019s <em>Cardenio<\/em>.\u201d Cervantes on the European Stage. William Andrews Clark Library, UCLA, Los Angeles, CA. 11 October 2013.<\/li>\n<li>\u201cSea and Garden in the Agdal of Cervantes\u2019s <em>Los ba\u00f1os de Argel<\/em>.\u201d Panel sponsored by the Cervantes Society of America. Renaissance Society of America, Washington DC. March 22-24, 2012.<\/li>\n<li>\u201cSemiramis and the Babylonian Bricks of Tirso\u2019s <em>La mujer que manda en casa<\/em>.\u201d Renaissance Society of America. Venice, Italy. April 8-10, 2010.<\/li>\n<li>\u201cThe Seductive Eden of Tirso de Molina\u2019s <em>La mujer que manda en casa<\/em>.\u201d Out of the Wings Symposium: \u201cSpanish Golden Age Drama in Translation and Performance.\u201d Merton College, Oxford University, United Kingdom. March, 2010.<\/li>\n<li>\u201cThe Real and Mystical Gardens of Teresa of \u00c1vila.\u201d Annual Meeting of the Modern Languages Association (MLA). Philadelphia, PA. December 2009.<\/li>\n<li>\u201cEl jard\u00edn monstruoso de <em>La venganza de Tamar<\/em>.\u201d Congreso Internacional \u201cLa Biblia en el teatro espa\u00f1ol.\u201d Instituto Or\u00edgenes del Espa\u00f1ol. Centro Internacional de Investigaci\u00f3n de la Lengua Espa\u00f1ola (CILENGUA). San Mill\u00e1n de la Cogolla (La Rioja), Spain. Nov. 24-29, 2008.<\/li>\n<\/ul>\n<p><strong>Theater Reviews<\/strong><\/p>\n<ul>\n<li>&#8220;<em>Life Is a Dream<\/em>. By Calder\u00f3n de la Barca. Dir. Jonathan Munby. Donmar Warehouse, London.&#8221; <em>Comedia Performance<\/em> 7.1 (2010): 301-306.\u00a0 Print.<\/li>\n<li>&#8220;<em>El rufi\u00e1n Castrucho<\/em>. By Lope de Vega. Dir. Hugo Medrano. Gala Theatre, Washington, D.C.&#8221; <em>Comedia Performance<\/em> 4.1 (2007): 248-52. Print.<\/li>\n<\/ul>\n<p><strong>Book Reviews and Review Essays (selected)<br \/>\n<\/strong><\/p>\n<ul>\n<li><em>La Estrella de Sevilla<\/em>. Ed. John C. Parrack.\u00a0 <em>Bulletin of the Comediantes<\/em> 65.1 (2013): 183-184. Print.<\/li>\n<li>&#8220;<em>The Latin Deli: Prose and Poetry<\/em>.&#8221; <em>Northwest Review<\/em> 33.2 (1995): 122-23. Print.<\/li>\n<li>&#8220;<em>Mouth to Mouth: Poems by Twelve Contemporary Mexican Women<\/em>.&#8221; <em>The Literary Review<\/em>\u00a0 39.1 (1995): 117-22. Print.<\/li>\n<li>&#8220;Three Books by Enid Shomer.&#8221; <em>The Chattahoochee Review<\/em> 15.3 (1995): 119-25. Print.<\/li>\n<li>&#8220;<em>Refuge<\/em>.&#8221; <em>Iowa Woman<\/em> 13.4 (1994): 46-47. Print.<\/li>\n<li>&#8220;<em>Ararat<\/em>.&#8221; <em>The Hollins Critic<\/em>. 31.3 (1994): 14. Print.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Book-in-Progress Jezebel in the Landscape:\u00a0Tirso de Molina&#8217;s\u00a0La\u00a0mujer que manda en casa (The Woman who Rules the Roost).\u00a0\u00a0 Interviews with Theater Directors \u201cTirso\u2019s Damned by Despair at London\u2019s National Theatre: An Interview with Bijan Shebani.\u201d Comedia Performance 10.1 (2013): 195-226. Print. &#8220;Cardenio, or Cervantes and Shakespeare Re-Imagined: An Interview with Gregory Doran.&#8221;\u00a0 Comedia Performance 9.1 (2012): [&hellip;]<\/p>\n","protected":false},"author":162,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":27,"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":123,"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/pages\/23\/revisions\/123"}],"wp:attachment":[{"href":"https:\/\/pages.charlotte.edu\/maryrica-ortiz-lottman\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}