Visual Rhetoric
Visual Rhetoric
Spring 2014 - ENGL 6008 Topics in Technical Communication at UNC Charlotte
  • Home
  • Projects
    • A. Still Photographs
    • B. Illustration & Video
    • C. Individual Projects
      • Cinematic Threshold
      • A Pictorial Narrative of the Philippines:1889-1934 and Real Photography Postcards
      • The World of Product Placement

Contact Us

Office: Fretwell 290H
Phone: 704-687-0617
Email: gawickli@uncc.edu

Links

  • Dept. of English
  • Dr. Gregory Wickliff

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  • Projects
    • A. Still Photographs
      • Cultural Context and Post-Mortem Photography–Honoring President Lincoln
      • Larry Burrows: Shooting Soldiers In Vietnam
      • The Capture of Prohibition
      • The War on Poverty
    • B. Illustrations & Videos
      • Crimean Status Referendum Billboards
      • Misrepresentations in Information Graphics: the American Educational Experience
      • Olympic Pictograms
      • Safety in Numbers: Dietmar Otte’s Motorcycle Helmet Impact Diagram
      • Statistical Probability of Sickle Cell Anemia
    • C. Individual Projects
      • “Think Small” Advertising Campaign
      • A Pictorial Narrative of the Philippines:1889-1934 and Real Photography Postcards
      • Ali vs. Frazier I: “The Fight of the Century”
      • Cinematic Threshold
      • Emotion Through Theatrical Lighting
      • Socket Wrenches and Wands: “How to” Guides and the Act of Deciphering the Service Manual
      • The Crimean War, Roger Fenton and the Birth of Photojournalism
      • The World of Product Placement
  • Visual Rhetoric – An Overview

Tags

1964 Abraham Lincoln albumen prints Colin Ware college admissions data college enrollment data Crimea Crimean Status Referendum Crimean War Daguerreotype End-Of-Grade Tests Graflex Igorot people Jeremiah Gurney John Dominis Leslie Jones life magazine Lyndon B. Johnson Maria Clara Dress narrative Nazi Germany NC Education Reseach Council NC School Report Card Nikon open enrollment Photography Photojournalists Pictograms pop-out Post-mortem photography Public Education referendum Roger Fenton Russia salted paper prints silver nitrate Speed Graphic student performance Subliminal Persuassion Tachistoscope Ukraine War war on pverty western influence wet-collodion plates

Authors

  • Andrea Patawaran-Hickma
  • Christopher Hall
  • Gregory Wickliff
  • Mark Taylor
  • Rachael Winterling
  • Sarah Lovin
  • Shawn Simmons
  • William Carter
Projects » A. Still Photographs

A. Still Photographs

Group one summary.

Group two summary.

Larry Burrows:  Zack Allen & C. Justin Hall

article-2096328-119504B4000005DC-267_964x981The war in Vietnam was a conflict of great media scrutiny. Photographer Larry Burrows presents visual rhetoric in a raw, uncensored form to reveal actualities of this seemingly ambiguous conflict. His strong, bold photo journals intrigue the reader and present truths that demand attention and consideration. One photo from this iconic photojournalist mayrepresent heroism and epitomize patriotic duty while another may demonstrate misery, depression, and failure. Burrows’ intended to inform. His unbiased photos and narrative journals would be interpreted by media to portray the desired message. Rhetoric is ubiquitous. No matter the style or purpose the author, emotion is elicited and we are persuaded in some conscious or subconscious manner.

 

The Capture of Prohibition: William Carter & Mark Taylor

vintage-prohibition-photos-united-states-boston-18

Police raids the 153 Causeway St. speakeasy in Boston

Recent major budget films, such as the adaptation of Fitzgerald’s The Great Gatsby (2013), are indicative of America’s renewed love affair with the age of depressed excess. From 1920 to 1933, the American government passed a nationwide ban that prohibited the sale, production, importation, and transportation of alcoholic drinks. Many local areas and some states completely banned the possession of alcohol even though the private consumption or ownership of alcohol wasn’t illegal under federal law.  Leslie Jones (1886 – 1967) was a photographer whose photos documented the usual as well as the unusual life in Boston during prohibition; he used glass negatives when shooting photos of the 153 Causeway St. speakeasy in Boston. Because of the different levels of acceptance of prohibition, the images represent to the Federal government a legal act, but to the citizens of Boston, the photos are evidence of an act of tyranny by an overreaching government; whatever camera he used, Leslie Jones captured more than just a typical speakeasy bust.

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