Faculty Connections
Faculty Connections

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Bonnie Noble

Art & Art History
art
art and devotion
art history
devotional practice
Germany
Gothic periods
medieval and renaissance periods
Northern Baroque
Northern Renaissance
Reformation
religion
religion and culture
religious studies
Renaissance
renaissance studies
visual arts
visual culture
Related People
Jamie Franki
Erik Waterkotte
Aspen Hochhalter
Angela Rajagopalan
David Fillmore
Heather Freeman
Deborah Wall
Vaughn Schmutz
Jae Emerling
Kaustavi Sarkar
Mark Pizzato
Daniela Dal Pra
Cynthia Frank
Elizabeth Yoder
Anna Kenar
Julia Robinson
David Brodeur
Eldred Hudson
William Sherman
Jane Dalton
Keith Bryant
Kent Brintnall
Kristin Rothrock
David Gall
Sean McCloud
Samira Shiridevich
Marek Ranis
Mary Tuma
Thomas Schmidt
Nancy Bishop
Heather Perry
Andrew Leventis
Ann Kluttz
Janet Williams
Danielle Boaz
Jim Frakes
Lisa Homann
Jessica "J.B." Burke
Malena Bergmann
Celia Sinclair
Maja Godlewska
Jennifer Wallace
Joyce Dalsheim
Robert Campbell
Jennifer Munroe
Lydia Thompson
Jeff Murphy
Dr. Bonnie Noble is an Associate Professor of Art History in the Department of Art & Art History and has been teaching at the University of North Carolina at Charlotte since 1999. She received her Ph.D. in Art History from Northwestern University, her M.A. in Art History from the University of Pennsylvania and her B.A. in Religious Studies from Northwestern University. Dr. Noble specializes in Northern Renaissance art, with a particular interest in the function of images in devotional practice. Her book Lucas Cranach the Elder: Art and Devotion of the German Reformation, was published in 2009 by the University Press of America. Her work has also appeared in such scholarly journals as Reformation, Sixteenth Century Journal, and Reformation and Renaissance Review, and she is the author of chapters in major Art History publications such as The Primacy of the Image in Northern European Art, 1400-1700 (Leiden: Brill, 2017), Lucas Cranach der Jüngere und die Reformation der Bilder (München: Hirmer, 2015), and The Oxford Encyclopedia of Aesthetics, 2 nd edition (Oxford: Oxford UP, 2014). Her article “‘[A] work in which the angels are wont to rejoice’: Lucas Cranach’s Schneeberg Altarpiece” was honored with the Harold J. Grimm Prize, for the best article published in the previous year in the international field of Reformation Germany. She has received grants from the Kress Foundation, the German Academic Exchange Service, and the National Endowment for the Humanities.

Dr. Noble teaches upper-level classes in Northern Renaissance, Northern Baroque, and Gothic periods, as well as introductory surveys of Art History from the stone age to the twentieth century. Her current book project, provisionally called, “Mimesis, Melancholia and Misapprehension,” explores the intersection of representational techniques such as linear perspective with the rise of depictions of Melancholia and anxieties about visual perception.

See her faculty profile at coaa.uncc.edu >>

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