Faculty Connections
Faculty Connections

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Faculty Connections is an aggregation of UNC Charlotte faculty profiles.

Full-time faculty who want to update their profile information, see:
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Colleges & Departments

  • ►Belk College of Business
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Full-Text Search

Jae Emerling

Art & Art History
architecture
art
art history
contemporary art
modern art
photography
visual arts
Related People
Maja Godlewska
Jonathan Dessi-Olive
Brook Muller
Betsy West
Heather Freeman
Blaine Brownell
Jefferson Ellinger
Deborah Wall
Nancy Bishop
Anna Kenar
Matthew Gin
Aspen Hochhalter
Chris Jarrett
Jamie Franki
Samira Shiridevich
Elizabeth Yoder
Robert Campbell
Peter Wong
Greg Snyder
Eldred Hudson
Eric Sauda
Ann Kluttz
Liz McCormick
Vaughn Schmutz
Marek Ranis
Angela Rajagopalan
Jose Gamez
Kyoung-Hee Kim
Erik Waterkotte
David Fillmore
Nadia Anderson
Jennifer Wallace
Kelly Carlson-Reddig
Catty Dan Zhang
Jeff Balmer
Marc Manack
Dimitrios Papanikolaou
David Thaddeus
Cynthia Frank
Rachel Dickey
Celia Sinclair
David Gall
David Costanza
Jim Frakes
Lee Gray
Jane Dalton
David Brodeur
Lydia Thompson
Thomas Forget
Ken Lambla
Lisa Homann
Mona Azarbayjani
Lidia Klein
Chengde Wu
Janet Williams
Deborah Ryan
Jeff Murphy
Jessica "J.B." Burke
Kristin Rothrock
Ming-Chun Lee
Emily Makas
Keith Bryant
Thomas Schmidt
Malena Bergmann
Mary Tuma
Andrew Leventis
Bonnie Noble
Jae Emerling is a Professor of Art History in the Department of Art & Art History and is the Director of the College of Arts + Architecture’s Honors Program. In 2011 he was visiting professor of contemporary art in the Faculty of Arts at VU Amsterdam. He received his Ph.D. in Art History from the University of California, Los Angeles.  He is the author of Theory for Art History (2005) and award-winning Photography: History and Theory (2012), both published by Routledge.  His work has also appeared in the Journal of Visual Culture, History of Photography, Radical Philosophy, CAA Reviews, Journal of Art Historiography, and the Los Angeles based magazine X-TRA: Contemporary Art Quarterly.  He is currently working on a book about the aesthetic-historiographic concept of transmissibility.  Some of this work has recently appeared in Contemporary Art about Architecture (2013), Bergson and The Art of Immanence: Painting, Photography, Film (2013), and a special issue of the Journal of Visual Culture entitled Architecture! (2016). Recent publications include:
  • Emerling, “Transmissibility: A Mode of Artistic Re-search,” The Dark Precursor: Deleuze and Artistic Research, edited by Paulo de Assis and Paolo Giudici, Leuven: Leuven University Press, 2017: 437-445.
  • Emerling, “To Betray Art History,” Journal of Art Historiography, Special issue A Tribute to Donald Preziosi, edited by Philip Armstrong and Jae Emerling, December 2015:  https://arthistoriography.files.wordpress.com/2016/11/emerling.pdf
  • Emerling, “An Art Historical Return to Bergson,” Bergson and the Art of Immanence, edited by John Mullarkey and Charlotte de Mille, Edinburgh: Edinburgh University Press, 2013:  260-271.
  • Emerling, “Kunstgriff: Art as Event, Not Commodity,” with Donald Preziosi, Esse: Arts + Opinions special volume Taking a Stance, v. 85, Fall 2015: 7-11.
  • Emerling, “To Render Time Sensible,” Journal of Art Historiography, November 2015: https://arthistoriography.wordpress.com/2015/11/20/book-review-jae-emerling-on-keith-moxey-visual-time-the-image-in-history/
  • Emerling, review of T.J. Demos’s Return to the Postcolony: Spectres of Colonialism in Contemporary Art and The Migrant Image: The Art and Politics of Documentary during Global Crisis, caa.reviews, Fall 2014.
View his faculty profile at coaa.uncc.edu >>
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