Faculty Connections
Faculty Connections

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Faculty Connections is an aggregation of UNC Charlotte faculty profiles.

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Lisa Homann

Art & Art History
African Art
african literature
Africana Studies
art
art history
cultural studies
culture
Islam
muslim communities
photography
visual arts
West Africa
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Janet Williams
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Anna Kenar
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Nicole Peterson
Tamara Williams
Nancy Bishop
Gregory Starrett
Ashli Stokes
Eric Hoenes
Erik Waterkotte
Samira Shiridevich
Elizabeth Yoder
Jessica "J.B." Burke
Heather Freeman
Marek Ranis
Jamie Franki
Lynne Conner
Keith Bryant
Deborah Wall
Erin Eldridge
Eldred Hudson
Malena Bergmann
Tanure Ojaide
Joyce Dalsheim
Maria Delgadillo Latorre
Rachel Engstrom
David Brodeur
Jane Dalton
Bonnie Noble
Jeff Murphy
David Gall
Jennifer Wallace
Jim Frakes
Aspen Hochhalter
Kelsey Klotz
Alan Rauch
David Fillmore
Andrew Leventis
Ann Kluttz
Celia Sinclair
Thomas Schmidt
Emily Makas
Angela Rajagopalan
Jae Emerling
Javier Garcia Leon
Elizabeth Gargano
Lydia Thompson
Jason Black
William Sherman
Jeffrey Leak
Daniel Grano
Reginald Raymer
Robert Campbell
Kai-Uwe Werbeck
Karen Hubbard
Betsy West
Kristin Rothrock
Kaustavi Sarkar
Mary Tuma
Ann Dils
Jill Yavorsky
Maja Godlewska
Gretchen Alterowitz
Deborah Ryan
Aaron Toscano
Paula Eckard

Lisa Homann is an Assistant Professor of Art History in the Department of Art & Art History. Specializing in West African masquerade practices from the late 19th century to the present, her research concentrates on performance, innovation, Islam and Muslim identities, patronage, and methodologies. She serves on UNC’s editorial board in the publishing consortium for the journal African Arts.Currently, she is working on her first book, tentatively titled Visibly Muslim: White Mask Performance in Southwestern Burkina Faso. It considers how a masquerade, through its visual aesthetic and performance, can identify participants as Muslims and strengthen and challenge expectations of appropriate (public) behavior. While focusing on the history of this masquerade’s visual and performance aesthetics, the book project aims to problematize a perceived binary hostility between Islam and African art, particularly masquerade.

Homann has published articles and editorials in Res, African Arts, and Africa and her video footage of ephemeral masquerades is in the North Carolina Museum of Art’s permanent collection.

See her faculty profile at coaa.uncc.edu >>

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