Faculty Connections
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Lisa Homann

Art & Art History
African Art
african literature
Africana Studies
art
art history
cultural studies
culture
Islam
muslim communities
photography
visual arts
West Africa
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Erin Eldridge
Janet Williams
Jae Emerling
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Tanure Ojaide
Reginald Raymer
Kaustavi Sarkar
Betsy West
Deborah Wall
Jeffrey Leak
Jason Black
Kai-Uwe Werbeck
Samira Shiridevich
Kristin Rothrock
Angela Rajagopalan
Jeff Murphy
Jamie Franki
Malena Bergmann
Emily Makas
Cynthia Frank
Ashli Stokes
Aspen Hochhalter
Gretchen Alterowitz
Nancy Bishop
David Brodeur
Marek Ranis
Jane Dalton
Jennifer Wallace
Celia Sinclair
Nicole Peterson
Mary Tuma
Maja Godlewska
Gregory Starrett
Rachel Engstrom
Lynne Conner
Elizabeth Yoder
Maria Delgadillo Latorre
Eldred Hudson
Ann Kluttz
William Sherman
Kelsey Klotz
Vaughn Schmutz
Jessica "J.B." Burke
Bonnie Noble
Sangkil Moon
Erik Waterkotte
Robert Campbell
Jill Yavorsky
David Gall
Tamara Williams
Alan Rauch
Karen Hubbard
Andrew Leventis
Anna Kenar
Elizabeth Gargano
Lydia Thompson
Eric Hoenes
Paula Eckard
Daniel Grano
Heather Freeman
Ann Dils
Aaron Toscano
Javier Garcia Leon
Deborah Ryan
Keith Bryant

Lisa Homann is an Assistant Professor of Art History in the Department of Art & Art History. Specializing in West African masquerade practices from the late 19th century to the present, her research concentrates on performance, innovation, Islam and Muslim identities, patronage, and methodologies. She serves on UNC’s editorial board in the publishing consortium for the journal African Arts.Currently, she is working on her first book, tentatively titled Visibly Muslim: White Mask Performance in Southwestern Burkina Faso. It considers how a masquerade, through its visual aesthetic and performance, can identify participants as Muslims and strengthen and challenge expectations of appropriate (public) behavior. While focusing on the history of this masquerade’s visual and performance aesthetics, the book project aims to problematize a perceived binary hostility between Islam and African art, particularly masquerade.

Homann has published articles and editorials in Res, African Arts, and Africa and her video footage of ephemeral masquerades is in the North Carolina Museum of Art’s permanent collection.

See her faculty profile at coaa.uncc.edu >>

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