Faculty Connections
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Lisa Homann

Art & Art History
African Art
african literature
Africana Studies
art
art history
cultural studies
culture
Islam
muslim communities
photography
visual arts
West Africa
Related People
Reginald Raymer
Cynthia Frank
Gretchen Alterowitz
Kelsey Klotz
Eric Hoenes
Daniel Grano
Andrew Leventis
Bonnie Noble
Lydia Thompson
Thomas Schmidt
Aaron Toscano
Emily Makas
David Gall
Joyce Dalsheim
Heather Freeman
Jill Yavorsky
Nancy Bishop
Elizabeth Gargano
Paula Eckard
Alan Rauch
Angela Rajagopalan
Erin Eldridge
Tanure Ojaide
David Fillmore
Maria Delgadillo Latorre
Jane Dalton
Erik Waterkotte
Karen Hubbard
Jeffrey Leak
Deborah Ryan
Ann Kluttz
Mary Tuma
Jeff Murphy
Janet Williams
Malena Bergmann
Ashli Stokes
Celia Sinclair
William Sherman
Rachel Engstrom
Jamie Franki
Kaustavi Sarkar
Anna Kenar
Keith Bryant
Jim Frakes
Robert Campbell
Ann Dils
Elizabeth Yoder
Vaughn Schmutz
Sangkil Moon
Jennifer Wallace
Kristin Rothrock
Samira Shiridevich
David Brodeur
Deborah Wall
Lynne Conner
Betsy West
Jae Emerling
Eldred Hudson
Nicole Peterson
Jason Black
Marek Ranis
Javier Garcia Leon
Tamara Williams
Gregory Starrett
Aspen Hochhalter
Maja Godlewska
Kai-Uwe Werbeck
Jessica "J.B." Burke

Lisa Homann is an Assistant Professor of Art History in the Department of Art & Art History. Specializing in West African masquerade practices from the late 19th century to the present, her research concentrates on performance, innovation, Islam and Muslim identities, patronage, and methodologies. She serves on UNC’s editorial board in the publishing consortium for the journal African Arts.Currently, she is working on her first book, tentatively titled Visibly Muslim: White Mask Performance in Southwestern Burkina Faso. It considers how a masquerade, through its visual aesthetic and performance, can identify participants as Muslims and strengthen and challenge expectations of appropriate (public) behavior. While focusing on the history of this masquerade’s visual and performance aesthetics, the book project aims to problematize a perceived binary hostility between Islam and African art, particularly masquerade.

Homann has published articles and editorials in Res, African Arts, and Africa and her video footage of ephemeral masquerades is in the North Carolina Museum of Art’s permanent collection.

See her faculty profile at coaa.uncc.edu >>

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