Faculty Connections
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Lisa Homann

Art & Art History
African Art
african literature
Africana Studies
art
art history
cultural studies
culture
Islam
muslim communities
photography
visual arts
West Africa
Related People
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Sangkil Moon
David Gall
Samira Shiridevich
Deborah Wall
Jim Frakes
Eldred Hudson
Ann Kluttz
Ashli Stokes
Rachel Engstrom
Vaughn Schmutz
Elizabeth Yoder
Jill Yavorsky
Maja Godlewska
Jason Black
Javier Garcia Leon
Joyce Dalsheim
Betsy West
Heather Freeman
William Sherman
Deborah Ryan
David Fillmore
Jeff Murphy
Malena Bergmann
Celia Sinclair
Thomas Schmidt
Andrew Leventis
Angela Rajagopalan
Jane Dalton
Mary Tuma
Alan Rauch
Jae Emerling
Bonnie Noble
Kelsey Klotz
Robert Campbell
Anna Kenar
Kai-Uwe Werbeck
Jamie Franki
Marek Ranis
Nicole Peterson
Nancy Bishop
Janet Williams
Erik Waterkotte
Tanure Ojaide
Reginald Raymer
Aspen Hochhalter
Keith Bryant
David Brodeur
Daniel Grano
Jeffrey Leak
Gregory Starrett
Emily Makas
Kristin Rothrock
Aaron Toscano
Tamara Williams
Maria Delgadillo Latorre
Elizabeth Gargano
Paula Eckard
Kaustavi Sarkar
Jessica "J.B." Burke
Eric Hoenes
Erin Eldridge
Karen Hubbard
Lynne Conner
Cynthia Frank
Lydia Thompson
Ann Dils
Jennifer Wallace

Lisa Homann is an Assistant Professor of Art History in the Department of Art & Art History. Specializing in West African masquerade practices from the late 19th century to the present, her research concentrates on performance, innovation, Islam and Muslim identities, patronage, and methodologies. She serves on UNC’s editorial board in the publishing consortium for the journal African Arts.Currently, she is working on her first book, tentatively titled Visibly Muslim: White Mask Performance in Southwestern Burkina Faso. It considers how a masquerade, through its visual aesthetic and performance, can identify participants as Muslims and strengthen and challenge expectations of appropriate (public) behavior. While focusing on the history of this masquerade’s visual and performance aesthetics, the book project aims to problematize a perceived binary hostility between Islam and African art, particularly masquerade.

Homann has published articles and editorials in Res, African Arts, and Africa and her video footage of ephemeral masquerades is in the North Carolina Museum of Art’s permanent collection.

See her faculty profile at coaa.uncc.edu >>

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