Faculty Connections
Faculty Connections

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Faculty Connections is an aggregation of UNC Charlotte faculty profiles.

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Tamara Williams

Dance
accessibility and dance
african american communities
African American culture
African American Studies
african diaspora
African-Brazilian dance
Africana Studies
Afro-Brazillian dance
arts and community
arts education
Black dance
Capoeira
community engagement
dance
dance education
performing arts
Ring Shout
Samba
Silvestre dance technique
southern culture
southern history
Yoruba culture
Related People
Susan Harden
Crystal Eddins
Marissa Nesbit
Jane Dalton
Ken Lambla
Dean Adams
Audrey Baran
Jeremy Marks
Evelyn Orman
Kaja Dunn
Dylan Savage
Julia Robinson
Jonah Elrod
Delia Neil
Elizabeth Yoder
Gregory Mixon
Shayna Stahl
Deborah Wall
Karen Cox
Robin Witt
Deborah Ryan
Ashley Tate
Fred Spano
Jay Morong
Kaustavi Sarkar
E.E. Balcos
Rachel Engstrom
Laura Waringer
Joanne Carman
Jason Black
Emily Makas
Jessica Lindsey
Robert Campbell
Richard Moll
Carlos Cruz Casas
Mark Pizzato
Sonya Ramsey
Sharon G Portwood
Jennifer Whitaker
Karen Hubbard
Eldred Hudson
Brian Arreola
Lydia Thompson
Ann Dils
David Fillmore
Eric Posada
Chris Berry
Gretchen Alterowitz
Kim Jones
Gordon Olson
Beth Murray
Paula Eckard
John David Smith
Lisa Homann
Ashli Stokes
Eric Millard
David Gall
Lynne Conner
Bruce Auerbach
Kelsey Klotz
Jacqueline Yost
Brook Muller
David Russell
Rachel Watkins
Joe Skillen
Shawn Smith
Hunter Kopczynski
Benjamin Stickels
Elizabeth Sullivan
Mira Frisch
Sequina DuBose
Danielle Boaz
Jose Gamez
David Goldfield

Tamara Williams is an Assistant Professor in the Department of Dance. She earned her BFA in Dance from Florida State University and received her MFA in Dance from Hollins University in collaboration with The American Dance Festival, The Forsythe Company, and Frankfurt University. She is a certified GYROTONIC(R) Trainer, Reiki Practitioner, and capoeirista.

Williams’ performing career includes work with Alpha Omega Theatrical Dance Company, David P. France Dance company, Errol Grimes Dance Group, Millicent and Company, Angela’s Pulse, Maverick Dance Experience, and Urban Bush Women’s apprentice company. Her choreography has been performed nationally and internationally including Serbia, Switzerland, Trinidad & Tobago, Jamaica, Mexico, and Brazil. In 2011, Williams created Moving Spirits, Inc., a contemporary arts organization dedicated to performing, researching, documenting, cultivating, and producing arts of the African Diaspora.

Williams has trained intensely in Salvador da Bahia, Brazil in Silvestre Technique and African Brazilian dance. She is a 2012 recipient of the Artist Residency Fellowship at the Dance & Performance Institute in Trinidad, a 2013 recipient of the Harlem Stage/Aaron Davis Hall Fund for New Work grant, and a 2014 and 2015 Community Arts Fund Grantee by the Brooklyn Arts Council. In 2015, Moving Spirits, Inc. was accepted as Company-in-Residence at the Jamaica Center for Arts & Leadership in Jamaica, Queens. Williams was a 2015 Turkey Land Grove Foundation recipient in which she participated in a seven-day dance writing residency in Martha’s Vineyard, and a 2015 Fall Space Grant recipient, awarded by the Brooklyn Arts Exchange. She is a recipient of the Digital Making Grant from UNC Charlotte’s College of Arts + Architecture and several Mini-Diversity and Chancellor Diversity Challenge Fund grants from UNC Charlotte’s Diversity Fund. She has received two Faculty Research Grants to further her studies of African American ring shout traditions in the Carolina’s low country and West Africa. Williams has received several Culture Block grants from Mecklenburg County’s Arts and Science Council to offer free African Diaspora dance and music programming for communities around Charlotte. In 2020, Williams was awarded the College of Arts + Architecture 2020 Board of Governors Teaching Award.

Williams’ research has been published in The Dancer-Citizen Journal and has a forthcoming book, Giving Life to Movement (McFarland Publishing Co.), analyzing African-Brazilian dance histories and cultures. Her monograph, The African Diaspora and Civic Responsibility: Addressing Social Justice through the Arts, Education and Community Engagement, is currently under contract with Lexington Books. This latter text investigates how African American, African-Brazilian, Haitian, and Latinx artists and scholars address civic responsibility and social justice issues through the arts. Williams’ research on African American Ring Shout traditions has been disseminated at several colleges and universities in the United States and Brazil. Her article, “Reviving Culture Through Ring Shout,” was published in the scholarly journal, The Dancer-Citizen.

Williams has researched and developed various community programs focusing on marginalized people in New York City and Charlotte. The programs provide opportunities for underserved communities to learn and practice dances of the African diaspora; histories and cultures which are strategically neglected in US education systems.

See her faculty profile at coaa.uncc.edu >>

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