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Storied Charlotte

The 11th Annual Celebration of Verse & Vino

September 15, 2024 by Mark West
Categories: Storied Charlotte

The eleventh annual celebration of Verse & Vino, the Charlotte Mecklenburg Library Foundation’s grand literary gala and fundraiser, will take place in the Charlotte Convention Center on November 7, 2024.  This event will feature New York Times best-selling authors, wine, and food.  I contacted Maggie Bean, the Director of Communications for the Charlotte Mecklenburg Library Foundation, and asked her for more information about this year’s Verse & Vino event.  Here is what she sent to me:

On Nov. 7, 2024, guests will have a one-of-a-kind opportunity to hear from New York Times bestselling authors Emiko Jean, Edward Lee and Jessica Shattuck, as well as Oscar-shortlisted producer and debut author Essie Chambers.

Presented by PNC Bank and emceed by radio legend Sheri Lynch, the signature evening program will showcase the shared joy that stems from reading and writing – and the importance of libraries and literacy in our community.  The more than 1,300 expected attendees will experience a true sense of fellowship and spirit during the celebratory fundraising event at the Charlotte Convention Center.

This year’s Verse & Vino welcomes the following authors and their latest books, including: 

  • Emiko Jean with The Return of Ellie Black: A suspenseful page-turner that made horror legend Stephen King call it “a page-turning suspense novel, a shrewd character study, and a captivating mystery, all at the same time. The last fifty pages are magnetic. I couldn’t put it down until I’d experienced every last twist and turn.”
  • Edward Lee with Bourbon Land: An ode to his old Kentucky whiskey; celebrated chef  and PBS personality Vivian Howard said “If you think Kentucky whiskey only makes sense in a glass, let Chef Edward Lee’s unmatched prose show you how bourbon eats as good as it drinks.”
  • Essie Chambers with Swift River: The debut novel is a Read With Jenna Today Show Book Club pick and was recently longlisted for The Center for Fiction 2024 First Novel Prize.
  • Jessica Shattuck with Last House: New York Times called it “a richly detailed, slow-burning family saga distinguished by incisive psychological insight and masterful research.”

New this year, guests will have access to more than authors (Verse) and wine (Vino). Kentucky distillery Heaven Hill has graciously offered to sponsor a limited-edition bourbon cocktail, which will be showcased in Edward Lee’s author vignette and served at his book-signing table.

Verse & Vino is an annual fundraiser for the Charlotte Mecklenburg Library Foundation, which supports the CommonSpark campaign, including building a new Main Library; programs, services, digital and print collections; and a growing endowment for the future needs of the Charlotte Mecklenburg Library. 

This year, the Library Foundation hopes to raise $600,000 to support the Library’s mission to create a community of readers and empower individuals with free access to information and the universe of ideas.

More information about Verse & Vino and this year’s featured authors is available at foundation.cmlibrary.org/events/verse-vino, and tickets can be purchased online or by calling Teleia White (704) 416-0803.

I attended the very first Verse & Vino event in 2013, and I remember how much I enjoyed the evening.  Since then, I have been impressed with how Verse & Vino has established itself over the past eleven years as one of our community’s premier cultural events.  While Verse & Vino is an important fundraiser for the Charlotte Mecklenburg Library, it is also a celebration of libraries, literacy, and books.  As a long-time supporter of the Charlotte Mecklenburg Library, I believe that participating in Verse & Vino is wonderful way to engage in our Storied Charlotte community and support our storied public library.

Darin Kennedy’s New Fantasy Series 

September 08, 2024 by Mark West
Categories: Storied Charlotte

Charlotte author Darin Kennedy is both a physician and a novelist, and as such, he has excellent company.   Other physicians who have published novels include Kimmery Martin (another Charlotte author who has written The Queen of Hearts and several other medical novels), Sir Arthur Conan Doyle (the creator of the Sherlock Holmes detective stories), Michael Crichton (the author of Jurassic Park), and Khaled Hosseini (the author of The Kite Runner).  

Some physicians-turned-novelists draw extensively on their medical background in their fiction, but Darin tends to draw more on his avocations than his vocation in his novels.  Darin’s interests include chess, classical music, and popular culture, and these interests all figure in his novels.  For example, his latest series, collectively titled Songs of the Ascendant, is steeped in the pop music of the 1980s.  I recently contacted Darin and asked him for more information about his latest series.  Here is what he sent to me:

Thank you to Mark West for including me and my new series of books in his Storied Charlotte blog this week!

For those of you who don’t know me, I’m Darin Kennedy. By day, I work as a family physician with Atrium Health, taking care of patients and training the next generation of young physicians, while at night, I keep myself busy writing fantasy novels based in various interests of mine. Thus far, my works include the following: The Pawn Stratagem trilogy, where ordinary people become pieces in a magical chess game to decide the fate of the world; my Fugue & Fable trilogy, a paranormal thriller set right here in Charlotte based on the works of various Russian composers; and Carol, a modern-day gender-flipped young adult reworking of A Christmas Carol I bill as Scrooge meets Mean Girls.

My new series, Songs of the Ascendant, again has a musical slant, but this time I channeled my love of 80s pop music from my formative years into an ongoing contemporary fantasy epic. I built the mythology of this new fantasy world from the titles, themes, lyrics, and performers of my favorite decade of music. In this story, you might actually meet the Angel of the Morning; Earth, Wind, and Fire; or Pat Benatar’s literal Shadows of the Night. As for the story itself, my world falls firmly at the intersection of X-Men and Highlander with a significant nod to Buffy the Vampire Slayer.

The story begins when a quartet of shadow-dealing mystical mercenaries attempt to kidnap the number one pop star in the world, Persephone Snow. Danielle Delacroix, the latest in a line of warrior women who defend the world from darkness, along with her daughter, Rosemary, arrive to rescue Persephone along with Ethan Harkreader, a stage tech who doesn’t have the first clue as to what is happening. Together, our heroes fight off the shadowy assassins, but the leader of the mercenary Ravens rallies and strikes down Danielle with a surprise attack. At the moment of her death, two millennia of passed down mystical power is supposed to flow from mother to daughter and bring Rosemary her destiny. However, as Danielle breathes her last, Ethan is performing CPR. When he lowers his mouth over hers to attempt to save her, the mystical power flows into him instead. Now, an untrained and unprepared Ethan and a grieving Rosemary must team up to defend Persephone as the forces gathering to take her away are only getting started.

If you’d like to hear more, I will be at Park Road Books in Charlotte, NC, from 2-4 pm on 21 Sep 2024 in conversation with my friend, publisher, and fellow author, John G. Hartness from Falstaff Books. I will have copies of all my books available and will be happy to sign and answer any questions you might have! Come on out! I’d love to see you there!

I thank Darin not only for sharing this information about his latest fantasy series but also for establishing a link between Charlotte’s medical community and our Storied Charlotte community of readers and writers. 

Tags: Fantasy Novels

The Charlotte Center Is Bringing Wiley Cash to the McColl Center 

September 01, 2024 by Mark West
Categories: Storied Charlotte

About a week ago, I received an email message from Rebecca Tanner, the Managing Director of the Charlotte Center for the Humanities & Civic Imagination (more commonly known at the Charlotte Center).  She asked me if I could help promote an upcoming event.   She explained that are hosting Wiley Cash in conversation with Judy Goldman on the topic “Does modern literature have anything to say?”  Of course I said yes.  

Here is the specific information about the event.  It will take place on Tuesday, September 17, 2024, from 6:30-8:00 at the McColl Center, 721 N. Tryon Street.  A book signing will follow the program.  Tickets cost $25 and are available here.

I asked Rebecca for more details about the event and its speakers, and she sent me the following information:

Does modern literature have anything to say? What are the compelling stories speaking to our times? One of literature’s great Southern authors addresses the question. Wiley is a thoughtful, engaging, humorous speaker that you do not want to miss!

Wiley Cash is an award-winning New York Times bestselling author of four novels, the founder of This Is Working, an online creative community, and host of the Our State Book Club podcast. He’s the recipient of many literary awards, including the Thomas Wolfe Book Prize, Southern Book Prize, and the American Library Association Book of the Year.

Published in 2021, Cash’s novel When Ghosts Come Home was a national bestseller and one of Amazon’s top 20 books of the year. The Last Ballad, published in 2017, received numerous awards as best book of the year. 

He currently teaches creative writing and literature at the University of North Carolina-Asheville. He holds a Ph.D. in American Literature from UL-Lafayette, an M.A. in English from the University of  North Carolina-Greensboro, and a B.A. in Literature from UNC-Asheville.

Moderated by Judy Goldman

Judy Goldman is the author of seven books – three memoirs, two novels, and two collections of poetry. Her latest memoir, Child: A Memoir, was named a must-read by Katie Couric Media. Goldman has been published in The Southern Review and Kenyon Review. She has many literary awards, including the Hobson Award for Distinguished Achievement in Arts and Letters.   

My thanks go to Rebecca for reaching out to me. My thanks also go to The Charlotte Center for the Humanities & Civic Imagination for organizing this event.  Founded by Mark Peres in 2020, the Charlotte Center has quickly become an important voice for the humanities on our Storied Charlotte community. 

Tags: Judy GoldmanWiley Cash

Two New Middle-Grade Novels by Charlotte Authors

August 25, 2024 by Mark West
Categories: Storied Charlotte

About three years ago, I paired up Amalie Jahn and Halli Gomez in a Storied Charlotte blog post titled “Two New YA Novels by Charlotte Authors.”  Amalie and Halli both had YA novels that had been published in 2021, so I decided at the time to feature their then newly released novels in my blog post.  Well, as fate would have it, Amalie and Halli both have new middle-grade novels out now, so it seems appropriate to me to pair them up again.

Amalie’s new novel is Team Canteen Rocky Road.  I contacted Amalie and asked her for more information about this novel. Here is what she sent to me:

After a decade of writing for young adults, I took a chance and decided to dip my toes into middle grade fiction. At first, I didn’t think there were many differences between the two. But once I began drafting what would eventually become Team Canteen Rocky Road, I realized there are actually quite a few key elements setting them apart.

One of the most obvious differences readers encounter between YA and MG is point of view. Nearly all of my young adult titles are written in first person, while middle grade is typically written in third. This can mostly be attributed to voice. Young adult main characters spend considerable time reflecting on what’s happening directly to them and analyzing the meaning of things. In middle grade, however, characters usually spend more time reacting to what’s going on around them and rarely take time to self-reflect. In addition to voice, young adult and middle grade books often address different themes. For example, most YA main characters are motivated by finding their place in the world at large, while MG characters are more concerned with fitting in with immediate friends and family.

When I began thinking about my favorite middle grade books from my own childhood, 
The Baby-Sitters Club by Ann M. Martin was the first that came to mind. In many ways, Team Canteen is an homage of sorts to Mary Anne, Claudia, Stacey, and Kristy, so of course I was thrilled when my publisher immediately saw them as companion series and described Team Canteen as “a smart, soaring celebration of the highs and lows of middle school, and the unbreakable friendships that see you through, no matter what comes next.”

I’m so excited to share the Team Canteen kids with this next generation of readers and hope the members of The Baby-Sitters Club would choose to sit with them in the mess hall.


Signed copies of 
Team Canteen Rocky Road will be available at Park Road Books at 2pm on Saturday, September 7 during the book’s official launch event. See the store’s website for details.

Halli’s new novel is Locked In.  I contacted Halli and asked her for more information about her novel.  Here is what she sent to me:

Locked In (Horizon)

My new novel, Locked In, is an upper middle grade/young adult novel described by Kirkus Reviews as “The Breakfast Club in an escape room setting.” Locked In features four teens who agree to test an escape room with the promise of a cash reward. But as the game begins, the escape room turns out to be stranger than expected, and they suspect someone might have ulterior motives. Can the kids overcome their prejudices and differences to escape in time?

The inspiration for this novel began with my family’s love of escape rooms. We have done over 75 rooms in the US and overseas. The puzzles are fun and true tests of our intellectual and physical abilities. It was exciting to use my knowledge and experience to create accurate puzzles for the book. However, what I find most fascinating about escape rooms is the human dynamic. Who jumps right in to solve puzzles, who fades into the background afraid to give their opinions, and how do these personalities play into the communication necessary to escape the room. 

The idea for the story grew as I watched the country become more and more divided. Regardless of which “side” people choose, they are human beings looking to fulfill basic needs and dreams. The naive side of me believes if we could sit in a room and talk, we would realize we’re more alike than different. Of course no one wants to do that, so the writer in me took charge and threw four people from different backgrounds with different ideals together and locked them in a room.

The other aspect that makes Locked In a special book is that it is considered Hi/Lo— a high interest or high concept book written on a lower-reading level. There are many kids who have fallen behind in reading but still want to read about subjects and characters they can relate to. I am grateful to my publisher, Jolly Fish Press, for publishing these types of books. They see the importance of reading and do their best to make sure right books are available. 

I congratulate Amalie and Halli on the publication of their new middle-grade novels. Both novels are welcomed additions to Storied Charlotte’s ever-expanding list of impressive books for young readers. 

Tags: middle-grade novel

Honoring Robert “Robin” Brabham and His Legacy as the Atkins Library’s First Special Collections Librarian 

August 18, 2024 by Mark West
Categories: Storied Charlotte

Robin Brabham, the founding director of the J. Murrey Atkins Library’s Special Collections and University Archives, died on August 11, 2024.

Robin was one of the first people I met when I joined the English Department at UNC Charlotte in 1984. Julian Mason, the chair of the English Department at the time, insisted on introducing me to Robin when he learned that I am a collector of rare children’s books.  Julian took me to the Dalton Reading Room on the tenth floor of the Atkins Library, where Robin’s office was then located.  Julian told Robin that we needed to get to know each other because of our shared interest rare books.  That meeting marked the beginning of my long friendship with Robin.

Robin worked closely with faculty members when acquiring rare books for the Special Collections division.  Given my interest in the history of children’s literature, Robin turned to me as a consultant when he had opportunities to acquire rare children’s books.  For years we worked together to build an impressive collection of historical children’s literature, including first editions of L. Frank Baum’s Oz books and Louisa May Alcott’s girls’ books.  We also collected early chapbooks for children and many nineteenth-century children’s magazines.  I was only one of many professors with whom Robin consulted when building the Special Collections. His efforts to acquire books and manuscripts that relate to the research and teaching interests of the faculty has resulted in a collection that is widely used.

When I learned of Robin’s death, I contacted Dawn Schmitz, the current Curator of Rare Books and Manuscripts at Atkins Library, and I asked her for more information about Robin’s career at UNC Charlotte.  Here is what she sent to me:

When Robin started at Atkins Library in 1969 in the acquisitions department, his job was mainly to place orders for books others had selected. UNC Charlotte had gained university status only four years earlier, and the library had not yet established a Special Collections unit. But there were already a few hundred books that were designated as rare as well as three or four manuscript collections that had been acquired. Robin had his eye on these holdings. Having just graduated with a master’s degree in librarianship from Emory University, his aim was to build a career in rare books, drawing on a fascination with book collecting that went back to his time as an undergraduate studying French and History at Furman University. Robin’s plan worked – in 1973, he was offered the job of Special Collections Librarian.

Over the next 34 years, Robin developed distinctive and impressive rare book and manuscript collections. This accomplishment stands on its own, but the fact that it came without a steady and ongoing budget is remarkable. He did it through nurturing relationships and gaining the respect and trust of donors.

One of these benefactors was the book collector and businessman Harry Dalton, who, along with his wife Mary, generously provided funding to Atkins for the purchase of rare books – and for the construction of Atkins tower and the reading room for special collections on the 10th floor. Robin humbly attributed these gifts to the relationship between Harry and the university’s first Chancellor, Dean Colvard. However, without the confidence those two men placed in Robin’s stewardship, the Daltons’ generosity would not have found its way to Special Collections.

Although the bulk of Harry’s book collection went to his alma mater, Duke University, several stunning volumes found a home in Atkins. These include John Chrysostom’s Sermons on the Book of Job (1471 – our oldest printed book), a first edition of Walt Whitman’s Leaves of Grass (1855), and Phillis Wheatley’s Poems on Various subjects, Religious and Moral (1773). 

With this Wheatley volume as its foundation, Robin was able to develop a world-class collection by this author by working closely with Professor Julian Mason, a scholar of Black literature who served as Robin’s consultant and benefactor. Other works of Black literature Robin acquired include a rare early edition of Frederick Douglass’s first narrative and many other freedom narratives by formerly enslaved people.

Even after they both had retired, Julian continued to trust and collaborate with Robin. In 2016, when it came time for us to acquire and celebrate the library’s two millionth volume, Julian offered to let Robin select a book from his collection. Robin chose a rare edition of the autobiography The Interesting Narrative of the Life of Olaudah Equiano (1793), a foundational book in Black literature and now a jewel among our holdings.

With the support of these benefactors and Robin’s resourcefulness and ingenuity, Robin went on to build what he called “a small but respectable” collection of first and early editions of American literature by authors including Herman Melville, Louisa May Alcott, and William Faulkner. Other strengths of the collection include religion and theology, children’s literature, and 19th-century Charlotte imprints.

These accomplishments in rare book collecting only comprise half of Robin’s contribution to developing special collections at Atkins. He also had a passion for history, which drove him to earn a master’s degree in history from UNC Chapel Hill in 1977 and build an invaluable research collection of archives and manuscripts documenting Charlotte and the surrounding region. This is not only a community resource but is also consulted by researchers from far and wide who are interested in topics such as the civil rights movement and busing for school integration.

Other collection strengths Robin developed include the founding families of Mecklenburg County, city planning, architecture, politics, photography, and motorsports. Like any excellent archivist, Robin had a special knack for knowing what was important to preserve, and he had his ear to the ground. Among the collections that Robin rescued from the dumpster were original drawings by Pulitzer Prize winning cartoonist Eugene Payne and hundreds of reels of b-roll film from WBTV news.

Robin told me that although he was sometimes frustrated by the lack of resources or other limitations, the job at Atkins offered him a good deal of freedom and paid him to do the things he enjoyed. After he retired, he and his wife Edla became library benefactors, establishing an endowment fund for Special Collections. And he continued to support us through his community connections, curator’s talent, and his generosity of time.  We will miss him and always try to live up to his example.

Like Dawn, I will miss Robin.  However, I take some solace in knowing that the Special Collections division that he founded and built will always be one of Storied Charlotte’s most important cultural resources.   

Tags: J. Murrey Atkins LibraryRare Books

Of Gardens, Butterflies, and Pamela Grundy

August 10, 2024 by Mark West
Categories: Storied Charlotte

I follow the publishing careers of many Charlotte writers.  In the process, I’ve noticed that most of these authors tend to publish books that fall within a particular genre or deal with a common theme.  Occasionally, however, a Charlotte writer will publish a book that takes me by surprise.  Such is the case with Pamela Grundy’s latest book.  I associate Pamela with books that deal with North Carolina history.  Among the books that she has published are Legacy:  Three Centuries of Black History in Charlotte, North Carolina and Color and Character:  West Charlotte High and the American Struggle over Educational Equality. Thus, when my friend Tom Hanchett told me that Pamela had just brought out a new book, I assumed it would be a work of history. I was wrong.  

Pamela’s new book is titled Butterfly Gardening in the Carolina Piedmont.  In addition to providing lots of information about planting and maintaining butterfly gardens, it’s full of beautiful photographs she’s taken through the years, artfully arranged by designer Little Shiva (littleshiva.com). Curious, I recently contacted Pamela and asked her for more information about this book.  Here is what she sent to me:

Late summer is butterfly season here in the North Carolina Piedmont. Since butterflies love sun and heat, late August and September are ideal times to watch for them. Tiger and Black Swallowtails, lemon yellow Cloudless Sulphurs, bright orange Gulf Fritillaries, dozens of tiny skippers and many, many others spend their days nectaring, mating and laying eggs. Monarchs will soon pass through, traveling to their hibernation grounds in Mexico.

Creating butterfly gardens has been one of the great pleasures of my life. Fifteen years ago, when my son attended Shamrock Gardens Elementary, I worked with other parents to fill the school’s courtyards with butterfly plants. We looked after nectar plants whose flowers fed adult butterflies, and host plants whose leaves fed caterpillars. A dazzling array of butterflies showed up. A few years later, every Shamrock classroom had a caterpillar-raising cage, filled with caterpillars we found in our own gardens. The students were enchanted.

I wrote Butterfly Gardening in the Carolina Piedmont to encourage more people to create their own butterfly gardens. With a sunny patch of ground, or even just a couple of pots, you can make a butterfly haven. Free yourself from those sterile, high-maintenance, chemical-laced lawns! Butterfly gardens are more beautiful, better for the planet and easier to maintain. You can find more information and resources in the article I recently published in the Queen City Nerve.

The whole book is available to read for free on the Queen City Nerve’s issuu site. It can also be purchased at Park Road books, a few other local stores, or from Amazon.

I thank Pamela not only for sharing her interest in butterfly gardening but also for showing that some authors cannot be easily pigeonholed.  Pamela is an example of a Storied Charlotte author who can float like a butterfly from one topic to another, producing a wide array of worthwhile books in the process.

Tags: Butterfly GardeningGardening Books

Charlotte Lit Has Big Plans for the Fall 

August 03, 2024 by Mark West
Categories: Storied Charlotte

I know that each new year starts in January, but I never experience a sense of a new beginning when January arrives.  For me, the real new year arrives in September. That’s when the lazy days of summer come to an end and the new school year gets rolling.  Perhaps it’s because I have spent so many years as a professor, but I have long looked forward to September with a sense that the grand tempo of my life is about to start anew.  While I do not make resolutions on New Year’s Day, I always set goals for myself in the fall, and these goals usually involve writing projects.   

If your goals for the fall also involve writing projects, then Charlotte Lit has you covered.  I recently contacted Paula Martinac, Charlotte Lit’s Community Coordinator, and asked her for more information about Charlotte Lit’s plans for the fall. Here is what she sent to me:

Charlotte Lit’s Fall 2024 lineup has something for everyone — from brand-new writers to those polishing up their manuscripts for submission. Several new-to-us teachers have joined us, including UNC Charlotte Professor Emeritus Chris Davis and Jennifer McGaha from the Great Smokies Writing Program at UNC Asheville. And we’ve also brought back favorite instructors from past seasons, like Tara Campbell, Bryn Chancellor, and C.T. Salazar.

We’re excited to debut some new class formats this fall, including multi-session classes aimed at helping writers meet tangible goals. For example, Chris Davis leads “Six Weeks, Six Poems,” and Caroline Hamilton Langerman heads up “Five Weeks, Five Essays.” These classes are built around a combination of instruction, prompts, and sharing time, and the key components are support and encouragement. The objective is for students to assemble a small portfolio of drafts that they can later hone and submit. 

For advanced writers looking to attract agents and editors, we’ve got a two-session class called “Master-Pitch Theater” with Katharine Sands. She’ll use her expertise as a literary agent to help them pull together both a submission package and an “elevator pitch” to use at conferences.

Our one-off classes are back, on an array of topics in all genres. We’re especially thrilled to host poetry master classes with two esteemed poets, Danusha Laméris and NC Poet Laureate Jaki Shelton Green. 

If folks are looking for a writing retreat, we’re presenting two this fall. The first is in-town at Charlotte Lit and features prompts, individual consultations, and an add-on Reiki session with a Level II practitioner. We also have an out-of-town retreat at the Innisfree Retreat Center in East Bend, NC, led by poets Jessica Jacobs and Kathie Collins. 

As always, we’ve got a mix of in-person classes and Zoom sessions that allow folks who can’t make it into the city to get writing instruction, too. And for Charlotte Lit members, there’s a free class available in September on structuring an autobiographical story, whether fiction or nonfiction, with David Hicks.

Our Fall schedule is live and available now at charlottelit.org/classes. We’ll be releasing the Spring schedule in November, featuring favorite teachers such as Judy Goldman, Junious “Jay” Ward, and Sarah Creech.

I thank Paula for sharing this information about Charlotte Lit’s fall offerings.  I also thank Charlotte Lit for providing Storied Charlotte writers with opportunities to hone their writing skills and to participate in a supportive community of writers.  

Tags: Charlotte LitWriting Classes

CharlOz Will Soon Turn Charlotte into the Emerald City 

July 28, 2024 by Mark West
Categories: Storied Charlotte

L. Frank Baum, the author of The Wonderful Wizard of Oz and many other novels set in Oz, often referred to himself as the Royal Historian of Oz.  Well, I consider myself to be the Royal Historian of CharlOz, the upcoming Oz-themed literary and arts festival that will take place in Charlotte from September 26 through September 29.  The wizard who created this festival and spent more than a year organizing it is Dina Schiff Massachi, and I watched her work her magic throughout the entire process. 

Dina initially envisioned CharlOz as a book-launch event for her book The Characters of Oz: Essays on Their Adaptation and Transformation (McFarland, 2023), but then she started imagining a larger, more community-oriented event.  However, achieving this goal required substantial funding, so we applied for a grant from North Carolina Humanities.  When we received the grant, Dina went to work.  Dina and I would meet frequently about CharlOz, but she was the one who reached out to representatives from across the university as well as from various cultural and educational organizations in Charlotte and invited them to participate.  Often, after meeting with Dina over a cup of coffee, they signed on. She also arranged for a group of student interns from UNC Charlotte to help with the preparations.  The result is a collaborative festival involving numerous organizations from Charlotte and beyond.

I recently reached out to Dina and asked her for more information about the plans for CharlOz.  Here is what she sent to me:

CharlOz, as I’ve titled this Oz themed literary/arts festival, is a four-day event with a variety of ways to interact and explore Oz, the vast majority of which are free and accessible through Charlotte’s light rail system.

When I first began talking about CharlOz, most people had no frame of reference to understand my vision for this event. I explained that CharlOz is more than a celebration of L. Frank Baum’s The Wonderful Wizard of Oz; it is also a celebration of how the humanities can create communities around stories. As people began to understand my larger vision for CharlOz, they began throwing their support behind this event. Now, with thanks to our sponsors–North Carolina Humanities, The University of North Carolina at Charlotte, Blumenthal (both the performing arts organization and the foundation), ImaginOn, the Lori and Eric Sklut Charitable Foundation, and many others, my vision is turning into an even better reality than I expected. 

CharlOz will run from the evening of September 26 through the evening of September 29. Highlights include:

  • A kickoff presentation by Gregory Maguire, author of Wicked, at the Knight Theater on September 26.
  • An exhibit about the Land of Oz theme park at the Projective Eye Gallery in The Dubois Center at UNC Charlotte Center City.
  • An exhibit of student art that reimagines Oz’s characters at the Popp Martin Student Union on UNC Charlotte’s main campus.
  •  A full day of events on Friday, September 27, at UNC Charlotte’s J. Murrey Atkins Library that include discussions led by Oz experts from around the country, gaming, a virtual reality experience of the Tom John sets from Broadway’s first run of The Wiz, and hands-on creative opportunities including a puppet workshop from James Ortiz (who designed the puppets for the recent run of Into the Woods) and a drawing workshop from Marvel comic artist Janet K. Lee.
  • A full day of events on Saturday, September 28, at ImaginOn, including author talks, character appearances and many family activities.
  • The Charlotte Symphony will provide a sweeping orchestral backing of the beloved 1939 film The Wizard of Oz in Belk Theatre on both Friday, September 27 and Saturday, September 28.
  • Vendors at The Market at 7th Street on Saturday and Sunday.
  • A full day of events on Sunday, September 29, at The Dubois Center at UNC Charlotte Center City, including the premiere of a new restoration of L. Frank Baum’s silent film, His Majesty, The Scarecrow of Oz, with music provided by Ethan Uslan, and a presentation by Gita Dorothy Morena—L. Frank Baum’s granddaughter!
  • Opportunities throughout the festival to meet authors who write about Oz and Baum, including Gregory Maguire (Wicked), Danielle Paige (Dorothy Must Die), Amy Chu and Janet K. Lee (Sea Sirens & Sky Island), Angelica Shirley Carpenter (Born Criminal), Eric Shanower (Marvel’s Oz comics), Virginia Kantra (The Fairy Tale Life of Dorothy Gale), Gita Dorothy Morena (The Wisdom of Oz), Ryan Bunch (Oz and the Musical), Heather Greene (Lights, Camera, Witchcraft), Dina Massachi (The Characters of Oz & the Broadview edition of Wonderful Wizard of Oz) and Mark West (Before Oz & the Broadview edition of Wonderful Wizard of Oz). 

I hope CharlOz can be a vehicle through which everyone can have an enjoyable time reexperiencing the magic of story and childhood while finding common ground that bridges the imagined divides the grownup world creates.

Because of fire codes, almost all CharlOz events will have tickets. I recommend getting tickets to anything that interests you ASAP. They are on a first come basis. 

For more information, including registration, please see https://charloz.charlotte.edu

As the self-proclaimed Royal Historian of CharlOz, I congratulate and thank Dina and all the many people who have worked so hard to bring this festival to Storied Charlotte. 

Tags: CharlOzOz Festival

J. Christopher Schutz’s New Book about the Charlotte Three Case 

July 21, 2024 by Mark West
Categories: Storied Charlotte

On June 6, 2020, I wrote a Storied Charlotte blog post titled “T.J. Reddy:  Charlotte’s Own Civil Rights Activist, Poet, and Artist.”  In this post, I wrote about how the late T.J. Reddy drew on his background as a civil rights activist in both his poetry and his paintings.  I also commented on his role in the famous 1972 Charlotte Three Case, which was one of Charlotte’s most important civil rights cases.  I remember thinking at the time that I was doing the research for this blog post that somebody should write a book about the Charlotte Three Case.  Well, I am pleased to report that historian J. Christopher Schutz has done just that.  Titled Going to Hell to Get to the Devil:  The 1972 Charlotte Three Case and the Freedom Struggle in a Sunbelt City, this book was published by the Louisiana State University Press a few months ago.  For more information about the book, please click on this link: https://lsupress.org/9780807181751/going-to-hell-to-get-the-devil/

Going to Hell to Get the Devil

Schutz is currently the Chair of the History Department at Tennessee Wesleyan University, but in the 1990s he was a graduate student in the history program at the University of North Carolina at Charlotte.  His interest in the Charlotte Three Case dates back to his years at UNC Charlotte.  I recently contacted him and asked how he came to write a book about the Charlotte Three Case.  Here is what he sent to me:

I first moved to Charlotte in 1992 with my wife and one-year-old son, leaving behind seven years of work in non-profit agencies in California– the last five as a lay chaplain to the Juvenile Halls of Oakland.  That work had kindled my interest in the later fate of the African America Freedom Struggle as I had been witnessing the disproportionate number of kids of color wedging their increasingly hopeless lives into the dead end of poverty and the drug trade.  I became increasingly desperate to understand why they seemed so tragically left behind by the advancements of the prior decades, and thus appeared unable to channel their energies and anger against the economic and racial injustices they so obviously confronted. 

Having pondered those questions in my work, I was now interested in pursuing that subject by returning to formal education as a Master’s student in History at UNCC.  Two professors became key in exploring the subject of my book, Going to Hell to Get the Devil: The 1972 Charlotte Three Case and the Freedom Struggle in a Sunbelt City.  My first semester included a seminar on the Civil Rights Movement with David Goldfield.  He became a key adviser for me quickly in exploring the issue.  Secondly, Lyman Johnson, a specialist in Latin American history and the graduate program coordinator at the time– knowing my interest in pursuing a Freedom Struggle subject for my master’s thesis– mentioned to me the local Charlotte Three case with which he was familiar.  The conversation sent me to UNC Charlotte’s Special Collections where I found a collection associated with the case.  That master’s thesis became the root of this now published book a number of years late

As I looked into the case, two aspects particularly intrigued me.  First, it provided a window to explore the seeming stalling out of the profound promise of the Civil Rights Movement in the decades after the 1960s.  Secondly, the city of Charlotte offered an especially interesting template as a prideful Sunbelt city which had enjoyed explosive economic growth while simultaneously eschewing the call of its 1960s activists to share those fruits with its poorer populations of color.  My book, in fact, highlights the ways that Charlotte’s civic leadership in tandem with its business leaders, sought to carefully control the trajectory of its growth by constraining local Black Power and New Left activists from playing a role in charting the city’s development.  The Charlotte Three case provides a fascinating prism to view those issues.

Schutz’s book deals with an important court case in Charlotte history, but that is not the book’s only connection to Charlotte.  The book is part of Louisiana State University’s Making the Modern South series, which is edited by David Goldfield, the Robert Lee Bailey Professor of History at UNC Charlotte.  As Schutz mentions above, he studied with Goldfield during his years as a graduate student at UNC Charlotte.  It seems fitting to me that the editor of Schutz’s new book is his former professor.  In a sense, the long-standing connections between Schutz and Goldfield are like threads in a web—a Storied Charlotte web.

Tags: Civil Rights Movement

Saying Farewell to Charlotte Readers Podcast

July 13, 2024 by Mark West
Categories: Storied Charlotte

I have heard it said that all good things must come to an end.  These words of wisdom came to mind when I heard the news that the six-year history of the Charlotte Readers Podcast will come to a close on July 16 with the airing of its 400thepisode.

Landis Wade launched the Charlotte Readers Podcast in 2018 after working for 35 years as a trial lawyer in Charlotte.  He set out to create an interview-based podcast to help “authors give voice to their written words.”  He initially envisioned podcast as a “great way to connect authors to listeners who enjoy good stories.”  For the first four years, Landis served as the podcast’s primary host, but in 2022 he brought in Sarah Archer and Hannah Larrew as co-hosts. 

During its six-year run, Charlotte Readers Podcast featured interviews with 450 authors, clocked in 160,000 downloads, published 50 community blog posts, and brought out nine books tied to the podcast.  Although they do not plan to release any new episodes, they are committed to keeping the podcast website active as well as the podcast’s RSS feeds so that people can continue to listen to the authors who appeared on the show and access the community blog.  Here is the link to their website: https://charlottereaderspodcast.com

I first heard about the end of the Charlotte Readers Podcast a few weeks ago when Landis sent me an email with the following re message: “Big Podcast News : Our 400th will be our last.” I responded by inviting Landis, Sarah, and Hannah to send me a few paragraphs with their parting words about the podcast as well as their plans for the future.

Here is what Landis sent to me:

Community may be at the heart of enjoying and surviving any creative endeavor, and if it’s not, it should be, because my Charlotte Readers Podcast experience was all about community. By taking on podcasting–something I knew nothing about–I met and became friends with hundreds of interesting and creative people, read engaging books, and got to spend time talking with talented authors from all over the country about two things I enjoy, reading and writing. 

When I reflect on how we reached 400 episodes, three things come to mind. First, there was the creative spark–the idea that got me excited to try something out of my comfort zone. The second was the creative fuel–the in-the-trenches-perseverance that kept me going, driven by the enjoyment I received by hanging out with my new community. And the third was what I call creative evolution, my willingness to try new things to keep the energy alive, which led me to team up with Sarah and Hannah, whose talents, contributions, and good humor made the podcast experience even more fun.  

My parting thought is gratitude to everyone who supported and joined us along the way. Next up is writing, travel, grandson time, and figuring out what creative idea to try next, and if I am lucky, Sarah and Hannah will be involved with that.

Here is what Sarah sent to me:

The best creative partners are the ones who inspire you to take risks. If Landis hadn’t called and asked me to come on as a co-host, I probably would never have tried podcasting. But I knew he already had a well-oiled machine running, and it seemed like a fun opportunity to meet other writers. 

It turned out to be that, and so much more. Every layer of community I’ve built with Charlotte Readers Podcast has been meaningful and rewarding: Landis and Hannah, with whom I’ve loved talking shop and recording bloopers; our listeners, whose enthusiasm warms my heart, and who always impress and educate me when they share their own writing advice; and our guests, who have proven to be as brilliant, funny, and articulate in conversation as they are on the page, and who have also been lovely, friendly human beings (even those New York Times bestseller bigwigs). 

One thing I prize about Charlotte Readers Podcast is the variety of authors we’ve featured, from every genre, walk of life, and career stage. If there’s one message I’ve heard echoed universally by this diverse and incredible group, it’s to write to your passions. I hope to heed that advice going forward with my own fiction and screenwriting projects in progress, and also to continue to share that message with other readers and writers as Landis and Hannah and I collaborate in the future. 

Here is what Hannah sent to me:

Faculty | North Carolina Writers' Network

Being a part of the Charlotte Readers Podcast team has been one of the most joyful experiences I’ve had in my professional life. The main reason for that is the collaboration with Sarah and Landis about one of the best topics ever: books. When book people connect with other book people, the conversation seems to flow so naturally, and creativity simply blossoms. I met Landis several years ago and began working with him on publicity for the podcast, which was a ton of fun because it was a world I wasn’t familiar with. I learned so much about both the back and front ends of running a podcast and really, how much work it takes to do something like this. Landis put his heart and soul into creating a platform for writers to share their stories – and by that I mean, both their books and their personal journeys. It’s something that not a whole lot of people have the drive or patience to do, but he did it and he did it well. I’m grateful to him for that.

Fast forward to when Landis asked me to join him on air as a co-host alongside Sarah Archer, who I’d admired for a long time as a witty, smart, and whimsical writer (both in her novel/short stories and on Twitter). It wasn’t even a question for me, it was just a YES. The most rewarding part of this entire experience has been getting to talk about meaningful stories with these two incredibly talented people. And as a result of these conversations with each other as well as writers we’ve had on the show, we got to connect books with readers. 

I’m sad that Charlotte Readers Podcast is coming to an end, but the good news for me is that it’s not the end of my collaboration with Landis and Sarah. They’re my creative family and I don’t see a time in the future when we won’t be connected/pursuing new adventures together. So, I’m excited for that! In the meantime, my family and I recently relocated to Indianapolis, IN, so I’m officially a Midwesterner, and I think I like it! After taking much of the summer off to be with my family, I’m looking forward to diving headfirst back into the book world in mid-August. I’m in the middle of planning holiday campaigns, book launches, and drum roll… some of my own writing projects. 

I thank Landis, Sarah, and Hannah for sharing their reflections on the history of the Charlotte Readers Podcast and for their many valuable contributions to Storied Charlotte.  

Tags: Charlotte Readers Podcast
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