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Indie Bookstore Day and the Creation of the Greater Charlotte Book Crawl

April 25, 2022 by Mark West
Categories: Storied Charlotte

One of my favorite moments in the film The Miracle on 34th Street is when the employees at Macy’s department store in New York City begin sending shoppers to Gimbels department store when Macy’s doesn’t have in stock what their customers are trying to find.  I was reminded of this special moment when I heard that eleven Charlotte-area independent bookstores are working together during the month of April on a project they call the Greater Charlotte Book Crawl.  Their collaborative book crawl will culminate on April 30, 2022, which is Indie Bookstore Day.  These participating bookstores are encouraging area readers to visit each other’s businesses and get to know what makes each bookstore unique.  For more information about the book crawl, please click on the following link:  https://greatercharlottebookcrawl.com/

As part of the Greater Charlotte Book Crawl, the participating bookstores are collecting donations for Promising Pages, a Charlotte nonprofit organization that provides area children with their own books.  For more information about Promising Pages, please click on the following link:  https://promising-pages.org/

One of the people involved with organizing the Greater Charlotte Book Crawl is Halli Gomez, the Events Coordinator at Park Road Books.  I recently contacted Halli and asked her about the creation of the book crawl.  Here is what she sent to me:

Owners and events coordinators at the eleven independent bookstores in the greater Charlotte area had an idea to make Independent Bookstore Day (the last Saturday in April) an event larger than that one day. We first began discussing ideas during Zoom calls last summer, 2021, and I believe the idea for a book crawl, or a similar event, came quickly. although we originally planned for it to be a three-day event. We did like the idea of an event that would incorporate all stores. We tossed out ideas like pins and stamps and other items as rewards for visiting, but because of time, most stores settled on providing stamps.

We went through the behind-the-scenes tasks such as creating a name, website, and the passport (thank you Jennifer from Editions for the wonderful creation!) and made fun “passing the book” videos for the Instagram channel.

As owners and employees of these bookstores, we love what smaller local shops offer and how they are a part of the community. Readers who frequent independent bookstores are not only in love with books and reading, but also the personal attention and knowledge they receive when visiting. We love to share that with all readers and visitors. Supporting independent bookstores allows the reader and bookseller to form a relationship based on the shared love of books and knowledge. In addition, shopping locally helps to create a thriving community for residents and visitors.

We’ve been thrilled to see so many people visiting the stores, telling their friends and family, and posting their crawl on social media!

I urge everyone to participate in this year’s Greater Charlotte Book Crawl by visiting the participating bookstores. Here is the full list of these stores:

The Book Rack – Charlotte

Editions Coffee and Bookstore – Kannapolis

Goldberry Books – Concord

I’ve Read It In Books – Charlotte

Main Street Books – Davidson

Park Road Books – Charlotte

Second Look Books – Harrisburg

Shelves Bookstore – Charlotte

That’s Novel Books – Charlotte

The Urban Reader – Charlotte

Walls of Books – Cornelius

The Charlotte area is fortunate to have so many indie bookstores.  Each one of them helps make Storied Charlotte a special place for readers and writers. 

Tags: book crawlIndie book stores Charlotte

How A.J. Hartley’s Burning Shakespeare Came to Be

April 14, 2022 by Mark West
Categories: Storied Charlotte

I have followed Andrew Hartley’s career since he joined the faculty at UNC Charlotte in 2005, so I know for a fact that he really is only one person.  Still, I cannot help but think of him as two people.  On the one hand, there is Dr. Andrew James Hartley, the Russell Robinson Distinguished Professor of Shakespeare and author of such scholarly works as Shakespeare and Political Theatre in Practice and The Shakespearean Dramaturg:  A Theoretical and Practical Guide for the Scholar in the Theatre.  On the other hand, there is A.J. Hartley, the New York Times bestselling author of numerous fantasy and thriller novels, such as The Woman in Our House, Steeplejack, On the Fifth Day, and The Mask of Atreus.  Often these two sides of Andrew go their separate ways, but they have converged in his newest novel, Burning Shakespeare.

Burning Shakespeare is a time-travel novel in which an American businessman and Shakespeare hater travels back in time to Renaissance London on a mission to eradicate Shakespeare from history.  He is countered by three recently deceased people from our time who are given a chance to come back to life if they go back in time and stop the businessman from carrying out his mission. 

I recently contacted Andrew and asked him how he came to write Burning Shakespeare.  Here is what he sent to me:

I generally write pretty quickly, producing a first draft in a few months. In periods of frantic energy, I’ve written as many as three books in a year. Not so with Burning Shakespeare.

I began this book in the mid-1990s and put it through a series of radical rewrites over the next quarter century. Every time I came back to it, I’d find that my enthusiasm for the premise and the wryly playful narrative voice stalled mid-way through as the story got bogged down in logistics, the rules of the world I had created and, most insidiously, an impulse to Educate. This is an occupational hazard, of course, and is not of itself a bad thing, but in this case it was killing the story deader than Shakespeare himself.

I’ve written fiction involving Shakespeare—the focus of my life as an academic—before, once in a thriller about a lost play (Love’s Labour’s Won) called What Time Devours, and in two adaptations I wrote with British mystery author David Hewson for audio (Macbeth, a Novel, and Hamlet, Prince of Denmark, a Novel). In each case I had to fight the impulse to slide into lecture mode, but it had been easier to stay on track because in the first case the Shakespeare component was a comparatively minor one (the story involved a complex backstory involving champagne production and the billeting of troops during the first world war, if you can believe that), while the adaptations were kept on track by my (nonacademic) co-author in ways ensuring the story stayed uppermost.

But Burning Shakespeare was a novel about Shakespeare, what he means, what he’s worth, how those things came to be and what outmoded or dangerous baggage have been dragged along with him. He could not be sidelined. The plays took center stage in the novel and it was difficult not to collapse into the role of fan or instructor, writing with one eye on my scholarly colleagues in the dim hope of impressing, as if I was writing yet another academic article.

The story, predictably, suffered, and I realized that I had written not so much a novel as a kind of extravagant footnote. So, I tore it up and started again. And again. And again. I tried rethinking the story as a young adult novel but it quickly started shadow boxing with my sense (real or imagined) of how my teenaged characters were encountering Shakespeare in high school, which made things worse. So, I embraced my own position and centered the story on an aging Shakespeare professor, though without significantly improved results. I tried a narrative involving story elements in the lives of the characters which clearly paralleled plot points from the plays, but this felt clunky and unoriginal. Each time I would labor for a few months, loose interest and put it aside.

In 2019 I came back to it, rereading the latest draft and finding the now familiar emotional journey: initial amused excitement gradually paling as the story failed to live up to its premise. Worse, I realized that the story had become boring. But there was a silver lining to the cloud. This time I could see that the real problem was that I had lived with so much of the story for so long that I had come to view as essential what was merely familiar. Things which had felt fundamental to the narrative, things which had survived every rewrite and editorial tinkering, were just things I had grown comfortable with. They weren’t that good, but they also weren’t the core of the project which I had got used to. That produced the next realization: the story could be saved, but only by breaking it into pieces, discarding much of what I had done, and starting over. I needed new protagonists, I needed new second act elements, and I needed to take more seriously the idea that the present might be better off without Shakespeare in it.

This last point grew out of another nagging realization: the book had grown steadily more and more out of touch with Shakespeare as an academic subject. While my career as a professor had evolved over the last twenty-five years, keeping pace with the shifts and trends of scholarship whose function is to find the concerns of the present in the literature of the past, the book hadn’t. It felt fusty, old fashioned, holding on to ideas about Shakespeare which I might have been taught in the eighties and were now moldering truisms long since picked apart by more recent criticism.

So, one last time, I started over. I took a bulldozer to the plot and a wrecking ball to the dramatic personae, and I made something new, something I found fun and engaging, argumentatively provocative, and more clearly of the present. Of my present. Is it better? I think so. Whether other people will, remains to be seen, but I’m happy with it which, at this point in my life, I call a win.

UNC Charlotte’s Atkins Library new Popular Reading Series will feature A.J. Hartley.  He will discuss Burning Shakespeare, his previous books, and his writing process.

This hybrid author talk and Q&A will be held on Thursday, April 21st, 4-5:30, with a book signing. The event will be hybrid (Halton Reading Room & Zoom). 

Registration

It might sound odd to say, but I am pleased that Dr. Hartley and A.J. Hartley have joined forces in the writing of Burning Shakespeare.  Storied Charlotte is the beneficiary of this fortunate convergence. 

Celebrating Children’s Poetry with The Peeve and the Grudge

April 11, 2022 by Mark West
Categories: Storied Charlotte

April is National Poetry Month, so I am very pleased that my first picture book, The Peeve and the Grudge and Other Preposterous Poems, made its debut this month. The timing could not be better.  In writing this collection of poems for children, I set out to celebrate the ways in which children respond to words and idiomatic phrases that they do not fully understand.  I love how children play with the meanings of such words and phrases, and I use this type of wordplay as the basis for the poems in the book.  I wrote these poems from a child’s point of view, and I tried to appeal to a child’s sense of humor.  The illustrations by Ana Zurita perfectly capture the humorous nature of the poems.  My hope is that this book will not only amuse children but will also encourage them to take an interest in poetry.

Most of these poems relate to actual conversations I have had with children over the years.  For example, the poem titled “The Peeve and the Grudge” can be traced back to a conversation I had with a four-year-old girl back when I worked as a preschool teacher.  One day this girl asked me what a peeve was.  She told me that her mother had said something about having a “new pet peeve,” and the girl wondered if a peeve was something like a goldfish. I asked her why she thought a peeve was a fish.  She informed me that her mother had just purchased a new fish for their aquarium, so she figured that this fish must be her mother’s new pet peeve.  She seemed disappointed when I told her that a peeve wasn’t a fish, and she said that she was going to name the fish Peeve anyway. This conversation stuck with me, and years later it served as the inspiration for my poem.

In some cases, the poems are based on comments that I overheard children say while I was out doing errands.  A year or so ago, I went shopping for a new lawnmower.  As I was looking at lawnmowers, I overheard a conversation between a father and his young son.  The father was telling the store employee that he needed a new mower since his old mower was out of whack.  At this point, the boy tugged at his father’s sleeve and suggested that they buy some whack. The father didn’t understand what the boy meant, so the boy explained that since their mower was out of whack, they should just get some more whack for it.  This overheard conversation provided the inspiration for my “Gizmos Gone Bad” poem.

I think that children’s poetry works best when read aloud, and I hope that parents and teachers consider reading these poems aloud to the children in their lives.  I have long enjoyed reading poetry aloud, so I decided to record a reading/performance of “The Peeve and the Grudge” on my Storied Charlotte YouTube site.  To see this reading, please click on the following link:  https://youtu.be/jvSZF5mUwPw

As we celebrate National Poetry Month here in Storied Charlotte, I urge everyone to take a poetry break and read a poem or two, and if you regularly interact with children, I urge you to include poetry when you read aloud to them. 

Tags: children's poetry

Landis Wade’s Deadly Declarations

April 04, 2022 by Mark West
Categories: Storied Charlotte

Landis Wade, the founder and host of the Charlotte Readers Podcast, is also the author of a new book titled Deadly Declarations: An Indie Retirement Mystery.  The official launch date for the book is April 5, 2022, but I had the privilege and pleasure of being able to read an advance review copy. 

Deadly Declarations is set in a fictional retirement community located in Charlotte.  Three residents of the “Independence Retirement Community” join forces to solve a mystery related to the famous and controversial Mecklenburg Declaration of Independence.  In this fast-paced mystery novel, Landis completely demolishes the stereotypes associated with retirement communities.  The protagonists in this novel are anything but retiring.  They are feisty, independent, and fully engaged in the world around them.  They take on a powerful law firm, a corrupt politician, and a secret society, and they prove that they are more than equal to the challenge.  For readers of Deadly Declarations, the phrase “respect your elders” takes on a whole new meaning.

I recently contacted Landis and asked how he came to be so interested in the Mecklenburg Declaration of Independence and why he decided to incorporate it in his mystery novel.  Here is what he sent to me:

For many Charlotte residents, the story of the Mecklenburg Declaration of Independence is a tale of unknown Charlotte history hiding in plain sight. Although I grew up in Charlotte, I don’t recall the Meck Dec story being taught in public schools, and if someone told me when I was a boy that Charlotte was first to declare independence from Great Britain, it didn’t stick. As I got older, it never occurred to me to ask why the date May 20, 1775 appears on the North Carolina state flag or why some North Carolina license plates use the phrase: “First in Freedom.”

As a result of Charlotte Readers Podcast, the Meck Dec story came to life when I interviewed local author Scott Syfert about his book The First American Declaration of Independence? The Disputed History of the Mecklenburg Declaration of May 20, 1775. I learned that the Meck Dec story is full of drama and fraught with controversy. There are faithful believers and ardent non-believers who date back to the time of the founding fathers. John Adams was a true believer in what he called “one of the greatest curiosities and one of the deepest mysteries that ever occurred to me,” and Thomas Jefferson was insistent the Meck Dec was “spurious,” saying he “must remain an unbeliever in the apocryphal gospel.” Adams suggested that Jefferson lifted phrases from the Meck Dec for his July 4, 1776 Declaration of Independence, setting the stage for North Carolinians and Virginians to debate the veracity of the Meck Dec story to this day.  

I became intrigued with the idea of solving the Meck Dec mystery through fiction, and it occurred to me that a plotline where the characters put the Meck Dec on trial in a Charlotte courtroom might be a fun and interesting way to get there. One of my goals was to write a contemporary mystery that got people talking about the Meck Dec, so I was thrilled when BookLife Review said of the novel: “it’s hard to tell where history ends and fiction begins.”

In the process of reading Deadly Declarations, I learned a lot about the history of the Mecklenburg Declaration of Independence, but Landis incorporates this historical information so smoothly in his story that it never disrupts the entertaining plot.  For readers who are familiar with the Charlotte area, another pleasure associated with reading this novel is recognizing the local landmarks that Landis includes in his novel.  Among the Charlotte places that he mentions are Park Road Books, Green’s Lunch, and the Mecklenburg County Courthouse.

For readers who want to know more about Landis and his new novel, please click on the following link:  https://landiswade.com/  For readers who would like to meet Landis and hear him talk about his new novel, he and Scott Syfert will talk about Deadly Declarations and the Mecklenburg Declaration of Independence at Park Road Books on Thursday, April 7, 2022, at 7:00 p.m.  Copies of his book will be available for purchase at this in-store event.

When Landis retired from his career as a trial lawyer in 2018, he redefined his life. He launched his Charlotte Readers Podcast, took numerous classes and workshops on writing fiction, wrote a series of three holiday-themed novellas, and set his sights on becoming a full-fledged mystery writer.  With the publication of Deadly Declarations, Landis has more than achieved his goal.  I hereby declare that there is a new mystery writer in Storied Charlotte, and his name is Landis Wade. 

Tags: mystery novel

Susan Amond Todd and the Convergence of Women’s History and Family History

March 28, 2022 by Mark West
Categories: Storied Charlotte

March is Women’s History Month.  Over the years, I have often seen references to women’s history as “herstory,” and I like the sound of this term.  One way to celebrate Women’s History Month is to celebrate authors who write “herstories.” One such author is Susan Amond Todd, a Charlotte writer whose third novel, Life’s Fortune, came out about a month ago.  In this novel, Susan tells the story of a woman whose struggle to establish an independent identity causes her to confront long buried family secrets. As she delves into her family history, she gradually learns more about her own place in her family’s history, and this knowledge helps her chart a new path for her future.  For more information about Life’s Fortune and Susan’s other books, please click on the following link:  https://susanamondtodd.com/

I recently contacted Susan and asked her about how she came to write novels about women’s lives.  In her response, she comments on her own family history.  Here is what she sent to me:

When I was about ten, I overheard my parents talking about how my grandmother had written a book. I thought at that moment, I wanted to write a book one day, too. I never told anyone and kept it to myself because I was afraid someone would tell me it was a crazy idea.

I was a daydreamer and storyteller as a kid which got me in trouble many times but has come in very handy when I write. One time at a parent-teacher conference, the teacher told my mom I had too vivid an imagination. My mom came home and told me the teacher said I needed to stop it. I didn’t stop but was just more careful from then on.

I had thought about starting to write a book many times over the years but life always seemed to get in the way and I didn’t really know where to begin. I had a degree in Marketing and have worked in banking my whole career. Then in my mid-50s I lost 80 pounds and knew if I could do that, I could write a book. I had an idea and joined a little local writing group I found online. It was just what I needed to get me going. Before I knew it, I was writing my first book White Lake and after that, the sequel to it Return Home. My third book, Life’s Fortune, was released on January 11th of this year. It’s the first in a four-book series. I have many other ideas for books in my head that should last my lifetime.

Being an avid reader, I have been inspired by authors who wrote about the trials and tribulations of life. That’s what I wanted to write about. My commitment is to write for women in a way that they see how the ordinary woman is amazing in what she considers to be her ordinary and sometimes boring world. These women always rise to the occasion and through the struggle and contrast in their lives come out better in the end. Through my job I have had the privilege to meet and work with many women from all over the world and have concluded we all want the same thing. To love and be loved. In my books, I focus on family, friendship, perseverance, love, and surviving. Basically, I write about what I like to read.

When I have the chance to interact with women after they’ve read my books, they tell me how relatable they are to their life. That is the highest compliment I can receive.

When I sign books I always write “Follow your dream” before I sign my name because that’s what I did and what I want the person receiving the book to do.

I also have in my possession Down in the Hollow the original manual typed manuscript of the grandmother who inspired me. My plan is one day to edit and add a modern twist to it before publishing the book as coauthors with her. She was born in 1898.

As Susan’s novels demonstrate, women’s history is not limited to the remote past.  In telling stories about women’s lives, Susan shows how family history and childhood experiences influence the decisions that women make in their adult lives.  In her writing, Susan draws on her own family history, and Storied Charlotte is richer because of it.

Tags: family historynovel

The Debut of the Charlotte Readers Book Club

March 21, 2022 by Mark West
Categories: Storied Charlotte

On December 13, 2021, I received an email from Landis Wade, the founder and host of the Charlotte Readers Podcast.  The re message read “Pitching an idea.”  Intrigued, I opened Landis’s email.  “I have a proposition for you to consider,” he wrote.  He went on to say that he and Sam Poler, the Director of Member Experience at Advent Coworking, were thinking about starting a book club that would meet quarterly at the Advent Coworking facility on Louise Ave.  He wanted to know if I would be interested in partnering with them.  Of course, I said yes. 

A few days later, Landis, Sam, and I met, and we officially founded the Charlotte Readers Book Club as a bookish collaboration involving Advent Coworking, Charlotte Readers Podcast, and Storied Charlotte. We agreed that our book club would feature recent books by talented local authors.  We also agreed that our events would be open to the public and that attendees would not be required to read the featured books in advance.  We decided to feature two authors at each event, and Landis and I agreed to co-host the conversations with these featured authors.  

I am pleased to announce that the Charlotte Readers Book Club’s debut event will take place on Wednesday, March 30, at 5:30 pm at Advent Coworking (933 Louise Ave., Suite 101).  This month we’re discussing Code Name: Serendipity by Amber Smith, and Dear Miss Cushman by Paula Martinac.  The central characters in both of these books are young, and the authors will comment on writing about young characters. This event is free and open to the public, but we are asking that attendees request tickets in advance:  https://adventcoworking.com/en/events/tickets/1415004192/charlotte-readers-book-club

Here is some more information about our featured authors:

Amber Smith is the New York Times bestselling author of young adult and middle-grade novels, including The Way I Used to Be, The Last to Let Go, Something Like Gravity, and most recently, her middle-grade debut, Code Name: Serendipity. An advocate for increased awareness of mental health, gendered violence, and LGBTQIA+ equality, she writes in the hope that her books can help to foster change and spark dialogue. She grew up in Buffalo, New York, and now lives in Charlotte, North Carolina, with her wife and their ever-growing family of rescued dogs and cats.

Paula Martinac is the author of a book of short stories and seven novels. Her debut novel, Out of Time, won the Lambda Literary Award for Lesbian Fiction (Seal Press, 1990; e-book Bywater, 2012). Her novel-in-stories, The Ada Decades (Bywater, 2017), was short-listed for the 2017 Ferro-Grumley Award for LGBTQ Fiction, the Foreword Indie Award for LGBTQ Fiction, and the Goldie Award for Historical Fiction; and her novel Clio Rising (Bywater, 2019) received the Gold Medal for Best Regional Fiction from the 2020 Independent Book Publishers Awards. She has also published three nonfiction books on LGBTQ themes. She is a lecturer in the creative writing program at UNC Charlotte. I am looking forward to co-hosting our first Charlotte Readers Book Club event.  Here’s the event link for you to share: Charlotte Readers Book Club  For me, co-hosting this event relates directly to the main reason I started my Storied Charlotte blog. Both are all about celebrating Charlotte’s community of readers and writers. 

Tags: Book ClubCharlotte

Of Rocks and Rifles and the Geology of War

March 14, 2022 by Mark West
Categories: Storied Charlotte

When Scott Hippensteel agreed to give a presentation on his book Rocks and Rifles:  The Influence of Geology on Combat and Tactics during the American Civil War as part of UNC Charlotte’s Personally Speaking Series, he had no idea that the war in Ukraine would coincide with his talk.  Scott’s presentation will focus on the role that geology played during the Civil War, but the current situation in Ukraine adds another dimension to his presentation.  After all, with Russian tanks sinking in mud, it is clear that geology is also playing a role in the war in Ukraine. 

Scott’s presentation will take place on Tuesday, March 29 at 7 p.m. at The Dubois Center at UNC Charlotte Center City.  The event is open to the public at no charge, but attendees are asked to register to attend the event.  For more information about Scott’s presentation, please click on the following link: https://clas.charlotte.edu/rocks-and-rifles-influence-geology-combat-and-tactics-during-american-civil-war

Rocks and Rifles is about the Civil War, but Scott is not a history professor.  He is an associate professor in UNC Charlotte’s Department of Geography and Earth Sciences.  He earned his PhD in geology from the University of Delaware.  I wondered how a geologist took such an interest in the Civil War, so I contacted him and asked him how he came to write Rocks and Rifles.  Here is what he sent to me:

I grew up in central Pennsylvania, not too far from the most famous battleground from the Civil War, Gettysburg.  As a younger man, I spent countless hours walking the boulder-strewn battlefield, studying the tactics and strategies used by the soldiers and considering how the huge rocks influenced the fighting.  These experiences fostered a love of history—both American and natural—and eventually, after taking as many undergraduate classes in history and science as I could, I decided to pursue graduate degrees in geology.

When I joined UNC Charlotte in 2000, I was fortunate enough to join a research project that has been ongoing for the last twenty years and remains the most fascinating investigation I’ve ever been a (small) part of:  the geoarchaeology of the Civil War submarine H.L. Hunley.  On this project, I used my training as a sedimentologist and micropaleontologist to help determine how the submarine filled with clay and sand and why the bodies of the crew were so incredibly well preserved.  I had found a direct link between geology and Civil War history.

Jump ahead to 2017 when I compelled my poor wife and daughter to visit yet another Civil War battlefield while on a “family” vacation.  This time we ended up at Stones River, where the rock outcrops formed natural trenches that proved so ideal a defensive position for federal soldiers during the fierce fighting in the winter of 1862.  These outcrops were dubbed the “slaughter pen” by the soldiers because of the results of the intense and sustained fight, and they reminded me of another “slaughter pen”, located between Little Round Top and Devil’s Den at Gettysburg.  Here, as well, the geology had a great impact on the combat.  I soon discovered many other ways that rocks influenced the fighting:  soldiers piled cobbles and boulders for cover, soldiers threw rocks when ammunition ran low, soldiers even used rocks to explode the percussion caps on their otherwise defective and useless rifles.  It occurred to me that even though there were dozens of books on the terrain (and geology) of the Gettysburg battlefield and hundreds on the actual battle, there were no books relating the two subjects; I decided to write one.

Rocks and Rifles:  The Influence of Geology on Combat and Tactics during the American Civil War was the result.  Each chapter of the book starts with a discussion of the strategic situation prior to a particular campaign and then explores the geology of the battleground, followed by the history of the battle. The final portion of each chapter is the most important—an analysis of how the rocks influenced the strategy, tactics, and combat.  I targeted the book for people with an interest in geology or history or both.  I had so much fun creating this book that I decided to write two more.  The second of these will be published by the University of Georgia Press next year:  Sand, Science, and the Civil War:  Sedimentary Geology and Combat.  This book concentrates on the fighting along the shorelines and Mississippi River.

During my Personally Speaking presentation, I plan on discussing my most recently published (and fun!) book:  Myths of the Civil War: The Fact, Fiction, and Science behind the Civil War’s Most-Told Stories.  Each chapter of this book tackles one “myth” or trope from the Civil War that has been repeated over and over in our history books.  One chapter is called “The Myth of the Civil War Sniper,” in which I use physics to demonstrate that the history books are wrong – sharpshooters simply never killed individually selected officers from more than a half-mile away.  There were no fields during the Civil War where, after the fighting ceased, “bodies covered the ground so densely that a person could walk from one side of the field to the other without ever touching the ground.”  It never happened.  Bullets never fell with the intensity of hail.  Rifle muskets did not “revolutionize” the way battles were fought.  And so on.  This book has been met with outstanding reviews, especially from Civil War historians, so it delights me, as a natural scientist, to have contributed to a field outside my own.

Through his work as a scientist with an interest in military history, Scott adds to our understanding of how geology factors into the fighting of wars.  He also shows that the much-ballyhooed division between the sciences and the humanities is counterproductive.  There are lots of ways in which the science disciplines and the humanities speak to each other.  The interdisciplinary nature of Rifles and Rocks is what makes the book so insightful.  By writing books that combine science and history, Scott is making innovative and original contributions to Storied Charlotte’s library of scholarly works. 

Tags: Civil War

Little Women through History

March 06, 2022 by Mark West
Categories: Storied Charlotte

Little Women at 150, a new collection of scholarly essays about Louisa May Alcott’s classic novel, has an official publication date of March 8, 2022.  It is fitting that the University Press of Mississippi is releasing this collection during Women’s History Month, for Little Women has had a tremendous impact on the history of women ever since the first part of the novel came out in October 1868.  For more information about Little Women at 150, please click on the following link:  https://www.upress.state.ms.us/Books/L/Little-Women-at-150

Daniel Shealy, the editor of Little Women at 150, is my friend and long-time colleague in the English Department at UNC Charlotte.  Over the years, he has edited numerous books related to Alcott, including The Selected Letters of Louisa May Alcott, The Journals of Louisa May Alcott, Alcott in Her Own Time, and Little Women: An Annotated Edition.  During his long career, he has become well known among the other leading Alcott scholars. In editing Little Women at 150, he has drawn on his many connections in the field, and the result is a collection of eight original essays by top Alcott scholars. As the reviewer for Publishers Weekly states, “the contributors do a great job of considering the classic novel in original, surprising lights.” 

The contributors to Little Women at 150 provide insights into why Little Women has had such a lasting impact on the history of American literature.  These scholars look at Alcott’s novel from different perspectives, but they all discuss the relationship between Alcott’s novel and the larger world.  A number of the contributors point out that Little Women reflects 19th-century values and attitudes.  However, as is discussed in several of the essays, Alcott’s novel also raises questions about societal values and attitudes, especially as they relate to gender roles.  In the words of Roberta Seelinger Trites, one of the contributors to the collection, Alcott “creates a philosophical space in which her female characters can articulate ideas about language, nature, and self—and without fear of censure.”

In thinking about Little Women at 150 as it relates to Women’s History Month, I am in agreement with the contributors that Alcott’s Little Women should be viewed as one of the canonical texts in the history of American literature and that Alcott should be included among the pantheon of major American authors from the 19th century.  However, the impact of Little Women on women’s history is not limited to the 19th century. I assigned Little Women as required reading in my graduate children’s literature seminar this semester, and it sparked a lively debate about the book’s portrayal of gender roles during our class discussion.  It’s clear to me that Little Women still speaks to contemporary readers.  In his introduction to Little Women at 150, Daniel writes that the collection “looks backward and forward in time, not only to the influence of the novel upon readers and writers but also to the future.” 

I commend Daniel for editing this thoughtful collection of essays and for helping us better appreciate Alcott’s place in history.  I am fortunate that one of the world’s leading Alcott scholars is just down the hall from my office, and Storied Charlotte is fortunate that Daniel has pursued his career as a scholar and teacher at UNC Charlotte. 

Charlotte Mecklenburg Library’s Community Read Program

March 01, 2022 by Mark West
Categories: Storied Charlotte

In 2014, the Charlotte Mecklenburg Community launched its first Community Read program.  The original tagline for the program was “One Book, One Week, One Community.”  The featured book that year was Ray Bradbury’s Fahrenheit 451.  During the span of a week, various people (including me) led discussions of the book at the different branches of the library.  The Community Read program has evolved over the years.  It is now a month-long program involving numerous community partners and featuring several books that all speak to a common theme.  For this year, the theme is gentrification and its impact on established neighborhoods. 

This year’s Community Read program kicks off on March 1, 2022.  One of the people who is coordinating this program is Meryle Leonard, the Assistant Director of Outreach at the Charlotte Mecklenburg Library.  I contacted Meryle and asked her for more information about this year’s Community Read program.  Here is what she sent to me:

The Community Read program has been a part of Charlotte Mecklenburg Library’s programming footprint since 2014. I am excited, grateful, and humbled that I’ve had the opportunity to not only be a part of this program but manage and implement the program for many years. This is such a rewarding experience because it has allowed me to meet wonderful people and work with many community agencies and organizations, building long-term relationships and partnerships. This outcome didn’t happen by chance, it developed as the program evolved.

The Community Read program has intentionally changed, grown, and evolved from a library-led program to a community-led program supported by library staff and resources. When the program began, the library selected and offered one book for the community to read and planned programs for one week to support the book.  Now with over 30 partners, the program has books and events throughout the month of March, for all ages and reading levels. This year, our signature title is Tomorrow’s Bread by Anna Jean Mayhew. Our companion titles are children’s books Windows by Julia Denos and The Blue House by Phoebe Wahl. We have two middle-grade books, Take Back the Block by Chrystal D. Giles and The Epic Fail of Arturo Zamora by Pablo Cartaya. For teens and those who enjoy the young adult genre, we included the book Pride by Ibi Aanu Zoboi. All the books have the common theme of gentrification and urban renewal. Readers, book clubs, and students can get together virtually or safely in person to discuss the additional themes found in all the books. Speaking of finding the books, most books are available for check out in several formats, but also available for free at all our locations, while supplies last. This is a far cry from our one book-one-week program.

The goal is to engage 10,000 people, 10% of our county in the program. With this ambitious goal, we have an interactive component,  Beanstack Reading Challenge.  Participants can log reading and activities. We invite everyone to register online for our virtual authors’ events featuring Anna Jean Mayhew, Chrystal D. Giles, and Ibi Zoboi.

Let’s get on the same page. Consider this an official invitation to join the March 2022 Community Read program. Information about the Community Read can be found on our website.

I have had the pleasure of reading Anna Jean Mayhew’s Tomorrow’s Bread, the signature title for this year’s Community Read program.  Tomorrow’s Bread is a historical novel set in Charlotte in 1961.  It shows how Charlotte’s urban renewal program affected the lives of the people whose homes and neighborhoods were destroyed to make room for new real estate projects.  Published in 2019, this novel provides a vivid portrait of daily life in the African American neighborhood of Brooklyn just before it was bulldozed.  In my opinion, Tomorrow’s Bread is a perfect choice for this year’s Community Read program, for its Charlotte setting resonates with Charlotte readers.  The book’s historical insights provide today’s readers with a better understanding of how the gentrification process has shaped the history of our city and the development of our neighborhoods. 

I urge everyone to participate in this year’s Community Read program.  By reading books in common and discussing them together, we can make Storied Charlotte a true community.     

Tags: reading challenge

Pamela Grundy’s Legacy: Three Centuries of Black History in Charlotte, North Carolina: How the Book Came to Be

February 21, 2022 by Mark West
Categories: Storied Charlotte

Community historian Pamela Grundy’s latest book, Legacy: Three Centuries of Black History in Charlotte, North Carolina, has an official publication date of February 25, 2022.  However, the book’s origin story goes back to 2017 when the University of North Carolina Press published her earlier book titled Color and Character: West Charlotte High and the American Struggle over Educational Equality.  At the time, Ryan Pitkin wrote for Charlotte’s Creative Loafing, and he interviewed Pamela about Color and Character.  Not long after he conducted this interview, Creative Loafing shut down, but Ryan and some of the other former staff members of Creative Loafing banded together and launched Queen City Nerve in 2019.  In his role as Editor-in-Chief of Queen City Nerve, Ryan reconnected with Pamela, and she became one of Queen City Nerve’s contributors.   

Pamela wrote a seven-part series for Queen City Nerve on the Black history of Charlotte.  The first installment of this series appeared in Queen City Nerve on July 31, 2020, and the series concluded in 2021.  With some editorial assistance from Ryan, Pamela expanded this series into a book, and the result is Legacy: Three Centuries of Black History in Charlotte, North Carolina, which Queen City Nerve is publishing as a paperback and as an e-book.   For more information about this book, please click on the following link:  https://qcnerve.com/legacy/

In her Author’s Note, Pamela writes, “I’ve drawn on sources that include census records, newspapers, family documents, photographs and oral history interviews to offer an overview of the lives, challenges, and accomplishments of the many generations of African Americans who have lived in the Charlotte area.” https://qcnerve.com/legacy-black-history-in-charlotte/ Ryan adds, “Pamela’s steadfast work has resulted in an engrossing, comprehensive look at Black History in Charlotte, and I have learned so much during this process that I can’t wait to share with our readers.” Since February is Black History Month, it is fitting that Legacy: Three Centuries of Black History in Charlotte, North Carolina will be officially published this month. This book provides readers with a concise overview of the history of Black culture in Charlotte.  As Pamela documents in her book, African Americans have played important roles in the history of Storied Charlotte from the origins of the city to the present day.    

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