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Telling Charlotte’s Stories of COVID-19

August 02, 2021 by Mark West
Categories: Storied Charlotte

I am sure that most of us have read news accounts about the impact of the COVID-19 on the residents of Charlotte.  For the most part, these accounts focus on statistical information, such as the latest trends related to the number and severity of COVID-19 cases reported in the Charlotte area. Statistics, however, only tell part of the story.  Behind the statistics are real people with personal and often gut-wrenching stories about their experiences with COVID-19.  These personal stories are the focus of a new book titled PANDEM!C:  Stories of COVID-19. 

A joint project of the Charlotte Journalism Collaborative and BOOM Charlotte, PANDEM!C:  Stories of COVID 19 has the look of a graphic novel.  Each of the stories is told by a Charlotte journalist and illustrated by a Charlotte artist, and each of the stories is told in both English and Spanish.  Most of the stories are about individual Charlotte residents and their particular experiences with the pandemic.  Chapter 1, for example, is about Cedric Meekins, a Charlotte music teacher who contracted COVID-19 while attending a music conference in Cincinnati in March 2020.  The story tells about his harrowing experience in the hospital and his long struggle to regain his strength and relearn how to do basic activities, such as walking and holding a pen.

Many people contributed to PANDEM!C:  Stories of COVID-19, but the project was coordinated by Chris Rudisill, the Director of the Charlotte Journalism Collaborative.  Chris’s Charlotte connections extend beyond his work as a journalist.  He grew up in the Charlotte area, graduated from UNC Charlotte, and founded a Charlotte company called Artstreet Creative.  I contacted Chris and asked him for more information about how this project came to be.  Here is what he sent to me:

In October 2020, the Charlotte Journalism Collaborative (CJC) launched PANDEM!C: Stories of COVID-19, an innovative project that brought together Charlotte’s art and local news communities to share stories of COVID-19. The CJC was formed in 2019 as a partnership of six major media companies and other local institutions focusing on issues of major importance to the Charlotte region. It has been focused primarily on the topic of affordable housing and modeled on the Solutions Journalism Network method of investigating and reporting news with a primary focus on solutions to community problems.

When the pandemic surge occurred in Charlotte, the collaborative (whose members include The Charlotte Observer, WCNC-TV, WFAE 90.7, QCityMetro.com, Qnotes, La Noticia, Charlotte Mecklenburg Library, Queens University and Free Press) saw the importance of producing stories that would keep citizens informed and safe. Chris Rudisill, the director of CJC, told The Charlotte Observer’s Liz Rothaus that they “wanted a creative way to get relevant, reliable information to people who might not be reading or tuning into traditional news sources … something that combined the visual punch of a 1950s-style monster movie poster with the integrity of solid news reporting.”

The answer was a graphic novel and in the spirit of collaboration CJC found a partner in local arts organization BOOM Charlotte.  PANDEM!C brought together eight local artists and reporters from each news outlet to translate news stories into a comic book form. With new installments every two weeks the project tackled the challenges of contact tracing, wearing masks, homelessness and the pandemic’s impact on minority communities. These stories were published online in both English and Spanish on https://digitalbranch.cmlibrary.org/cjc/graphic-novel/, on the organization’s Instagram @CLTJournalism and through an app called WebToon. Participating artist Wolly McNair described the collaboration as a “game changer and hopefully will be something others use to model ways they can tell stories.” Each artist worked directly with a journalist to produce a graphic version of the published news stories.

Those installments are now part of a print edition that will be distributed through the Charlotte Mecklenburg Library this month. With support from a Cultural Vision Grant from Charlotte’s Arts & Science Council (ASC), the CJC will distribute over 2,000 free copies to local residents and has produced a series of programming that highlighted the experience, including an online forum with reporters Nate Morabito and David Boraks and artists Marcus Kiser, Makayla Binter and McNair. As the Charlotte Journalism Collaborative continues to grow, it remains focused on bridging the gap between the local news ecosystem and the community to tackle important issues. The group just released its 2021-2022 Strategic Plan which outlines its future development and the creation of a $1.5 million sustainability fund to support the local news ecosystem.

For readers who want to know more about the Charlotte Journalism Collaborative, please click on the following link:  www.charlottejournalism.org  For readers who want to know more about Charlotte BOOM Charlotte, please click on the following link:  www.boomcharlotte.org  For readers who want to know more about Artstreet Creative, please click on the following link:  www.artstcreative.com

While reading PANDEM!C:  Stories of COVID-19, I was reminded of the following quotation by Daniel Kahneman:  “No one ever made a decision because of a number.  They need a story.” The individual stories included in this book transcend all of the numbers associated with the pandemic.  In the face of the current pandemic, all of us have to make decisions about getting vaccinated, wearing masks, and maintaining social distancing.  The stories in this book help readers make better-informed decisions about their own responses to the pandemic.  In so doing, this book makes an important contribution to Storied Charlotte.

Tags: COVID-19graphic novel

Two New YA Novels by Charlotte Authors

July 25, 2021 by Mark West
Categories: Storied Charlotte

Since I regularly include young adult novels in the literature courses that I teach at UNC Charlotte, I am always on the lookout for new YA novels by Charlotte authors.  In recent weeks, I discovered two such novels:  List of Ten by Halli Gomez and Phoebe Unfired by Amalie Jahn.  These novels pair together perfectly.  They are both about sixteen-year-old protagonists who are struggling with mental health issues.  Troy Hayes, the central character in List of Ten, suffers from both Tourette Syndrome and obsessive-compulsive disorder.  Phoebe Benson, the central character in Phoebe Unfired, wrestles with germophobia and depression.  Although these characters have serious problems, their personalities are not defined entirely by their problems.  Troy and Phoebe are fully developed and sympathetic characters, and both forge meaningful and complex relationships with other characters.  In the end, it’s these relationships that make List of Ten and Phoebe Unfired such powerful stories.

I recently contacted Halli Gomez and Amalie Jahn, and I asked both about their new novels and their experiences as Charlotte writers.

Here is what Halli sent to me:

List of Ten, a young adult novel about a teen with Tourette Syndrome (TS) and obsessive-compulsive disorder (OCD), is a story I’ve been trying to tell most of my life. It is one that explains what having these disorders feels like on the inside. This book follows Troy Hayes who is tired of the pain and humiliation that frequently accompanies TS and OCD, and, despite his new friendships, is planning to end his life. Troy’s story isn’t my story, but as someone with these disorders, I do admit there is a lot of me wrapped in those pages. Deciding to write this novel has been a priority since I began writing ten years ago, but I couldn’t find the right plot or character. Until one day as I walked the beautiful tree-lined paths of one of Charlotte’s many greenways, the details came to me.

I was fortunate to have had a friend (a local literary agent and fellow martial artist) recommend joining the Society of Children’s Book Writers and Illustrators (SCBWI), an association with an incredible Carolinas chapter. At their yearly conferences (always held in Charlotte) I met wonderful local writers and was quickly welcomed into their group. I also met the woman who would become my agent and sell List of Ten.  I’m happy to say the story doesn’t end there. While working with Park Road Books for my book launch and pre-order campaign, I was told about an open bookseller position. One of the many things writers and booksellers have in common is reading. Well, it just so happens I’ve been in love with books my entire life. I got the job and as a writer and Park Road Books bookseller and events coordinator, I am deeply involved with the Charlotte literary community. A place that feels right at home.

Here is what Amalie Jahn sent to me:

The major underlying theme in each of my YA books is that no one is ever alone.  Adolescents spend an unfathomable amount of time worrying that they aren’t going to fit in or that no one has ever experienced what they’re going through.  I like to show teenagers, through my stories, that their experiences and feelings are largely universal and regardless of what they’re feeling, they’re not alone. To that end, I developed severe germaphobia after my first child was born. The trauma of a difficult pregnancy and her premature birth triggered severe anxiety, and it took years of suffering and therapy to learn how to navigate the world from inside my diagnosis. Like my pregnancy, I recognized the recent stress of living through a global pandemic was going to be extremely triggering for a lot of people, especially kids, and I wanted them to know they’re not alone, it’s okay if it takes time to figure things out, and they shouldn’t feel embarrassed or ashamed to ask for help. I wrote Phoebe Unfired to show readers that when it comes to mental health, sometimes the only way around is through, and even though “normalcy” might seem impossible, there is always, always hope.

Writing is often a solitary endeavor that can be quite isolating. After several years of toiling away on my own here in Charlotte, I began searching for other local YA authors to commiserate with over publishing’s many ups and downs. I conducted a quick Twitter search, discovered several names, and after working up the courage to ‘slip into their DMs,’ a group of us ultimately started the Charlotte Area YA Writer’s Group. At the moment, we have thirty-three members, and although I would like to say we get together frequently to write, we mostly just hang out and enjoy each other’s company. Truly, though, one of the best parts about having author friends who write in your genre living in your city is knowing someone will always show up to your latest event!

Halli and Amalie each has her own website.  For readers who want to know more about Halli, please click on the following link: https://halligomez.com/ For readers who want to know more about Amalie, please click on the following link: https://www.amaliejahn.com/

Halli’s List of Ten and Amalie’s Phoebe Unfired are welcomed additions to my ever-expanding list of YA novels by authors who call Storied Charlotte home. 

Tags: germaphobia booksobsessive-compulsive disorder bookstourette syndrome booksYA novels

Abbigail Glen and her Pop-Up Bookstore

July 13, 2021 by Mark West
Categories: Storied Charlotte

There was a time when Charlotte supported lots of bookstores, but nowadays the Queen City has only a handful of bookstores that are still in business. However, not all of the news is bad. Two years ago, Abbigail Glen launched a pop-up bookstore called Shelves, a black-owned business that is finding success by making books available where people already congregate.  

A native of Philadelphia, Abbigail is an avid reader and for years she had a dream of owning her own bookstore. After moving to Charlotte following a road trip to the Queen City 6 months earlier, she secured an HR position at a small technology company where she worked for 3 years supporting their employees. She eventually resigned from that role and launched Shelves as a Pop-Up Bookstore at Queen City Grounds in Uptown shortly thereafter. She realized early on that the key to making her pop-up bookstore work was partnering with other small businesses like Enderly Coffee Co. and Mint Hill Roasting Company.

Continue reading to learn more about Abbigail’s mission for Shelves.

I launched Shelves in June of 2019 and have been serving as Charlotte’s friendly neighborhood bookseller ever since. In addition to being a dream come true, Shelves is both an online and mobile pop-up bookstore that partners with other small businesses that have a brick & mortar presence in the Charlotte Metro area. We are committed to educating families and celebrating the joy that reading books brings to people all over the world because we believe that reading is freedom. We are on a quest to not only provide our supporters with great books, but also create amazing lifestyle products made exclusively with readers, writers, and dreamers in mind. It’s been quite a journey so far and continues to surprise me along the way.

Shelves has two upcoming Pop-Up Bookstores hosted by Enderly Coffee Co., which is located at 2620 Tuckaseegee Road in West Charlotte. The first will take place on Saturday, July 17th from 9:00 am to 1:30 pm EST, and the second will take place on Saturday, July 24th from 9:00 am to 1:30 pm EST. These events provide Mecklenburg County readers with a chance to discover and purchase new books, while enjoying a cup of coffee made from coffee beans roasted locally by Enderly. If you are unable to attend their Pop-Up Bookstore, you can always shop with them online at shelvesbookstore.com. In addition to USPS shipping, Shelves also offers Local Pickup and Friday Home Delivery options to Mecklenburg County residents. In my opinion, the combination of books and coffee has the makings for a perfect day in Storied Charlotte. 

Christopher S. Lawing’s Photographs of Charlotte’s Disappearing Landmarks

July 06, 2021 by Mark West
Categories: Storied Charlotte

Like many long-time residents of Charlotte, I am saddened by the recent closing of Mr. K’s Soft Ice Cream, Price’s Chicken Coop, and Zack’s Hamburgers.  I especially miss Mr. K’s since its location is just a few blocks from my home. Our dog misses Mr. K’s, too. Nearly every day the two of us would walk by Mr. K’s, and often the owner, George Dizes, would give our dog a piece of a hotdog bun.  Mr. K’s closed in March, but our dog is still on the lookout for more hotdog buns.  Just as Mr. K’s played a role in our daily life and the life of my neighborhood, Price’s Chicken Coop and Zack’s Hamburgers played important roles in the neighborhoods where they did business for so many years.  These three businesses were not just places where one could get a quick meal.  Each of them had a distinct character and colorful history.  They were Charlotte landmarks.

Charlotte photographer Christopher S. Lawing has a passion for preserving the history of such Charlotte landmarks.  I have a copy of his book Charlotte:  The Signs of the Times—A History Told Through the Queen City’s Classic Roadside Signage, and I recently thumbed through it.  I am pleased to report that it includes photographs of the signs associated with Mr. K’s Soft Ice Cream, Price’s Chicken Coop, and Zack’s Hamburgers.  As Christopher sees it, photographing these signs is part of a larger, ongoing project.  For readers who want to know more about his Charlotte Signs Project, please click on the following link:  https://www.cltsignsproject.com/

Looking at Christopher’s beautiful photographs of the signs for these landmarks brought back good memories for me.  I am grateful that Christopher had the foresight to photograph these places while they were still in business, serving their customers and participating in their local communities.  I decided to contact Christopher and ask him for more information about his efforts to preserve the history of such Charlotte landmarks.  Here is what he sent to me:

When I first started photographing iconic Charlotte signs back in 2010 for a darkroom photography class at Myers Park High School, all I had was an analog Nikon FM SLR 35mm film camera and rolls of Kodak Ektachrome 100 slide transparency film. A few years later, after I’d moved on to college, I was able to make the investment in a Nikon D3200 DSLR digital camera, but by that point I’d already photographed some of the Queen City’s most well-known, locally (but also regionally!) famous, and of course beloved landmarks. Signs representing this ‘film period’ of my ongoing Charlotte Signs Project, included none other than Mr. K’s Soft Ice Cream, Price’s Chicken Coop, and Zack’s Hamburgers – places most recently in the news due to their bemoaned and too-soon closures.

Each spot represented an incredible array of diversity, welcoming people from all walks of life, and while the delicious ice cream, fried chicken, and hamburgers will be sincerely missed, the true loss of these businesses will be in losing the salt-of-the-earth, humble, easily-approachable, and simple nature of these places. The shared collective experience and sense of community is what made them significant, meaningful, and profound!

I am thankful to have two sets of specific memories from each of these places: one being the repeat enjoyment of these places from a patron’s point of view, and the second being the Sunday afternoon drives my parents and I would take to these places for me to photograph their respective signs for my project. Many times over the course of the project, I have been able to interact with the owners of these businesses I photographed, and that has certainly been true with these three icons. The families and faces behind each one of these spots are exactly as you imagine them to be – friendly, smiling, and enthusiastic.

Fortunately, I was able to be on-scene the last day of business for both Price’s Chicken Coop (I waited 6 hours, but it was worth it!) and most recently Zack’s Hamburgers (this line moved quicker, and I waited only 1.5 hours). In my own way through my simple food orders, I was paying tribute to the greater legacy that each business has given to me, my family, and to Charlotte overall. And while I didn’t bring either of my Nikon cameras or film or memory cards to mark the occasion, I did take plenty of pictures on my smartphone.

With a combined 159 years of dedicated service to the Charlotte community, these 3 places exist now in our memories, our stories, and our photographs. We owe it to our friends, families, and future Charlotteans, to tell them of the storied past that these places were, while also supporting our remaining classic eateries, places that make our community a community!

The photographs in Christopher’s Charlotte:  The Signs of the Times remind me of Rod Stewart’s 1971 hit song, “Every Picture Tells a Story.”  Each of the photographs in Christopher’s book has a story associated with it.  When viewed together, these photographs add an important visual dimension to Storied Charlotte. 

Tags: Charlotte landmarksCharlotte signs

Going to the Beach with Cheris Hodges, Erika Montgomery, and Kim Wright

June 27, 2021 by Mark West
Categories: Storied Charlotte

I recently overheard two women talking about their summer vacation plans while I was browsing at Park Road Books.  One of the women was about to head off for the Outer Banks the next week.  She said to her friend, “I’m looking for a good beach book,” and her friend started recommending different titles.  They eventually wandered out of earshot, but I had a pretty good sense of the sort of book the woman was hoping to find.  She wanted an accessible, entertaining book that would be fun to read while she was on vacation.  She wanted a book that would help her escape her everyday life for a few hours.  In her case, she wanted a book about the pleasures we often associate with the summer months.  I have no idea what beach book the woman ended up buying, but I do have recommendations for anybody else who is looking for new beach books. 

I am pleased to recommend three new beach books by Charlotte writers. Cheris Hodges’s Open Your Heart isa romantic-suspense novel that relates to both Charlotte and Charleston, South Carolina.  Erika Montgomery’s A Summer to Remember isa mystery in which both Hollywood and Cape Cod come into play.  Kim Wright’s The Longest Day of the Year is a novel about four women whose lives intersect while staying at a small beach in South Carolina.  I contacted all three of these authors and asked them about their new novels and their experiences as Charlotte writers.

Here is what Cheris Hodges sent to me:

Open Your Heart is the third book in the Richardson Sisters series, and much of the story takes place in Charlotte. I think Charlotte is such a rich place to write about because the city is evolving and changing so much. In this book we meet Yolanda Richardson who is running from a horrific event that she’d witnessed in Richmond, VA. When her father and youngest sister, Nina, find out that killers are after her, they hire a bodyguard to protect her.  Charles “Chuck” Morris knows better than to fall for the fiery Yolanda, but with danger pushing them together, can they resist the temptation?

Another great thing about Charlotte is all of my writer friends who are here. There is an active community of romance writers in the city and we get together often for writing sprints and brainstorming. Pre-pandemic Sunday afternoons were spent at Amelie’s pounding out words, cleaning up plots and creating meet cutes. Writing is such a solitary gig that it’s always amazing to have people in your corner who understand what you’re going through and are willing to help you make your story pop. Charlotte is a quiet, but powerful literary city. And it’s full of so many stories.

Here is what Erika Montgomery sent to me:

I always refer to A Summer to Remember as my love letter to Hollywood and movies—though it didn’t start out that way. It was the “idea seed” of a sealed letter, never delivered, and how someone might find themselves feeling cosmically obliged to see that letter finally arrive at its destination that first drew me into the story. Of course, like all novels, the plot shifted in many unseen ways after that and became a story about a woman looking to find the identity of her father and uncovering instead a secret season of her late mother’s life with a famous Hollywood couple on Cape Cod. My main character, Frankie, owns a Hollywood memorabilia store, and the theme of memories and how we hold them as a way to hold on to people we’ve lost is a central one in the book. I lost my mother while I was writing the novel and I believe that my need to honor the joy of her memory informed the story as much as my grief did. 

When I first moved to Charlotte in the summer of 2009, I had no idea I would find such a remarkable community of writers, all of whom graciously folded me, a new writer, into their universe. In fact, a group of us, who are all still close and have toured with our books together over the years, used to refer to ourselves as The Panera Bread Society, for our regular meet-ups to brainstorm over WIPs and the writing life (and life in general, too!). Halfway through the writing of A Summer to Remember, I moved with my family to Maryland and even though I am no longer living in Charlotte, my ties to the writing community there remain as strong as ever. I continue to be in constant touch with my very dear writer friends, and we have plans to tour again as the world starts to emerge from the pandemic. If that isn’t a testament to the strength and lasting power of Charlotte’s writing community, I don’t know what is!

Here is what Kim Wright sent to me:

The Longest Day of the Year is in some ways my love letter to Cherry Grove, SC, where I’ve gone since my parents bought a condo there way back in 1979 when I was in grad school.  My kids grew up spending summers there and now so do my grandkids. I love the gestalt of the place in general and it’s taken on even more meaning for me since my mom died this past spring. I wrote The Longest Day of the Year for her, and I’m really grateful she got to read it before she passed. It was her favorite of my books but that probably has as much to do with the (relative) lack of sex as it does with the setting!

I got the idea for the book in a single afternoon as I was taking my daily walk to the pier and back. I noticed all the groups of ladies sitting huddled together in their beach chairs and ball hats, gossiping and reading, and I was thinking about how there’s something confessional about the beach. You loosen up and say things there, even to (or especially to) strangers that you’d never normally say out loud.  And it also occurred to me that whenever you cross those dunes, you’re not only there in the moment but you’re almost transported back in time to all the other times you’ve been to the same place.  There’s a timelessness about looking at the water. When I’m there I’m 66, the age I am now but I also have memories of being there at 22 and 37 and 50 and all the other years. So I got the idea of four women at very different points in their lives—but all at a turning point of some sort—sitting on the beach telling each other their stories and added the additional challenge of having all four story lines play out in the course of a single day. June 20. The summer solstice.

As for being an author in Charlotte, I think the city is underrated as a literary hub. I’ve met lots of wonderful writer friends in the city and there are places like Charlotte Lit, where I teach, and the Queens MFA program which do a great job of drawing like-minded people together. I also don’t think Charlotte’s sheer friendliness gets enough credit. Some towns have the reputation of being cities with a thriving art and literary scene but are so exclusive and snobby that it’s hard to break in.  That wasn’t my experience here.

All three of the writers featured in this blog post have their own website.  For readers who want to know more about Cheris Hodges, please click on the following link:  https://thecherishodges.com/  For readers who want to know more about Erika Montgomery, please click of the following link: https://erikamontgomery.com/  For readers who want to know more about Kim Wright, please click on the following link:  http://www.kimwright.org/

In my interactions with these writers, I have a sense that they all see themselves as belonging to a community of readers and writers…it’s a community that I call Storied Charlotte.

Tags: beach bookCharlotte writersnovel

Charlotte’s Brandon Reese and His Cave Dada Picture Books

June 20, 2021 by Mark West
Categories: Storied Charlotte

When I visited Park Road Books the other day, I took a look at their display of recent books by area authors, and that’s where I saw Brandon Reese’s latest picture book, Cave Dada Picky Eater.  I enjoyed Brandon’s Cave Dada, which came out in 2020, so I decided to check out his new book.  As soon as I picked it up, I noticed a cover sticker with the words “Autographed Copy” on it.  The person behind the counter told me that Brandon had recently stopped by the store to sign copies of his book.  She mentioned that he didn’t just sign the books—he also included original drawings along with his signature.  She was right.  I opened the book, and in the front, I saw a wonderful sketch of Cave Dada and his son.  Needless to say, the book is now part of my picture book collection. 

Brandon’s Cave Dada picture books are funny accounts of the misadventures of a Stone Age father and his toddler son Baba.  In the first book, Baba wants his father to read him a bedtime book, which takes more effort than one might expect since Baba’s books are made out of stone.  Cave Dada resists because he is tired from hunting and gathering all day, but of course Baba wins the day, or in this case, the night.  In the process, Cave Dada accidentally discovers how to make a fire.  In the second book, it’s morning and Baba wants an egg for breakfast, but Cave Dada is all out of eggs. What follows is a series of mishaps as Cave Dada tries to entice his son to eat something else for breakfast.   In the end, Cave Dada finds an egg and accidentally invents the omelet in the process of cooking it. 

While creating these books, Brandon draws on his own experiences as a father.  His own son is now a teenager, but Brandon remembers well the parenting experiences he had when his son was little.  These experiences are reflected in the humorous adventures of Cave Dada and Baba.   As is stated on the dust jacket for Cave Dada Picky Eater, Brandon “has ample experience cooking breakfast for picky eaters.”

In creating his picture books, Brandon also draws on the support of other children’s authors and illustrators who live in the Charlotte area.  I asked him for more information about this support network, and here is what he sent to me:

My goal has always been to be an author and illustrator of picture books. I struggled for quite some time trying to gain traction in the industry. Eventually (and thankfully!) I found SCBWI (Society of Children’s Book Writers and Illustrators) and joined a local critique group here. Charlotte is rife with talented and published kid-lit authors and illustrators. It’s a wonderful, supportive community that’s certainly aided my career. 

If I remember correctly, CAVE DADA was the first manuscript I brought to my critique group. I figured I was on the right track when it was read aloud and everyone laughed at the right spots. Eventually, it was sold in a 2-book deal with Chronicle Books. The second book, CAVE DADA PICKY EATER, just came out this April… just in time for Father’s Day!

For readers who want to know more about Brandon and his picture books, please click on the following link:  https://www.brandonreese.com/about/  For readers who want to know more about the local chapter of the Society of Children’s Book Writers and Illustrators, please click on the following link: https://carolinas.scbwi.org/  For readers who are interested in Father’s Day stories that have connections to Storied Charlotte, I highly recommend Brandon’s Cave Dada picture books.

Tags: picture books

Celebrating the South’s LGBTQ Literary Tradition with Paula Martinac

June 14, 2021 by Mark West
Categories: Storied Charlotte

Given that June is Pride Month, I thought that now would be an especially good time to celebrate the South’s LGBTQ literary tradition and that Paula Martinac would be an especially good person to write on this topic. 

Paula is one of Charlotte’s leading LGBTQ fiction writers.  In recent years, Paula has published three novels about lesbian characters who have Southern connections.  The first of these novels, The Ada Decades, came out in 2017.  Set in Charlotte, this novel covers the evolving relationship Ada Shook, a school librarian, and Cam Lively, a teacher in the Charlotte public schools.  In 2019, Paula published Clio Rising, a novel about a young woman who leaves her home in North Carolina and relocates to New York in 1983 so that she can pursue a career in publishing and because she feels that she can live openly as a lesbian in New York.  Paula’s most recent novel, Testimony, came out this January.  It tells the story of Gen Rider, a professor who teaches at a private college for women in rural Virginia in the early 1960s and who becomes the target of an anti-LGBTQ campaign.   For more information about Paula’s writings, please click on this link:  http://paulamartinac.com/

I recently contacted Paula and asked her about how her novels relate to other books by Southern LGBTQ writers.  Here is what she sent to me:

The South has a rich LGBTQ literary tradition, including luminaries such as Carson McCullers, Tennessee Williams, Alice Walker, Truman Capote, and Dorothy Allison. Novelist Michael Nava says of writers from this region, “Southern writers have a different and compelling story to tell us about the experience of being queer.” 

Although I’m originally from the North, I came of age as a writer reading authors like McCullers and Eudora Welty, so living in the South didn’t feel “foreign” to me. My novel-in-stories, The Ada Decades, set in Charlotte, came about by roaming through my neighborhood of NoDa and soaking up the atmosphere of the old cotton mill village. In the book, a white school librarian named Ada Shook grapples with the intersections of race, queer sexuality, and class over the course of seven decades from 1947 to 2015. She and her partner, Cam, must be closeted because of their jobs at a local public school, but they also enjoy a fulfilling private life with a circle of close friends. 

Writing Ada required a lot of research, and I leaned on works by queer Southern writers. Novelist Jim Grimsley’s How I Shed My Skin: Unlearning the Lessons of a Racist Childhood is a powerful memoir about growing up white, poor, and gay in eastern North Carolina during Jim Crow and the early days of school integration. Grimley’s gradual realization about how sheltered he’d been from Black children struck a chord with me—I grew up in Pittsburgh in a white suburb and first met a Black girl in high school.

Another Southern queer writer whose work informed mine was Lillian D. Smith (1897-1966). A white lesbian, Smith is best remembered for writing Strange Fruit, a novel about miscegenation. But she also authored a nonfiction book called Killers of the Dream, a keen critique of racism and segregation that is as relevant today as it was in 1949 when it was published.

I also turned again to Carson McCullers, who lived in Charlotte in the late 1930s while she was writing The Heart Is a Lonely Hunter. As a white woman, I learned as much as I could from McCullers about writing characters of color in an authentic way. There’s an excellent new book by Jenn Shapland that explores McCullers’s queerness, titled My Autobiography of Carson McCullers; it was shortlisted for a National Book Award and won top LGBTQ literary prizes.

For those interested in Southern LGBTQ experience, I’d also recommend these compelling works of fiction:

  • Dorothy Allison, Trash—stories that explore being “a cross-eyed working-class lesbian, addicted to violence, language, and hope” in South Carolina
  • Leona Beasley, Something Better Than Home—novel about growing up queer in a religious Black family in Georgia
  • Meredith Russo, If I Was Your Girl—YA about a white transgender girl who transfers to a new school in Tennessee
  • Bryan Washington, Lot—interconnected stories about the coming of age of a young Black/Latino gay man in Houston

My thanks go to Paula for her reflections on the Southern LGBTQ literary tradition.  The LGBTQ movement has a political dimension, but it also has a literary side.  Paula reminds us that there are many great literary works that deal with the Southern LGBTQ experience, and one way to celebrate Pride Month is to read these works.  As Paula acknowledges, her novels are part of this larger LGBTQ literary movement/tradition.  Storied Charlotte is a richer place because of the contributions of Paula and other LGBTQ writers.

Tags: lesbian charactersLGBTQ fiction writersnovelsSouthern LGBTQ experience

Dolly Parton’s Imagination Library and Charlotte’s Champagne Selman—A Perfect Match

June 07, 2021 by Mark West
Categories: Storied Charlotte

I am a big supporter of Dolly Parton’s Imagination Library, a program that provides children birth-4yr with free books.  When Dolly founded this program in 1995, she set out to deliver free books to young children living in Sevier County, Tennessee, which is the county where she grew up.  The program was such a hit that Dolly decided to expand its reach.  She therefore joined forces with literacy organizations around the country in her efforts to provide more children with free books. 

In 2015 Dolly Parton’s Imagination Library formed a partnership with North Carolina’s Smart Start of Mecklenburg Program, and two years later, the partnership was expanded to serve families throughout the state. When the news of this partnership was announced, Dolly said, “I’m thrilled that my Imagination Library is going to be offered to so many children in North Carolina.  Working together we can help children dream more, learn more, care more, and be more.”  For more information about Dolly Parton’s Imagination Library, please click on the following link:  https://imaginationlibrary.com/  

Champagne Selman took on the role of coordinating Charlotte’s participation in Dolly Parton’s Imagination Library in 2015, and she has had remarkable success in this effort.  I first met Champagne a few years ago through my work as the organizer of my annual Seuss-a-Thon.  Champagne participated in this event, and we had a chance to talk about our mutual interest in promoting early childhood literacy efforts.  She told me about her role as Literacy Coordinator of Smart Start’s Dolly Parton’s Imagination Library, and I was intrigued.  Since that conversation, I have taken an ongoing interest Champagne’s literacy work in the Charlotte community.

I recently interviewed Champagne about her involvement in Dolly Parton’s Imagination Library.  She shared with me her admiration of Dolly Parton.  As she put it, “Dolly didn’t let her fame take her from her roots.  She remembered how hard life was for her father because he couldn’t read or write, and she was determined to do everything she could to bring books and reading to as many children as she possibly could.” 

Champagne said that she relates on a personal level to Dolly’s mission to get books into the hands of young children. “I am the oldest of seven children,” she said, “and having access to books is one of the ways that our mother was able to manage raising all of us.  She taught all seven of us the alphabet by reading Chicka Chicka Boom Boom to us.  My interest in literacy education is tied to my own childhood experiences of reading books with my mother.”

In addition to coordinating the day-to-day operation of Dolly Parton’s Imagination Library in Mecklenburg County, Champagne engages in various outreach efforts to inform parents about this program. She said, “I am so pleased that we now provide free books to over 29,000 children in our area.  That’s 41% of the children birth-4yr in our county.  But my goal is to reach all of the children.”  This summer, Champagne and Smart Start has extended its outreach to include little libraries scattered around the Charlotte area.  According to Champagne, “These libraries will allow us to distribute new books directly to children, and help us educate parents about this opportunity for their family.”  For more information about this initiative, please click on the following link:  https://smartstartofmeck.org/dolly-partons-imagination-library-opens-little-libraries-in-eleven-charlotte-locations/

Champagne’s official title at Smart Start is “Literacy Coordinator,” and she sees her work with Dolly Parton’s Imagination Library through the lens of early literacy.  She told me, “Shared reading is a strong indicator of early literacy, and the Imagination Library makes it easier for families to come together around a book.”  I commend Champagne and everyone else involved with Mecklenburg County’s Smart Start Program for bringing  Dolly Parton’s Imagination Library to Storied Charlotte. 

Tags: literacy education

Remembering the Story of Camp Greene

May 31, 2021 by Mark West
Categories: Storied Charlotte

Memorial Day is about remembering.  Initially called Decoration Day, the holiday started as a day dedicated to remembering the soldiers who died during the Civil War.  Gradually the scope of the day expanded to include the commemoration of all Americans who died while serving in the military as well as to honor those who risked their lives in service to our country. 

With Memorial Day upon us, now is a fitting time to remember one of the most significant chapters in the story of Charlotte’s associations with the military—the founding and operation of Camp Greene.  Opened in July 1917, Camp Greene was a military training facility located in west Charlotte where tens of thousands of recruits were trained before being deployed to Europe to fight and, in many cases, die in World War I.  When the war ended on November 11, 1918, Camp Greene was no longer needed, and the facility was soon dismantled.  Over the years, the story of Camp Greene was nearly forgotten, but two Charlotte historians—Miriam Grace Mitchell and Edward Spaulding Perzel—set out to keep the memory of Camp Greene alive.  In 1979, they published a book titled The Echo of the Bugle Call, Charlotte’s Role in World War I in which they covered the history of Camp Greene.  Their book has now been digitized and is available by the Charlotte Mecklenburg Library:  https://www.cmstory.org/book/echo-bugle-call-charlottes-role-world-war-i

In preparation for writing this blog post, I contacted community historian Tom Hanchett and asked him if he was familiar with The Echo of the Bugle Call, and if so, would he be willing to write something about the book and the significance of Camp Greene for my blog.  Tom responded by suggesting that I contact J. Michael Moore, a community historian who has been working with folks in the Camp Greene neighborhood who are interested in their history.  I then contacted Michael and learned that he is a professionally trained public historian who worked as a staff historian at the Worcester Historical Museum in Massachusetts for many years before moving to Charlotte.  In recent years, he has served as a consultant to the Levine Museum of the New South in the creation of exhibitions about Camp Greene.  Michael readily agreed to my request for more information about The Echo of the Bugle Call and the historical importance of Camp Greene. Here is what he sent to me:

Before I moved to Charlotte, I did history work in California and New England. This is the first place I have lived with a large African American population, and my first time living in the South. Studying history here forced me to understand more deeply  the importance of race in every American story.  Also, I have been jarred to see symbols of the nation and symbols of the Confederacy in close proximity, as is common here. Of course, these tendencies are deeply imbedded in our national culture and society today. Understanding the South is one path to knowing America.

I started exploring the story of Camp Greene at the invitation of the neighborhood association ahead of their events to mark its 100th anniversary. The Echo of the Bugle Call, published in 1979, was one of the first works I consulted. It was the first serious look at the story of Camp Greene, created as part of an effort to revive the memory of the camp and of the World War in Charlotte, and prompted by the successful grassroots organizing of teenager David Ritch to save the Dowd House, the only remaining building from Camp Greene.

The Echo conveys the vast scale of the undertaking and the doggedness of the city’s boosters to win the contract for the camp. It is full of details about the experience of soldiers and camp/city relations. But it has a blind spot when it comes to race. Paying attention to the experience of African American soldiers and the community displaced by the camp broadens and deepens our understanding of the history. It also offers a key to unlock the mystery of why Camp Greene was “forgotten” and in need of rediscovery when The Echo was written.

The main camp covered an area the size of Uptown, Dilworth, and the South End combined. The trick was to assemble that much land close to the city and make it available at no cost to the US Army! The newly organized Chamber of Commerce did it by leasing the land from 33 different property owners, paying rent and compensation for the crops in the fields. It raised the money through donations from businesses, especially those related to land development and the hospitality industry. The Chamber then leased more than 2,000 contiguous acres to the Army for $1. It was the first large Chamber-led growth project.

Nearly none of the owners lived on the land. The people who lived there were renters, mostly working as farm laborers or as farm tenants. A majority were African American. All were rushed off the land as soon as the contract was inked with the Army. All of the homes were torn down and most were burned in the mad dash to erect the camp. Only the Dowd House and Syd Alexander’s “Enderly” were spared, and they served as the construction headquarters and camp headquarters, respectively. The Black tenants who were run off in July, 1917, would be the last African Americans to dwell on this land until the 1970s. When homes were built starting in the 1920s, blacks were excluded from buying or living in them. It was only in the 1970s, as legal impediments crumbled and white folks fled, that black residents found homes here.

When the camp was built, the Army policy was to train African American troops outside the South. It was on that basis that the city fought so hard for the camp. But in mid-1918, the Army reversed its policy and began to assign soldiers to camps near where they were drafted. That meant that many Black soldiers were trained at Camp Greene. Indeed, from the late summer of 1918, a majority of the troops were African American. The average number of Black troops in October, 1918, was 14,336!

Looking at the experience of the Black troops complicates the story of Camp Greene and puts in question many of the themes advanced about it. The encounter between the “non-Southern” newcomer and the “New South” city is only one aspect of the story. The hospitality of the locals was not extended in the same way to Black troops. The YMCA building at the camp had a sign at the front door stating, “No Negro Soldiers Allowed by Orders of the Military Authorities.” Most African American troops were assigned to labor battalions and received almost no military training. They were treated roughly by the military police, and more often confined to the base. When the war ended the camp was closed, and there was no groundswell of support for maintaining an Army camp in Charlotte. It is likely that the presence of so many African American troops contributed to that sentiment.

Years ago, I co-authored a case study of World War I remembrance in a small Massachusetts town that created a remarkable “peace memorial” to its soldiers. I have only begun to explore the way the World War has been remembered in Charlotte, but my initial investigations suggest some important insights. WWI has long been the nation’s “forgotten” major war. It was the last to get a national museum and memorial, and the public knows little about it. Several reasons are posited for this situation, a major one being the way it was eclipsed by World War II. World War II is more recent, had a larger impact on more people, and was the “good war” to fight fascism. In Charlotte, however, WWI was not eclipsed by WWII. It was eclipsed by the Civil War.

There were many commemorative events here in the first decade after the WWI. The white and black veterans each formed American Legion posts. The local chapter of the Daughters of the American Revolution erected an obelisk at the camp honoring the units that trained there. Several white soldiers, who died at the camp and whose bodies were not claimed, were buried at Elmwood Cemetery, and a marker erected. Armistice observances became increasingly organized.

In 1922, Clarence “Booster” Kuester, the leader of the Chamber of Commerce, personally paid $3,000 to buy a statue of a “doughboy” for the city. It was installed in front of the county courthouse on South Tryon Street near the 1898 obelisk memorial to signers of the Mecklenburg Declaration of Independence. The statue was moved when a new courthouse was built in 1928. But rather than being moved to the new courthouse, like the Meck Deck memorial, it was moved to the site of the new armory/auditorium planned for Independence Park. (This building today is known as the Grady Cole Center.) There was an urgency to getting the new armory built because it was to serve as the main venue for the reunion of the national organization of the United Confederate Veterans the following summer.

Armistice Day, 1928, marked the tenth anniversary of the war’s end, and the city organized a parade from city hall to rededicate the doughboy statue at its new location, where speeches and songs and prayers were offered at 4:00PM. At the exact same hour, the Black American Legion Post was holding a ceremony at the city’s segregated Pinewood Cemetery and marking the graves of 50 soldiers who died in the war.

“CITY SURRENDERS TO CONFEDERATE ARMY” proclaimed the banner headline in the Charlotte Observer on June 4th, 1929. 150,000 people watched as 10,000 marched at the annual reunion of the Confederate War Veterans. A reporter wrote that the aging vets “had become in the instant those same dashing, gallant boys . . . of the proudest race that America has produced, the antebellum Anglo-Saxons of the southland.” A new monument was dedicated next to the doughboy statue at the armory, “erected by the citizens” of Charlotte and Mecklenburg County to the Confederate veterans who “preserved the Anglo-Saxon civilization of the South and became master builders in a reunited country.” Enormous energy was being poured into the vessel of the “Lost Cause” by the white community. It united them in a way that World War I could never hope to do. Despite the new monument’s claim to “reuniting the nation,” the hearts and hopes of these people were united in memory of an imagined Southern past, not an imagined national community.

That monument stood where it was erected until last summer, when it was quietly spirited away by the county during COVID lockdown. Six years earlier it had been twice defaced by BLM protestors. In August, 2014, in the wake of the shootings in the Charleston church, the names of the victims were painted across one face of the monument. On the other side was written, “The cause for which they fought, the cause of slavery – WAS WRONG.”

The Dowd House, long effectively closed as a museum, has been sold by the county to a private real estate development firm, to be used as its office. For a long time, the county was unwilling to spend the money to staff or program the Dowd House. Some of its historical exhibits have been transferred to the public library. The African Americans who found homes in Camp Greene after 1970 are being displaced in large numbers again, forced by high rents and new gentrifiers to find shelter elsewhere, often outside of Charlotte. We wait and wonder where and how to find common ground for all of us as Americans.

Michael’s response to my invitation to contribute to this week’s blog post underscores for me the evolving nature of historical research and writing.  As a public historian, Michael appreciates the importance of The Echo of the Bugle Call, Charlotte’s Role in World War I in terms of preserving the history of Camp Greene. However, he also knows that history is not static and that new research and changing perspectives influence our understanding of historical events. As Michael shows, the story of Camp Greene relates to many other stories, all of which contribute to the dynamic and complex narrative that is Storied Charlotte. 

Rising and Falling in the New South

May 24, 2021 by Mark West
Categories: Storied Charlotte

The word story is embedded in the word history, which is fitting since history books tell stories as well as convey historical information.  A storyline that runs through many history books is the “rise and fall” trope.  There are lots of books about the rise and fall of the Roman Empire or the rise and fall of Napoleon, but this trope also can be found in books that focus on the history of our region.  Two such books are Karen L. Cox’s No Common Ground:  Confederate Monuments and the Ongoing Fight for Racial Justice and Gene Hoots’ Going Down Tobacco Road:  R. J. Reynolds’ Tobacco Empire.  Both of these books came out in the past year, and both are by Charlotte authors.

Karen Cox is a professor in the History Department at UNC Charlotte.  She is the author of several books that deal with the history of the American South, including Dreaming of Dixie:  How the South Was Created in American Popular Culture and Goat Castle:  A True Story of Murder, Race, and the Gothic South.  In No Common Ground, she traces the history of Confederate monuments from the Reconstruction period to the present day.  Published by the University of North Carolina Press, No Common Ground is literally a rise-and-fall story.  She recounts how the Daughters of the Confederacy and other groups of white Southerners commissioned the building and erection of statues honoring Confederate military figures and political leaders.  She then discusses the growing controversy surrounding these monuments, culminating with the current movement to take down these monuments and remove them from public display. 

In its official description of the book, the University of North Carolina Press states:

In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and “heritage” laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

Gene Hoots is a retired financial analyst who worked as an executive at the R. J. Reynolds Tobacco Company from 1967 to 1986.  For much of this time, he ran the company’s pension investment fund.  Serving in this position provided him with an insider’s point of view in terms of the inner workings of the company.  His experience with the company caused him to take an interest in the history of Reynolds and its impact on North Carolina.  For years he collected information about the company, and in 2017, at the age of 78, he decided to write a comprehensive history of the Reynolds Tobacco Company from its founding in 1875 to the leveraged buyout in 1989 that led to the company’s demise.  Three years after he started writing the book, Going Down Tobacco Road came out.  Although the book relates to the category of business history, it goes beyond telling the story of the rise and fall of Reynolds.  It also provides insights into the history of the region’s tobacco culture.  

In its official description of the book, the publisher (Encore Consulting) states:

Gene Hoots worked for R. J. Reynolds for twenty-one years.  He saw its empire grow and then destroyed in 1989 in the biggest leveraged buyout in history. But he knew there was a longer, dramatic story that both led to and followed the historic buyout.  Going Down Tobacco Road is a new look at how the ‘gold leaf’ became king in North Carolina and its impact on robber barons, factory workers, farmers, and almost everyone else in the state. But it is also the story of an Empire whose profitability from a controversial product brought untold riches to businesses, governments, and several million people and then caused its own destruction.

Both of these writers have their own websites:  If you want to know more about Karen Cox, please click on this link:  https://karencoxhistorian.com/  If you want know more about Gene Hoots, please click on this link:  https://goingdowntobaccoroad.com/

In many ways, Karen Cox’s story about the rise and fall of Confederate monuments and Gene Hoots’ story about the rise and fall of the Reynolds Tobacco Company are chapters in a larger story about the rise of the New South and the gradual fall of the Old South.  Both of these books provide readers with insights into the complexities of our region’s history, and both are worthy additions to Storied Charlotte’s impressive library of books about the history of the New South. 

Tags: confederate monumentshistory booksNew SouthOld Southtobacco culture
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