historical fiction

Joy Callaway’s New Historical Novel Is Set in Charlotte in 1918

May 03, 2025 by Mark West

Joy Callaway is one of Charlotte’s foremost writers of historical fiction. She published her first historical novel, The Fifth Avenue Artists Society, in 2016. Since then, she has brought out several more historical novels, including Secret Sisters (2017), The Grand Design (2022), All the Pretty Places (2023), and What the Mountains Remember (2024), but none of these earlier novels is set in Charlotte. Her latest release, The Star of Camp Greene: A Novel of WWI, is Joy’s first historical novel that is set in her hometown of Charlotte.

The Star of Camp Greene features an ambitious Broadway performer named Calla Connolly. As part of an effort to entertain the troops, she goes on a tour of military training camps, including Camp Greene in Charlotte. Her plan is to put on a show in Camp Greene and then leave for her next performance. However, her plan gets upended. Calla’s predicament is nicely captured in the following blurb provided by the publisher:

Broadway darling Calla Connolly had it all: a rising career on the stage and a loving fiancé, a fellow stage actor. But after his tragic death early in the war, Calla is touring the American training camps, hoping to convince General Pershing to let her tour the French front to cheer the men and honor her fiancé’s memory. But her hopes are dashed when she contracts Spanish flu while performing at Camp Greene.

While convalescing, Calla inadvertently overhears a sensitive Army secret and is ordered to remain at Camp Greene for the duration of the war while her former mentor and rival steals her tour out from under her. Having no choice but to stay at the camp, she becomes the resident performer and forms attachments to several musician soldiers.

When she falls in love with the man responsible for trapping her at camp, the mission she’s sworn to keep secret threatens the men she’s come to care for. Calla is forced to decide what her dreams are worth–and if the future she never expected might only be possible if she lets those dreams go.

The official launch of Joy’s The Star of Camp Greene will take place at Park Road Books on May 8 at 6:30 pm. For more information about this free event, please click on this link: https://www.parkroadbooks.com/event/joy-callaway-discusses-her-new-book-star-camp-greene-annissa-armstrong

For more information about Joy and her novels, please click on the following link: https://www.joycallaway.com/

While preparing to write The Star of Camp Greene, Joy conducted extensive research into the history of Camp Greene. She searched through newspaper archives to find news accounts related to Camp Greene, and she made frequent visits to the archives of the Charlote Mecklenburg Library to locate photographs and other primary sources. The result is a carefully researched novel that captures what life was like in one corner of Storied Charlotte during the First World War.

Tags: historical fiction Joy Callaway

Carol Baldwin and Her YA Novel Set in Charlotte During the 1950s

June 10, 2024 by Mark West

About a month ago, an email popped up in my inbox from Carol Baldwin. The Re message read, “Introducing myself and my book.” In her email message, she told me about her forthcoming debut novel titled Half-Truths, her historical novel intended for young adults. She mentioned that she is a Charlotte writer and that her novel is set in Charlotte during the 1950s. Intrigued, I asked her for more information about her novel and how she came to write it. Here is what she sent to me:

In 1950, 15-year-old Kate Dinsmore wants to go to college to become a journalist but her tobacco-farming father can only afford to send her brother—not her. She moves from Tabor City, NC, to her grandparents’ mansion in Myers Park to gain a better education and a hoped-for college fund. In her new society-conscious home, she wants to please her grandmother even if it means becoming a debutante. She meets Lillian Bridges, the Black maid who works for her grandmother and they bond over finding a cure for Kate’s goat that has ringworm. At the same time, family secrets are unearthed and the girls discover that they share a great-grandfather. Kate faces a choice. Will she overcome her fears, society’s constraints, and the power of family secrets to make her voice heard?

In 1986 I moved to Charlotte, North Carolina, from Pennsylvania when I married a widower and became a step-mother. I published several articles but I was itching to write a book. A writer friend encouraged me to find the story in my own back yard. I decided to find out what life was like “back in the day” in Charlotte. In a city that has a reputation for tearing down buildings and paving over history, I dug for stories. What events led up to the civil rights movement? Where were the old plantations and graveyards? What did it feel like to see a “White’s Only” sign over a drinking fountain? I looked for Charlotte’s forgotten history.

I began to imagine a story about a White girl and a Black girl, the connection they would forge, and how their friendship would be tested. As a part of my research, I visited several African American sites including the old Rosenwald School that is now the Grier Heights Community Center. During a conversation with two former students, I gathered story ideas. I interviewed Whites and Blacks who had gone to AG Junior High and Second Ward High School. I met Vermelle Ely who has been the backbone of the Second Ward Alumni Association for many years; Theresea Elder who was the first Black public health nurse in Charlotte; Sally Robinson who was a debutante in 1951; and George Snyder whose grandfather was a vice-president in the Coca-Cola Bottling Company. Each person I interviewed helped me broaden my understanding of the period and the setting for Half-Truths.

Although the book isn’t autobiographical, it wasn’t until after I had read my first draft that I realized Half-Truths is also about me. On the outside, I am a transplanted Yankee who was a fish out of water when I moved to Charlotte and acquired a new hometown and a new family. On the inside, Half-Truths is about a young woman who finds her voice. I didn’t set out to write about myself. But writers often write what they know. I didn’t know that was what I was doing.

After 17 years of writing, revising, and finding a publisher, I am pleased to announce that Half-Truths is coming out on April 2, 2025, from Monarch Educational Services. You can learn more about me on my website and follow me on social media.

I congratulate Carol on completing Half-Truths, and I am looking forward to its publication. When the book comes out in the spring of 2025, it will join a cluster of other books that also deal with the experience of growing up in the Charlotte area during the mid-twentieth century. These books include Avery Caswell’s Salvation, Judy Goldman’s Child: A Memoir, Anna Jean Mayhew’s The Dry Grass of August, and Dori Sanders’s Clover. Like Carol’s Half-Truths, these other books explore the connections between childhood and the changing nature of race relations in the South between the 1950s and the 1970s. We are fortunate that Carol and these other authors have provided us with insights into what it was like to grow up in Storied Charlotte back in the day.

Tags: historical fiction YA Novel

Taking Readers to Another Place and Time

June 13, 2023 by Mark West

Writers of historical fiction are first and foremost storytellers, but they are also tour guides who take readers to other places and times. In most historical novels, the settings, both in terms of place and time, play integral roles in the unfolding of the plots. Such is the case with two recently published historical novels written by Joy Callaway and Nancy Northcott, both of whom are Charlotte writers.

Joy’s new novel is titled All the Pretty Places: A Novel of the Gilded Age. The story begins in Rye, New York, in April 1893. Like Joy’s previously published historical novels, All the Pretty Places features a determined heroine who strives to establish a career during a time when society often placed limitations on women’s career opportunities. In the case of All the Pretty Places, the central character is Sadie Fremd, the daughter of an entrepreneur who founded Rye Nurseries. Sadie shares her father’s passion for horticulture and longs to take over the family business when her father retires. He has other plans for her. Sadie’s predicament is nicely captured in the following blurb provided by the publisher:

Sadie Fremd’s dreams hinge on her family’s nursery, which has been the supplier of choice for respected landscape architects on the East Coast for decades. Now her small town is in a panic as the economy plummets into a depression, and Sadie’s father is pressuring her to secure her future by marrying a wealthy man among her peerage—but Sadie has never been one to play it safe. Besides, her heart is already spoken for.

Rather than seek potential suitors, Sadie pursues new business from her father’s most reliable and wealthy clients of the Gilded Age in an attempt to bolster the floundering nursery. But the more time Sadie spends in the secluded gardens of the elite, the more she notices the hopelessness in the eyes of those outside the mansions. The poor, the grieving, the weary. The people with no access to the restorative beauty of nature.

Sadie has always wanted her father to pass his business to her instead of to one of her brothers, but he seems oblivious to her desire and talent—and now to her passion for providing natural beauty to those who can’t afford it. When former employee, Sam, shows up unexpectedly, Sadie wonders if their love can be rekindled or if his presence will simply be another reminder of a life she longs for and cannot have.

Joy Callaway illuminates the life of her great-great-grandmother in this captivating story about a daring woman following her passion and finding her voice, while exploring natural beauty and its effect in the lives of those who need it most.

For more information about Joy and her novels, please click on the following link: https://www.joycallaway.com

Nancy’s new novel, The King’s Champion, concludes her Boar King’s Honor historical fantasy trilogy.The central premise of the trilogy, running through all three books, is that Richard III was framed for the murders of his nephews, who’re known as the Princes in the Tower, and the king was killed at Bosworth Field before the wizard who unwittingly assisted in the murders could name the true killer. Speaking up under the Tudors, who followed King Richard on the throne, would have cost the wizard his life. Tormented by guilt, he cursed all his heirs to not rest in life or death until they cleared the king’s name.

While the family’s quest to lift the curse runs through all three books, each centers on a bigger problem with higher, wider-ranging stakes. Everything wraps up in The King’s Champion. Here’s a description provided by the author:

Caught up in the desperate evacuation of the British Expeditionary Force from France in the summer of 1940, photojournalist Kate Shaw witnesses death and destruction that trigger disturbing visions. She doesn’t believe in magic and tries to pass them off as survivor guilt or an overactive imagination, but the increasingly intense visions force her to accept that she is not only magically Gifted but a seer.

In Dover, she meets her distant cousin Sebastian Mainwaring, Earl of Hawkstowe and an officer in the British Army. He’s also a seer and is desperate to recruit her rare Gift for the war effort. The fall of France leaves Britain standing alone as the full weight of Nazi military might threatens. Kate’s untrained Gift flares out of control, forcing her to accept Sebastian’s help in conquering it as her ethics compel her to use her ability for the cause that is right.

As this fledgling wizard comes into her own, her visions warn of an impending German invasion, Operation Sealion, which British intelligence confirms. At the same time, desire to help Sebastian, who’s doomed by a family curse arising from a centuries-old murder, leads Kate to a shadowy afterworld between life and death and the trapped, fading souls who are the roots of her family’s story. From the bloody battlefields of France to the salons of London, Kate and Sebastian race against time to free his family’s cursed souls and to stop an invasion that could doom the Allied cause.

For more information about the Boar King’s Honor trilogy and Nancy’s other work, please visit her website, www.NancyNorthcott.com.

Although Joy’s All the Pretty Places is a work of historical realism and Nancy’s The King’s Champion is a work of historical fantasy, these two novels have several points in common. They both feature strong female characters who take action and exercise agency. Both novels are grounded in careful historical research, and as a result, they provide readers with a sense of experiencing life in another place and time. Finally, both are written by authors who belong to Storied Charlotte’s cadre of talented historical novelists.

Tags: historical fiction

How Malika J. Stevely Came to Write Song of Redemption

October 31, 2022 by Mark West

Charlotte author Malika J. Stevely recently published a work of historical fiction titled Song of Redemption. It’s her debut novel, but Malika is not a novice writer. She has extensive experience as a journalist and communications specialist, and her background in journalism came into play when she set out to write this book.

Most of the story takes place on a French and English-speaking plantation in Louisiana in the years just before the Civil War, but the opening chapter is set in 1932. In this chapter, a group of construction workers are fixing up an abandoned plantation mansion when they discover the body of a woman behind one of the walls. This event actually happened. When Malika heard about it, she became curious about the story of the woman whose body was discovered. After doing extensive investigative research, she decided to write a novel based on the life of this woman.

I contacted Malika and asked her for additional information about how she came to write Song of Redemption. Here is what she sent to me:

Before serving my community as a newspaper reporter, a favorite pastime of mine was conducting interviews, specifically with seniors. It was, and is, an opportunity to absorb wisdom, and to see how issues within the world may have evolved or remained unresolved. Years ago, a senior family friend shared that her father was a crew member with a construction company in Louisiana in 1932. When he and his team were assigned to refurbish a mansion, he discovered the remains of an enslaved woman behind one of the walls. In addition to the story, the description of the sights and emotions felt decades after the Antebellum era were just a few things that stuck with me.

Usually with oral history, a story runs the risk of dying with the person who told it, unless it is shared with a multitude of people. I remember feeling a sense of responsibility to give the enslaved woman an identity and a voice. Often when we hear about those involved in tragedy, the person becomes defined by the incident. I wanted to humanize her as well as solve the mystery behind the oral history. This could only be done by researching and sharing her story as well as the experiences of other enslaved individuals whose names and accounts were silenced or never told. And in conjunction, it was imperative that there was a rich illustration of culture and languages in the book along with the perspectives of women, Blacks, Creoles and Creoles of color.

While Charlotte is my adopted home, I have ties to Louisiana and sprinkled a little of myself within the pages of the book. In addition to the reappearance of newspapers and advertising featured in the novel, music and medicine (modern and holistic slave remedies) were themes from my own life and lineage that served as inspiration, creating a literary symphony that transformed into Song of Redemption.

For more information about Malika, please click on the following link: https://www.malikajstevely.com/

Readers who would like to talk with Malika about Song of Redemption are in luck, for Malika is one of the featured authors at our next Charlotte Readers Book Club event. For our third Charlotte Readers Book Club event, Charlotte Readers Podcast and Storied Charlotte are partnering with That’s Novel Books at Hygge at Camp North End. This event will take place at That’s Novel Books, 330 Camp Road, on Wednesday, November 9, 2022, from 5:30 pm to 6:30 pm. We will feature Malika’s Song of Redemption and Pamela Grundy’s recently published Legacy: Three Centuries of Black History in Charlotte, North Carolina. You are not required to have read the books to participate in our book club. This will be an open discussion with the authors. Here is the Eventbrite link: https://www.eventbrite.com/e/charlotte-readers-bookclub-tickets-453351595827

I am looking forward to talking with Malika and Pamela at this upcoming Charlotte Readers Book Club event and learning more about their contributions to Storied Charlotte.

Tags: historical fiction novel

Joy Callaway’s Historical Novels about Strong Women from America’s Past

August 22, 2022 by Mark West

I have long been interested in America’s Gilded Age, so when I came across Joy Callaway’s debut novel, The Fifth Avenue Artists Society, I was intrigued by the blurb on the front cover. The blurb describes the novel as “an engrossing Gilded Age tale of a determined young woman’s pursuit of her art.” I picked the book up and read the short author bio on the back cover, and that is how I discovered that Joy is from Charlotte.

I have since learned that Joy is the author of three historical novels, all of which feature strong women characters who chart their own course even when it means going against some of the prevailing expectations that women often faced in the past. The Fifth Avenue Artists Society, which came out in 2016, is set in New York City in the late nineteenth century. Ginny, the central character, is an ambitious young woman who is determined to make her mark as a famous novelist. This character is partially based on one of Joy’s ancestors. Joy’s second novel, Secret Sisters, was published in 2017. Set in the early 1880s, the story deals with four women college students who set out to establish a women’s fraternity. Although it is a work of fiction, Secret Sisters is based on the founding of America’s first sororities. Joy’s latest historical novel, The Grand Design, just came out this summer. Much of the story takes place in The Greenbrier, the famous resort in West Virginia. The central character has much in common with Dorothy Draper, the pioneering interior designer who renovated The Greenbrier after it was used as a make-shift hospital during World War II. For more information about Joy and her novels, please click on the following link: https://www.joycallaway.com/

I recently contacted Joy and asked her for more information about The Grand Design. Here is what she sent to me:

The idea for The Grand Design was very organically born out of my love for The Greenbrier, the bright designs of Dorothy Draper, and for West Virginia. My family has been in West Virginia for eight generations (though I grew up in Charlotte) and we’ve gathered for family reunions at The Greenbrier each year for most of my life. I have always loved history, so I would go to the history lectures done by Greenbrier historian, Dr. Bob Conte, during each visit. When I started my writing career, I knew I wanted to write a novel set there, but I wasn’t quite sure which part of The Greenbrier’s history I wanted to focus on. During one of our family reunions, I ended up having a conversation with my grandfathers about the legacies of Dorothy Draper and The Greenbrier and that they couldn’t exist without the other. That was a sort of light-bulb moment for me, and I decided I’d like to explore these two fascinating main characters and how they’d shaped each other over the years.

Researching Dorothy Draper and The Greenbrier was a blast. I, of course, leaned on the expert knowledge of Dr. Conte for all things Greenbrier and dug into Mr. Carleton Varney’s books about Dorothy Draper. I also explored extensive newspaper archives and magazine articles and letters—really anything I could get my hands on to grasp the spirit of Dorothy and The Greenbrier. Though I write fiction, it is always my absolute goal to make sure I get as close to the soul of my main characters as I can in my work and to honor them that way—along with, of course, staying as close to the actual fact pattern of their lives as I can manage.

In all of Joy’s historical novels, spirited female characters defy the odds and make things happen, but they are still believable in part because they are based on real people. Joy knows how to tell a compelling story, but she also knows how to do historical research. Her historical novels ring true because she gets her details right. I am convinced that Joy has a long career ahead of her, but with the success of the three novels that she has published to date, she has already established herself as one of Storied Charlotte’s leading authors of historical fiction.

Tags: female characters historical fiction The Greenbrier

Experiencing New York’s 19th-Century Theater Scene with Paula Martinac

December 05, 2021 by Mark West

Novelist Paula Martinac has established herself as one of Charlotte’s leading lesbian writers, but she is also known for her well-researched historical fiction. Over the course of her career, she has written several novels set during the middle decades of the 20^th century, such as Testimony, a novel about a professor who teaches at a private college for women in rural Virginia in the early 1960s. However, Paula’s most recent novel, Dear Miss Cushman (Bywater Books), is her first work of historical fiction that is set during the 19^th century.

Dear Miss Cushman takes place in New York City during the 1850s. It is told from the point of view of Georgiana “Georgie” Cartwright, a young woman who aspires to be a professional actress. Georgie’s role model is Charlotte Cushman, who was a real 19^th-century American actress. In Paula’s novel, Georgie initiates correspondence with Charlotte Cushman, which explains the title of the novel. In many ways, this novel is a coming-of-age story in which a young woman forges an identity that transcends the confines of traditional, 19^th-century gender roles. It is also, however, an immersion into the colorful theater scene as it existed in antebellum America.

For more information about this novel, please click on the following link: https://www.bywaterbooks.com/product/dear-miss-cushman-by-paula-martinac/ For readers who would like to learn more about Paula and her publications, please click on the following link: http://paulamartinac.com/

I contacted Paula and asked her how she went about researching and writing Dear Miss Cushman. Here is what she sent to me:

Dear Miss Cushman grew out of my awe for people of the distant past who pursued same-sex relationships or presented as physically different from the sex assigned them at birth—even though there wasn’t any queer identity as we now know it. The self-awareness and self-reliance they must have had amazes me. For example, real-life American actress Charlotte Cushman (1816-1876) not only forged her career playing roles written for men, like Romeo and Hamlet, but engaged in long-term romantic relationships with equally accomplished women. How were these women able to discover who they were?

I’ve always loved theater and I’ve had some plays produced, so Cushman seemed like a ripe topic for my fiction. Even so, I didn’t want to be confined by her biography. When I read that she had a following of adoring young female fans, including aspiring actresses, my character Georgiana “Georgie” Cartwright was born, along with the idea that Georgie might write Cushman letters asking for advice.

I’d never written a novel set in the 19th century, and it required a daunting amount of research. As I wrote, I kept having to go back and do even more research, digging up little details to make Georgie’s world feel real. Still, the process went quickly and was a lot of fun, aided by a 2019-2020 Creative Renewal Fellowship from the Arts and Science Council. The fellowship allowed me to turn down a few teaching gigs, giving me time to devote to the project. I was also able to make a research trip to Wilmington to visit Thalian Hall, one of the only remaining mid-19th-century theaters in the country, which still has its original painted curtain and a “thunder roll” once used to simulate storms. Standing center stage, I could imagine what Georgie saw and felt when she looked out over the footlights and that added texture to the book.

Toward the beginning of Dear Miss Cushman, Georgie writes her first letter to Charlotte Cushman. In her letter, she writes, “I had the pleasure of accompanying my uncle to The Broadway last night to see your performance of Romeo. All I can say is thank you, thank you, thank you!” Well, following Georgie’s lead, all I can say to Paula is thank you, thank you, thank you for the memorable contributions to Storied Charlotte’s ever-expanding library.

Tags: 19th century historical fiction lesbian writers

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